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This book explores the neglected significance of the doctrine of the Trinity for the understanding of human law. Through interaction with the thought of Jurgen Moltmann, Oliver O'Donovan and Thomas Aquinas, it argues that human law is called to play a positive but limited role in maintaining shallow justice and relative peace. Human law is overshadowed by the work of the Son, included in the purposes of the Father, and used as an instrument by the Holy Spirit. However, the Spirit works in those who are in Christ to effect deep justice, a work of sanctification which culminates in glorification--the experience of perfect, free, willing obedience in heaven. Thinking about law in the light of the Trinity enables us to understand its role, its purposes, and its limits.

This book develops a theory of imagining biblically that explores the contributions scripture can make to a new way of thinking about creativity, reading, interpretation, and criticism. The methodology employed in order to demonstrate this thesis consists of a theoretical exploration of current theological understandings of the "imagination" and their implications within the fields of literary studies. The biblical texts locates the function generally defined as "imagination" in the heart ("the eyes of your heart," Ephesians 1:18). This book assesses what the biblical text as a literary and religious document contributes to the concept of "imagination." Due to the eclectic nature of the individual books that comprise the scriptural canon, the text is considered primarily in terms of its overarching metanarrative, language, genres, and theological propositions. Tracing the various trajectories the biblical text opens up and the ways in which they intersect with and modify post-Romantic assumptions about the imagination reconfigures traditional definitions of this concept. A Calvinistic, evangelical hermeneutic is deployed to establish a theoretical concept of what it means to "imagine biblically." This is further substantiated by a comparative study of authors ranging from the seventeenth to the twentieth centuries (John Bunyan, Samuel Rutherford, Jane Austen, Charlotte Bronte, and C. S. Lewis). Each author's chapter incorporates a close reading of a key text which concretely examines various trajectories of imagining biblically, including creativity, faith, morals, narrative, Romanticism, and eschatology. The conclusion returns to the biblical text and draws these elements together, with a definition of the concept of imagining biblically and its implications for literary studies.

This work analyses and evaluates Jurgen Moltmann's model of universal salvation and its relation to his understanding of the redemption, or eschatological fulfilment,of time.

In reading the literary rhetoric of the Book of Exodus Kurle uncovers new insights in the author's purposes.

This book details the development and contours of Karl Barth's robust and lively vision of Christian and ecclesial life in the early years of his career.