Bøger i Play Anthologies serien

With Black Plays, Yvonne Brewster clearly demonstrated the need for a regular anthology to record the vitality of Black playwriting.

This New Mermaids anthology brings together four plays which centre around female characters on stage: A Woman Killed With Kindness (Thomas Heywood); The Tamer Tamed (John Fletcher); The Duchess of Malfi (John Webster) and The Witch of Edmonton (William Rowley, Thomas Dekker and John Ford) with a new introduction by leading scholar Emma Smith.A Woman Killed with Kindness is a domestic tragedy of property and marriage, adultery and revenge, and strips bare two women's lives in one of the first tragedies ever to be written about ordinary people. The Tamer Tamed is a free-wheeling and witty comedy in which the place and status of women, and the nature of marriage, are subjected to sustained attention, demonstrating one way in which early modern writers were able to challenge and invert social convention, and to at least imagine alternative modes of behaviour. The Duchess of Malfi is a classic revenge tragedy and masterpiece of the Jacobean bizarre, featuring a severed hand, a wolf-man, and a poisoned Bible.The Witch of Edmonton is a domestic tragedy in which Elizabeth Sawyer sells her soul to the Devil to revenge her neighbours.These four early modern plays plays upset old certainties about gender ideology: less 'chaste, silent and obedient' and more diverse, eloquent, and complex.

A scintillating collection of five plays from the last sixty years of Irish drama featuring work by Behan, Barry, Reid, Murphy, and McDonagh, and introduced by Patrick Lonergan.

Includes: I Can't Get Started by Declan Hughes; The Dogs by Donal O'Kelly; Down Onto Blue by Pom Boyd; Hidden Charges by Arthur Riordan; Danti-Dan by Gina Moxley; Mrs Sweeney by Paula Meehan

Three classic Spanish plays, made famous by Shakespeare and Webster

Five recent plays presented at the French Theatre Season, London "Agnes", Catherine Anne; "Le Renaud du Nord", Noelle Renaud; "Mickey La Torche", Natacha de Pontcharra; "Une Envie de Tuer sur le Bout de la Langue", Xavier Durringer; and "Encore une Annee pour Rien", Christopher Pellet.

Four short plays for young actors

A collection of four contemporary plays by homosexual writers: Playing by the Rules by Rod Dungate; Plague of Innocence by Noel Greig; Snow Orchid by Joe Pintauro; and the George Devine winner Beautiful Thing by Jonathan Harvey.

Contains five works from the classical period of French theatre - "The Cid", "Phedra", "Tartuffe", "The Lottery of Love" and "The Marriage of Figaro".

Four female British plays deal with a poet and her mother, a family's breakdown in communication, a woman who literally wrestles with her problems and the interaction of a group of office workers.

Four short plays for young actors

Written by playwrights working in the north and south of Ireland, these plays trace the restless urban ambition in contemporary Irish drama to turn the past on its head and look back at the land with scepticism and sometimes a rough, rude glee.

An anthology of new Scottish plays selected by Ian Brown (former director of the Traverse theatre) and Mark Fisher (Editor of Theatre Scotland)

This third volume in an anthology of plays contains David Greig's "Europe", a border play based on the conflict in Europe; Joe Penhall's "Some Voices", a study of a young schizophrenic trying to get back on the rails; and Judy Upton's "Ashes and Sand", a topical play about teenage girl gangs.

A collection of four plays written by homosexuals which speak bravely and confidently to all people in a positive affirmation of being homosexual. The plays are: "A Vision of Love Revealed in Sleep", "Days of Cavafy", and two American plays, "Round Two" and "Wild Blue".

Discusses four stage and film adaptations which demonstrate how contemporary dramatists have transformed well-known novels. The novels are Jane Austen's "Persuasion", Charles Dicken's "Great Expectations", Thomas Hardy's "Tess of the d'Urbervilles" and Nathaniel Hawthorne's "The Scarlet Letter".

For the first time, there is an anthology of monologues for young people available, taken from plays commissioned as part of the National Theatre Connections over the past 20 years. Always drawing together the work of 10 leading playwrights - a mixture of established and current writers - the annual National Theatre Connections anthologies offer young performers between the ages of 13 and 19 an engaging selection of plays to perform, read or study. Each play is specifically commissioned by the National Theatre's literary department and reflects the past year's programming at the venue in the plays' ideas, themes and styles. The plays are performed by approximately 200 schools and youth theatre companies across the UK and Ireland, in partnership with multiple professional regional theatres where the works are showcased.This anthology of 100 monologues is the ideal resource for teenagers and young people attending auditions either in the amateur or professional theatre world; students leaving secondary school to audition for drama school; as well as teachers of English and Drama looking for suitable dramatic for their students to engage with and perform. It provides suitable scene-study books that are suitable and relevant to the student in terms of tone, style and content. Young actors who have searched for audition material written in the voice of teenage characters will welcome this resource.

The filleting machine; You are my heart's delight; Shooting the legend; Wittgenstein on Tyne; Laughter when we're dead; Cold calling. These six titles make up Live Theatre, a celebration of the finest playwrights from the North East, spanning three generations.

Four short plays for young actors

An anthology of plays written by women: "Purgatory in Ingolstadt" and "Pioneers in Ingolstadt", "Avant-garde", "Close Encounter" and "I Wasn't Aware of the Explosive" by Marieluise Fleisser; "Tokens of Affection" by Maureen Lawrence; and "Variations on a Theme by Clara Schumann by Sheila Yeger.

One of a series presenting plays by women writers which were staged in 1992-1993. This volume contains "The Woman Destroyed" by Simone de Beauvoir", "What Happened After Nora Left Her Husband" by Elfriede Jelinek, "The Choice" by Claire Luckham and "Weldon Rising" by Phyllis Nagy.

"Frontline Drama" is a series focusing on new original plays as well as adaptations, versions and translations. This volume is a follow up to "Adapting Classics", and focuses on adaptations of modern novels.

Edited and introduced by leading cultural and theatre critic Aleks Sierz, this bold and urgent collection of contemporary plays by England's newest and most relevant young writers explores the various cultures and identities of a nation that is at once traditional, nationalistic and multicultural. Eden's Empire, by James Graham is an uncompromising political thriller exploring the events of the Suez Crisis, and the tragic story of its flawed hero - Churchill's golden boy and heir apparent, Anthony Eden. Alaska, by D. C. Moore features Frank, an ordinary bloke who likes smoking, history and playing House of the Dead 3. He can put up with his job on a cinema kiosk until a new supervisor arrives who is younger than him. And Asian. A Day at the Racists, by Anders Lustgarten is a timely examination of the rise of the BNP which attempts to understand why people might be drawn to the BNP and diagnoses the deeper cause of that attraction.Shades, by Alia Bano shows Sabrina, a single girl-about-town, who is seeking Mr Right in a world where traditional and liberal values sit side-by-side, but rarely see eye-to-eye. The Westbridge, by Rachel De-lahay begins with the accusation of a black teenager which sparks riots on South London streets. Among it all, a couple from very different backgrounds navigate the minefield between them and their disparate but coexisting neighbourhood.

This diverse anthology features eight contemporary plays founded in testimonies from across the world. Showcasing challenging and provocative works of theatre, the collection also provides a clear insight into the workings of the genre through author interviews, introductions from the companies and performance images which illustrate the process of creating each piece.Bystander 9/11 by Meron Langsner is an impressionistic but wholly authentic response to the catastrophe as it unfolded and in the days following. Big Head by Denise Uyehara is an interrogation of current perceptions of "the enemy now" as seen through the lens of Japanese American internment during World War II. Urban Theatre Projects' The Fence is a tale of love, belonging and healing. It is a tender work that looks at the adult lives of five family and friends who spent their childhoods in orphanages, institutions and foster homes in Australia. Come Out Eli: Christmas 2002 in Hackney, London, saw the longest siege in British history. Using interviews collected at the time and further material gathered in the aftermath, Alecky Blythe's play explores the impact of the siege on the lives of individuals and the community.The Travels: members of Forced Entertainment undertook a series of journeys during one summer, each travelling alone to locations in the UK to complete tasks determined only partially in advance. This began a mapping process and the creation of a landscape of ideas, narratives and bad dreams.On the Record by Christine Bacon and Noah Birksted-Breen circumnavigates the globe to bring true stories from six independent journalists, all linked by their determination to shed light on the truth. Created by Paula Cizmar, Catherine Filloux, Gail Kriegel, Carol K. Mack, Ruth Margraff, Anna Deavere Smith and Susan Yankowitz, Seven is based on personal interviews with seven women who have triumphed over huge obstacles to catalyse major changes in human rights in their home countries of Russia, Pakistan, Nigeria, Northern Ireland, Afghanistan, Guatemala and Cambodia.Pajarito Nuevo la Lleva: The Sounds of the Coup by María José Contreras Lorenzini focuses upon sense memories of witnesses who were children at the time of the 1974 military coup in Chile.

The Methuen Drama Book of Suffrage Plays is an anthology of eight exciting pieces written for and by members of the Actresses Franchise League from 1909-13. Immediately playable, they offer strong, varied roles for female casts, while also providing invaluable source material to students and scholars from a wide range of disciplines.Featuring 'How The Vote Was Won' which remains one of the most popular and well known suffrage plays, the volume also includes seven shorter works:'Lady Geraldine's Speech' (1909), a fantastic, fun piece for actresses. Lady Geraldine hasn't thought through the Suffrage cause and, on a visit to an old school friend meets some charismatic, successful and intelligent women who soon enlighten and encourage her on to the right path! 'Pot and Kettle' (1909), a comic piece in which a young woman returns to her family in great distress having assaulted a suffragette who was sitting near her at a Anti-Suffragist meeting.'Miss Appleyard's Awakening' about an anti-suffrage campaigner who finds herself in the home of a sympathizer but ends up inadvertently drawing her hostesses' attention to the contradictions in her arguments 'Her Vote' by the actor and playwright Henry Esmond which provides an interesting male viewpoint on the movement, criticizing the young suffragist for wanting to be part of a movement about which she seems to understand little.'The Anti-Suffragist or The Other Side', a charming, clever monologue about a sheltered young woman who finds herself increasingly involved with her local Anti-Suffrage society and increasingly puzzled by what she learns there.'The Mother's Meeting', an entertaining monologue that uses a working class character to expose the inconsistencies in the Anti-Suffrage arguments. 'Tradition' was first performed at a matinee for the Woman Suffrage Party held at the Berkeley Theatre in New York City on Saturday 24 January 1913.The plays featured articulate the arguments of the Suffrage Movement through a variety of styles, both comic and serious, and perfectly illustrate the use of drama as a medium for social change and entertainment. Together with illustrations and an introduction charting the history of the Actresses Franchise League and exploring the context and provenance of the plays, this is an excellent resource for both study and performance.

Contemporary Irish Plays showcases the new drama that has emerged since 2008. Featuring a blend of established and emerging writers, the anthology shows how Irish writers are embracing new methods of theatre-making to explore exciting new themes - while also finding new ways to come to terms with the legacies of the Troubles and the Celtic Tiger. Freefall is a sharp, humorous and exhilarating look at the fragility of a human life, blending impressionistic beauty, poignancy and comedy.Forgotten features the interconnecting stories of four elderly people living in retirement homes and care facilities around Ireland, who range in age from 80 to 100 years old.Drum Belly is a fascinating play about the Irish mafia in late 1960s' New York. It premiered at the Abbey Theatre in 2012.Previously unpublished, Planet Belfast by Rosemary Jenkinson is about a woman named Alice - Stormont's only Green MLA who must toe a delicate line between large, sectarian power bases in order to promote an environmental agenda in Northern Ireland.Desolate Heaven is a story about two young girls hoping to find freedom from home in the trappings of love. It was first performed at Theatre 503, London, in 2013Written for the 2012 Dublin Theatre Festival, and previously unpublished, The Boys of Foley Street by Louise Lowe is a piece of site-specific theatre which led audience members on a tour of the backstreets of inner-city Dublin.Edited by the leading scholar on Irish theatre, Patrick Lonergan, Contemporary Irish Plays is a timely reminder of the long-held tradition and strength of Irish theatre which blossoms even in its new-found circumstances.

A collection of ten new plays for young people specially commissioned by the National Theatre for the New Connections Festival 2011 which will involve 200 schools and youth theatre groups in the UK and Ireland. Each play is accompanied by production notes and exercises.

A collection of the most important plays of the 1980s and 1990s in one volume, the first in a series of anthologies celebrating landmarks of world drama. It is aimed at structuring college and university courses

The plays included in this volume are: "Death and the King's Horseman" by Wole Soyinka; "Anowa" by Ama Ata Aidoo; "The Chattering and the Song" by Femo Osofisan; "The Rise and SHine of Comrade Fiasco" by Andrew Whalley; "Woza Albert!" by Percy Mtwa, et al; and "The Other War" by Alemseged Tesfai.

This wide ranging collection of plays by black British playwrights features six key plays that have shaped the trajectory of British black theatre from 1979 to the present. It contains classic plays from each of the last three decades of the twentieth century and three from the first decade of the twenty-first.