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At the Bottom of the River is Jamaica Kincaid's first published work, a selection of inter-connected prose poems told from the perspective of a young Afro-Caribbean girl.Collecting pieces written for the New Yorker and the Paris Review between 1978 and 1982, including the seminal 'Girl', these stunning works announced a fully-formed, generational talent and firmly established the themes that Kincaid would continue to return to in her later work: the loss of childhood, the fractious nature of mother-daughter relationships, the intangible beauty of the natural world, and the striving for independence in a colonial landscape.Powerful and lyrical, this is an unforgettable collection from a unique and necessary literary voice.Part of the Picador Collection, a new series showcasing the best of modern literature.

Originally featured in the New Yorker's 'Talk of the Town' column, these are Jamaica Kincaid's first impressions of snobbish, mobbish New York.

A story of a marriage, Jamaica Kincaid's See Now Then is one of her most emotionally and thematically daring works.

One of the most important literary voices of the twentieth century on one of her greatest loves - gardening.

Jamaica Kincaid's poetic and affecting story of an ordinary man attempting to make a home on the island of Antigua.

Jamaica Kincaid's poweful and moving account of the life and death of her younger brother.

'A mine of treasures, a source of visions, a microcosm of human experience and suffering, the philosopher's stone: Migraine is a remarkable achievement' Sunday Telegraph Migraine is an age-old - the first recorded instances date back over two thousand years - and often debilitating condition, affecting a 'substantial minority' of the population across the globe. In Migraine, Oliver Sacks offers at once a medical account of its occurrence and management; an exploration of its physical, physiological, and psychological underpinnings and consequences; and a meditation on the nature and experience of health and illness.

Volume Three of the Border Trilogy In Cormac McCarthy's Cities of the Plain, two men marked by the boyhood adventures of All the Pretty Horses and The Crossing now stand together, between their vivid pasts and uncertain futures, to confront a country changing beyond recognition. In the fall of 1952, John Grady Cole and Billy Parham are cowboys on a New Mexico ranch encroached upon from the north by the military. On the southern horizon are the mountains of Mexico, where one of the men is drawn again and again, in this story of friendships and passion, to a love as dangerous as it is inevitable.

Bucky Wunderlick is a rock and roll star. Dissatisfied with a life that has brought fame and fortune, he suddenly decides he no longer wants to be a commodity. He leaves his band mid-tour and holes up in a dingy, unfurnished apartment in Great Jones Street. Unfortunately, his disappearing act only succeeds in inflaming interest . . . Great Jones Street, Don DeLillo's third novel, is more than a musical satire: it probes the rights of the individual, foreshadows the struggle of the artist within a capitalist world and delivers a scathing portrait of our culture's obsession with the lives of the few.

Bill Gray, a famous, reclusive novelist, emerges from his isolation when he becomes the key figure in an event staged to force the release of a poet hostage in Beirut. As Bill enters the world of political violence, a nightscape of Semtex explosives and hostages locked in basement rooms, Bill's dangerous passage leaves two people stranded: his brilliant, fixated assistant, Scott, and the strange young woman who is Scott's lover - and Bill's.An extraordinary novel from Don DeLillo about words and images, novelists and terrorists, the mass mind and the arch-individualist, Mao II explores a world in which the novelist's power to influence the inner life of a culture now belongs to bomb-makers and gunmen. Winner of the PEN/Faulkner Award, Mao II is the work of an ingenious writer at the height of his powers.

Don DeLillo's seventh novel is an exotic thriller. Set mostly in Greece, it concerns a mysterious 'language cult' seemingly behind a number of unexplained murders. Obsessed by news of this ritualistic violence, an American risk analyst is drawn to search for an explanation. We follow his progress on an obsessive journey that begins to take over his life and the lives of those closest to him. In addition to offering a series of precise character studies, The Names explores the intersection of language and culture, the perception of America from both inside and outside its borders, and the impact that narration has on the facts of a story. Meditative and probing, DeLillo wonders: how does one cope with the fact that the act of articulation is simultaneously capable of defining and circumscriptively restricting access to the self?

Ostensibly, Don DeLillo's blackly comic second novel, End Zone, is about Gary Harkness, a football player and student at Logos College, west Texas. During a season of unprecedented success, Gary becomes increasingly fixated on the threat of nuclear war. Both frightened and fascinated by the prospect, he listens to his team-mates discussing match tactics in much the same terms as generals might contemplate global conflict. But as the terminologies of football and nuclear war - the language of end zones - become interchanged, the polysemous nature of words emerges, and DeLillo forces us to see beyond the sterile reality of substitution. This clever and playful novel is a timeless and topical study of human beings' obsession with conflict and confrontation.

CELEBRATING 50 YEARS OF PICADOR BOOKS Winner of the National Book Award 1990 The Apocalypse would definitely put a crimp in my career plans. Rutherford Calhoun, a puckish rogue and newly freed slave, spends his days loitering around the docks of New Orleans, dodging debt collectors, gangsters, and Isadora Bailey, a prim and frugal woman who seeks to marry him and curb his mischievous instincts. When the heat from these respective pursuers becomes too much to bear, he cons his way on to the next ship leaving the dock: the Republic. Upon boarding, to his horror he discovers that he is on an illegal slave ship embarking on the Middle Passage, the portion of the triangular trade route that saw slaves transported from Africa to the US. Staffed by a crew of criminals and degenerates, the Republic is on a mission to enslave members of the legendary Allmuseri tribe, while the sadistic yet philosophical Captain Falcon has a secondary objective: securing a mysterious cargo that possesses a terrifying and otherworldly power. What follows is a story of Rutherford's battle for survival, as he finds himself juggling loyalties between the ship's crew and the enslaved passengers, and is forced to use every ounce of the charm and cunning that he possesses to endure the desperate conditions and battle the myriad deadly forces on the high seas. A masterful blend of allegory, black comedy, naval adventure and supernatural horror, this wildly inventive novel is a true modern classic.Part of the Picador Collection, a new series showcasing the best of modern literature.

Volume Two of one of the most beloved and acclaimed series of memoirs of all time, from a true national treasure.

With an introduction by the First Minister of Scotland, Nicola Sturgeon'Like the best memoirs, this one is written with novelistic and poetic flair. Red Dust Road is a fantastic, probing and heart-warming read' Independent From the moment when, as a little girl, she realizes that her skin is a different colour from that of her beloved mum and dad, to the tracing and finding of her birth parents, her Highland mother and Nigerian father, Jackie Kay's journey in Red Dust Road is one of unexpected twists, turns and deep emotions. In a book remarkable for its warmth and candour, she discovers that inheritance is about much more than genes: that we are shaped by songs as much as by cells, and that what triumphs, ultimately, is love.