Bøger i Polish Studies serien

Polish-Jewish Re-Remembering addresses Polish-Jewish relations, including the impact of Jews on the development of national culture in the twentieth and twenty-first centuries, their presence in social life, and relations between Jews and non-Jews. The book consists of nineteenth chapters on Polish, Jewish and Polish-Jewish Literature from the interwar period to the early twenty-first century.

Anna Nasilowska's A History of Polish Literature is a one-volume guide that immerses readers in the rich tapestry of Polish literature and reveals its enduring impact on European identity from the Middle Ages to the late twentieth century. By exploring key themes, writers, and works and grounding her discussion in crucial biographical context, she weaves together the lives of a carefully curated list of Polish writers to paint a vivid literary portrait, elucidating the epochs that these writers shaped. Offering indispensable insights for readers who may be unfamiliar with the world of Polish literature, it is an excellent jumping-off-point for further study and learning.

Engaging Cultural Ideologies offers a recontextualization of the effects of Poland's cultural practices, especially those concerning issues such as nationalism, elitism, and race, on the genesis and performance of contemporary Polish compositions from 1918 to 1956. Based on extensive archival research that includes the first comprehensive examination of concert programs in Poland as well as a series of case studies focused on composers' challenges in the midst of nearly constant turmoil, Bylander brings fresh insights into the public and private power struggles concerning artistic freedom that were animated by similar points of contention across seemingly diverse historical eras.

Collects the critical prose of award-winning writer Anna Frajlich. The Ghost of Shakespeare takes its name from Frajlich's essay on Nobel Prize laureate Wisawa Szymborska, but informs her approach as a comparativist more generally as she considers the work of major Polish writers of the twentieth century.

Seven inter-war plays by Polish women writers created a flurry of excitement and condemnation when they appeared, yet today they are almost forgotten. This groundbreaking study interrogates the feminism of these plays and their authors, who dared to question national myths, subvert genre expectations, and reinterpret definitions of subjectivity, anticipating the work of numerous women playwrights in post-1989 Poland. Synthesizing a variety of theoretical perspectives, the author produces a nuanced reading of each work and of the group as a whole. Both texts and the innovative synthetic approach will interest scholars of Polish literature, of drama, and of gender studies.