Bøger i Pitt Poetry serien

In a landscape at once the brutal American South as it is the brutal mind, Boy with Thorn interrogates the genesis of all poetic creation--the imagination itself, questioning what role it plays in both our fascinations with and repulsion from a national history of racial and sexual violence.

Animal Eye employs pastoral motifs to engage a discourse on life and love, as Coal Hill Review states "It is as if a scientist is at work in the basement of the museum of natural history, building a diorama of an entire ecosystem via words. She seem snot only interested in using the natural world as a metaphoric lens in her poems but is set on building them item by item into natural worlds themselves." Winner of the 2013 Rilke Prize from the University of North Texas Voted one of the five best poetry collections for 2012 by Publishers Weekly

Winner of the 2009 Agnes Lynch Starrett Poetry Prize "There is something in American poetry that might be called the book of the small town or, equally, the tale of the good family; or, if you like, the American Grafitti Suite. Poems that discover life's bonuses in new love, wise parents, old books, venerable nature, and the mysteries of all that endures in the face of the viciousness no life escapes--are, well, worth the wait. That's how I feel about Paper Anniversary. His poems are full of the best news, the kind the soul, as W. C. Williams attested, can get nowhere better than in the life of the lively mind. I think any reader will find this an auspicious, welcome arrival."--Dave Smith

A Lament for the Casualties of Corporate Destruction, Racism, War, and Personal Loss

A New Collection on the Complexities of Modern Life from an Award-Winning Poet

"The poems in Paul Hlava Ceballos's debut collection banana [ ] reveal the extractive relationship the United States has with the Americas and its people through poetic portraits of migrants, family, and personal memories. At the heart of the book is a long poem that traces the history of bananas in Latin America using only found text from sources such as history books, declassified CIA documents, and commercials. The book includes collage, Ecuadorian decimas, a sonnet series in the voices of Incan royalty at the moment of colonization, and a long poem interspersed with photos and the author's mother's bilingual idioms. Traversing language and borders, history and story, traditional and invented forms, this book guides us beyond survival to love."--Publisher marketing.

"Meinke is a skilled craftsman. He is especially adept at building to a strong ending or the ending that shies the poem into an unexpected, but perfect place. He also has the most endearing kind of humor, the ability to laugh at himself." --Judith Hemschemeyer

"The linkage of blood and blood; the hummingbird, symbol of all that is luminous, swift and ephemeral; the lights sure touch-these are characteristic of Carol Muske's art." "--New York Times Book Review"

"Ostriker faces the tests that God and the world present and comes away with an affirmative vision; this is as unusual as it is welcome in these times, when poetry too often stops short of both." --Virginia Quarterly Review

With rapid shifts between subject and tone, sometimes within single poems, Dean Young's latest book explores the kaleidoscopic welter of art and life. Here parody does not exclude the cri de coeur any more than seriousness excludes the joke. With surrealist volatility, these poems are the result of experiments that continue for the reader during each reading. Young moves from reworkings of creation myths, the index of the Norton Anthology of Poetry, pseudo reports and memos, collaged biographies, talking clouds, and worms, to memory, mourning, sexual playfulness, and deep sadness in the course of this turbulent book.

Mark Cox delivers a powerful exploration of the vagaries, ironies, and responsibilities of familial and romantic relationships. With humor, tenderness, a dose of terror, and an occasional swerve into the surreal, these poems probe the evolution of self, self-consciousness, and the interior psychological landscape - the effects of our past patterns and influences on the world of the present. By turns humorous and dark, straightforward and oblique, these poems are inventive and intelligent without forsaking accessibility.

Toi Derricotte's fourth collection of poetry. Tender probes sexuality, spirituality, emotion, child abuse, mother hatred, and the physical and psychological ravages of violence. These poems are raw and upsetting in subject matter, yet extremely readable.

'All-American Girl is a lively mix of poems that reflect Robin Becker's sexual and social identity in startling and often magically apt metaphors. The Philadelphia of her girlhood, her ancestral links to the shtetls of Eastern Europe, the mesas of New Mexico, her loved landscape, Italy... meet and meld in surprising, satisfying juxtapositions. This is Robing Becker's best work to date.' As said by Maxine Kumin.

Winner of the 1994 Agnes Starrett Poetry Prize and the 2000 Creative Achievement Award from the Pittsburgh Cultural Trust.

Although Kathleen Norris's best-selling Dakota: A Spiritual Geography has brought her to the attention of many thousands of readers, she is first and last a poet. Like Robert Frost, another poet identified with a particular landscape, she can reveal the miraculous in the ordinary, and she writes with clarity, humor, and deep sympathy for her subjects.

Winner of the 1992 Associated Writing Programs' Award Series in Poetry

A book of poems about "children" in the widest sense--from children of the Nazi-torn Warsaw ghettos to the American poor, as well as poems of domesticity, love and daily life.

The speaker in Irene McKinney's poems is most often alone, sitting at the side of a stream, or standing at her own chosen gravesite in the Appalachian mountains, and the meditations spoken out of this essential solitude are powerfully clear, witty, and wide-ranging in content and tone. The center sequence of poems in the Emily Dickinson persona explores and magnifies that great and enigmatic figure. The poems are firmly grounded in concern for the ways in which the elemental powers are at work in the earth and in us: on the surface of our lives, and deeper in the underworld of the coalmines. In McKinney's poems, the human world is never seen as separate from the natural one.