Bøger i New African Histories serien

Who Shall Enter Paradise? recounts in detail the history of Christian-Muslim engagement in a core area of sub-Saharan Africa's most populous nation, home to roughly equal numbers of Christians and Muslims.

Conjugal Rights is a history of the role of marriage and other arrangements between men and women in Libreville, Gabon, during the French colonial era, from the mid-nineteenth century through 1960.

In Idi Amin's Shadow is a rich social history examining Ugandan women's complex and sometimes paradoxical relationship to Amin's military state.

Traces the connection between local and trans-regional politics in the age of Africa's decolonization and the early decades of the Cold War.

Invisible Agents shows how personal and deeply felt spiritual beliefs can inspire social movements and influence historical change. Conventional historiography concentrates on the secular, materialist, or moral sources of political agency.

An intellectual history of the resistance movement in South Africa between 1968 and 1977, this book follows the formation, early trials, and ultimate dissolution of the Black Consciousness movement. The author argues that only by understanding how ideas a

Historians of colonial Africa have regarded the decade of Great Depression as a period of intense exploitation and colonial inactivity. This book challenges this conventional interpretation by mapping the determined, at times violent, yet instructive responses of Northern Nigerian people to the British colonial mismanagement of Great Depression.

Focuses on a rich and diverse range of sources, that can find enthusiastic audiences in classrooms and in the general public. This book traces the many routes by which this singularity, this heteronormativity, became a dominant culture.

In Senegal, the Muridiyya, a large Islamic Sufi order, is the single most influential religious organization, including among its numbers the nation's president. Yet little is known of this sect in the West.

Many students come to African history with a host of stereotypes that are not always easy to dislodge. One of the most common is that of Africa as safari grounds-as the land of expansive, unpopulated game reserves untouched by civilization and preserved in their original pristine state by the tireless efforts of contemporary conservationists.

Charts the story of the English novelist and poet, John Moray Stuart-Young (1881-1939) as he traveled from the slums of Manchester to West Africa in order to escape the homophobic prejudices of late-Victorian society. This book pays attention to different forms of West African cultural production in the colonial period.

In Making Modern Girls, Abosede A. George examines the influence of African social reformers and the developmentalist colonial state on the practice and ideology of girlhood as well as its intersection with child labor in Lagos, Nigeria.

Black Skin, White Coats is a history of psychiatry in Nigeria from the 1950s to the 1980s.

In the 1950s, Ghana, under the leadership of Kwame Nkrumah and the Convention People's Party, drew the world's attention as anticolonial activists, intellectuals, and politicians looked to it as a model for Africa's postcolonial future. Nkrumah was a visionary, a statesman, and one of the key makers of contemporary Africa.

By emphasizing the centrality of human relationships to Ghana's economic past, Murillo introduces a radical rethinking of consumption studies from an Africa-centered perspective. The result is a keen look at colonial capitalism in all of its intricacies, legacies, and contradictions, including its entanglement with gender and race.

Reel Pleasures brings the world of African moviehouses and the publics they engendered to life, revealing how local fans creatively reworked global media-from Indian melodrama to Italian westerns, kung fu, and blaxploitation films-to speak to local dreams and desires.

In this ambitious new history of the antiapartheid struggle, Jon Soske places India and the Indian diaspora at the center of the African National Congress's development of an inclusive philosophy of nationalism.

Thomas F. McDow synthesizes Indian Ocean, Middle Eastern, and East African studies to explain how in the nineteenth century, credit, mobility, and kinship knit together a vast interconnected Indian Ocean region. McDow's new historical analysis of the Indian Ocean reveals roles of previously invisible people.

Schler's study of Nigerian seamen during Nigeria's transition to independence provides a fresh perspective on the meaning of decolonization for ordinary Africans.

From 1952 to 1981, South Africa's apartheid government ran an art school for the training of African art teachers at Indaleni, in what is today KwaZulu-Natal. The Art of Life in South Africa is the story of the students, teachers, art, and politics that circulated through a small school, housed in a remote former mission station.

Encompassing history, geography, and political science, MacArthur's study evaluates the role of geographic imagination and the impact of cartography not only as means of expressing imperial power and constraining colonized populations, but as tools for the articulation of new political communities and resistance.

In articles for the newspaper O Brado Africano in the mid-1950s, poet and journalist Jose Craveirinha described the ways in which the Mozambican football players in the suburbs of Lourenco Marques (now Maputo) adapted the European sport to their own expressive ends.

Though often associated with foreigners and refugees, many Somalis have lived in Kenya for generations, in many cases since long before the founding of the country.

The askari, African soldiers recruited in the 1890s to fill the ranks of the German East African colonial army, occupy a unique space at the intersection of East African history, German colonial history, and military history.Lauded

In Our New Husbands Are Here, Emily Lynn Osborn investigates a central puzzle of power and politics in West African history: Why do women figure frequently in the political narratives of the precolonial period, and then vanish altogether with colonization?

Healing Traditions offers a historical perspective to the interactions between South Africa's traditional healers and biomedical practitioners. It provides an understanding that is vital for the development of medical strategies to effectively deal with South Africa's healthcare challenges.

In this groundbreaking study, Jacob A. Tropp explores the interconnections between negotiations over the environment and an emerging colonial relationship in a particular South African context-the Transkei-subsequently the largest of the notorious "homelands" under apartheid.

Since the late 1940s, a violent African criminal society known as the Marashea has operated in and around South Africa's gold mining areas.

Throughout the 1960s and 1970s, Ivory Coast was touted as an African miracle, a poster child for modernization and the ways that Western aid and multinational corporations would develop the continent. At the same time, Marxist scholars-most notably Samir Amin-described the capitalist activity in Ivory Coast as empty, unsustainable, and incapable of bringing real change to the lives of ordinary people. To some extent, Amin's criticisms were validated when, in the 1980s, the Ivorian economy collapsed.In African Miracle, African Mirage, Abou B. Bamba incorporates economics, political science, and history to craft a bold, transnational study of the development practices and intersecting colonial cultures that continue to shape Ivory Coast today. He considers French, American, and Ivorian development discourses in examining the roles of hydroelectric projects and the sugar, coffee, and cocoa industries in the country's boom and bust. In so doing, he brings the agency of Ivorians themselves to the fore in a way not often seen in histories of development. Ultimately, he concludes that the "e;maldevelopment"e; evident by the mid-1970s had less to do with the Ivory Coast's "e;insufficiently modern"e; citizens than with the conflicting missions of French and American interests within the context of an ever-globalizing world.

Why did some central African peoples embrace gun technology in the nineteenth century, and others turn their backs on it? In answering this question, The Gun in Central Africa offers a thorough reassessment of the history of firearms in central Africa. Marrying the insights of Africanist historiography with those of consumption and science and technology studies, Giacomo Macola approaches the subject from a culturally sensitive perspective that encompasses both the practical and the symbolic attributes of firearms.Informed by the view that the power of objects extends beyond their immediate service functions, The Gun in Central Africa presents Africans as agents of technological re-innovation who understood guns in terms of their changing social structures and political interests. By placing firearms at the heart of the analysis, this volume casts new light on processes of state formation and military revolution in the era of the long-distance trade, the workings of central African gender identities and honor cultures, and the politics of the colonial encounter.