Bøger i New York Review Books Classics serien

An NYRB Classics Original Few writers had to confront as many of the last century's mass tragedies as Vasily Grossman, who wrote with terrifying clarity about the Shoah, the Battle of Stalingrad, and the Terror Famine in the Ukraine. An Armenian Sketchbook, however, shows us a very different Grossman, notable for his tenderness, warmth, and sense of fun. After the Soviet government confiscated--or, as Grossman always put it, "arrested"--Life and Fate, he took on the task of revising a literal Russian translation of a long Armenian novel. The novel was of little interest to him, but he needed money and was evidently glad of an excuse to travel to Armenia. An Armenian Sketchbook is his account of the two months he spent there. This is by far the most personal and intimate of Grossman's works, endowed with an air of absolute spontaneity, as though he is simply chatting to the reader about his impressions of Armenia--its mountains, its ancient churches, its people--while also examining his own thoughts and moods. A wonderfully human account of travel to a faraway place, An Armenian Sketchbook also has the vivid appeal of a self-portrait.

A plane crashes in the vast Northern Territory of Australia, and the only survivors are two children from Charleston, South Carolina, on their way to visit their uncle in Adelaide. Mary and her younger brother, Peter, set out on foot, lost in the vast, hot Australian outback. They are saved by a chance meeting with an unnamed Aboriginal boy on walkabout. He looks after the two strange white children and shows them how to find food and water in the wilderness, and yet, for all that, Mary is filled with distrust.On the surface Walkabout is an adventure story, but darker themes lie beneath. Peter's innocent friendship with the boy met in the desert throws into relief Mary's half-adult anxieties, and the book as a whole raises questions about what is lost-and may be saved-when different worlds meet. And in reading Marshall's extraordinary evocations of the beautiful yet forbidding landscape of the Australian desert, perhaps the most striking presence of all in this small, perfect book, we realize that this tale-a deep yet disturbing story in the spirit of Adalbert Stifter's Rock Crystal and Richard Hughes's A High Wind in Jamaica-is also a reckoning with the mysteriously regenerative powers of death.

"Michel Hartog, a sometime architect, is a powerful businessman and famous philanthropist whose immense fortune has just grown that much greater following the death of his brother in an accident. Peter is his orphaned nephew--a spoiled brat. Julie is in an insane asylum. Thompson is a hired gunman with an ulcerated gut. Michel, known for his kindly interest in the disadvantaged, hires Julie to look after Peter. And he hires Thompson to kill them. Julie and Peter escape. Thompson, gut groaning, pursues. Hunter and hunted make their way across France to the remote mountain estate to which Michel has retreated. Bullets fly. Bodies accumulate. The craziness is just getting started. Like Jean-Patrick Manchette's celebrated Fatale, The Mad and the Bad is a clear-eyed, cold-blooded, pitch-perfect work of creative destruction"--

A darkly witty satire classic of literary worth, ambition, and romantic idealism set in turn-of-the-century England, now with an introduction from Hilary Mantel Perhaps every novelist harbors a monster at heart, an irrepressible and utterly irresponsible fantasist, not to mention a born and ingenious liar, without which all her art would go for naught. Angel, at any rate, is the story of such a monster. Angelica Deverell lives above her diligent, drab mother's grocery shop in a dreary turn-of-the-century English neighborhood, but spends her days dreaming of handsome Paradise House, where her aunt is enthroned as a maid. But in Angel's imagination, she is the mistress of the house, a realm of lavish opulence, of evening gowns and peacocks. Then she begins to write popular novels, and this fantasy becomes her life. And now that she has tasted success, Angel has no intention of letting anyone stand in her way--except, perhaps, herself.