Bøger i Provocations serien

Despite the presence of the Flaming Lips in a commercial for a copier and Iggy Pop's music in luxury cruise advertisements, Jeffrey T. Nealon argues that popular music has not exactly been co-opted in the American capitalist present. Contemporary neoliberal capitalism has, in fact, found a central organizing use for the values of twentieth-century popular music: being authentic, being your own person, and being free. In short, not being like everybody else.Through a consideration of the shift in dominant modes of power in the American twentieth and twenty-first centuries, from what Michel Foucault calls a dominant "disciplinary" mode of power to a "biopolitical" mode, Nealon argues that the modes of musical "resistance" need to be completely rethought and that a commitment to musical authenticity or meaning--saying "no" to the mainstream--is no longer primarily where we might look for music to function against the grain.Rather, it is in the technological revolutions that allow biopolitical subjects to deploy music within an everyday set of practices (MP3 listening on smartphones and iPods, streaming and downloading on the internet, the background music that plays nearly everywhere) that one might find a kind of ambient or ubiquitous answer to the "attention capitalism" that has come to organize neoliberalism in the American present. In short, Nealon stages the final confrontation between "keepin' it real" and "sellin' out." 

Claire Colebrook examines how postapocalyptic cinema uses images from the past and present to depict what it means to preserve the world—and who is left out of the narrative of rebuilding society.

Hatred of Sex draws on Jacques Ranciere's thesis in Hatred of Democracy to help explain the aversion to sex that is evident in numerous forms in the culture around us.

Dirty Knowledge explains how traditional conceptions of academic freedom, still reflective of the capitalist era in which they were conceived, fail to protect unrestricted inquiry in an academy radically altered by neoliberal economics.

Gregg Lambert offers an unprecedented inquiry into the evolution of Deleuze's hopes for the revolutionary goals of minor literature and the related notion of the missing people in the conjuncture of contemporary critical theory.

This important book argues that the real elites escape scrutinywhile everything that makes our lives worth living becomesworthy and diluted.

Contemporary art is obsessed with the politics of identity. Visit any contemporary gallery, museum or theatre, and chances are the art on offer will be principally concerned with race, gender, sexuality, power and privilege.The quest for truth, freedom and the sacred has been thrust aside to make room for identity politics. Mystery, individuality and beauty are out; radical feminism, racial grievance and queer theory are in. The result is a drearily predictable culture and the narrowing of the space for creative self-expression and honest criticism.Sohrab Ahmari's book is a passionate cri de coeur against this state of affairs. The New Philistines takes readers deep inside a cultural scene where all manner of ugly, inept art is celebrated so long as it toes the ideological line, and where the artistic glories of the Western world are revised and disfigured to fit the rigid doctrines of identity politics.The degree of politicisation means that art no longer performs its historical function, as a mirror and repository of the human spirit - something that should alarm not just art lovers but anyone who cares about the future of liberal civilisation.

From literary portrayals of 'the Jew' as Biblical traitor or Dickensian villain to the very real atrocities of the Holocaust and the conflicts in Israel and Palestine, the plight of the Jewish people throughout history has been as violent and volatile as the animosity towards the religion itself. Two millennia of prejudice, persecution and purges have turned the 'Chosen People' into 'The Enemy', crudely lumping together generation after generation of men, women and children - of differing ambitions, appearances and allegiances - in gratuitous displays of anti-Semitism. In this powerful polemic, acclaimed writer Frederic Raphael explores the origin, rise and impact of anti-Jewish feeling at a time when religious tensions throughout the world are mounting once more. When did 'the Jew' become the quintessential scapegoat? Why do the western media continue to condemn Israel so enthusiastically? How can we respond to those so eager to complete the mission Hitler began? And yet, at the heart of the debate, one crucial fact endures: in the face of thousands of years of adversity, not only has Judaism survived, but the genius and determination of its people have flourished.

Right now, immigration is a central point of discussion in both political debate and cultural discourse. With the growth of right-wing parties in Britain, it seems that animosity towards outsiders is increasing every day - after all, immigrants come to our country, steal our jobs and exploit our public services, but what do they give us in return? In this bold new addition to the Provocations series, Kelvin MacKenzie speaks out about immigration in the thought-provoking, no-hold-barred manner the public has come to expect from him ... but with one crucial twist. Kelvin supports immigration. Indeed, he makes the point that many of the institutions we deem to be quintessentially British - Marks & Spencer, Stephen Fry, the NHS, the Great Western Railway and even Kelvin's former newspaper, The Sun - would not exist at all without immigration. As paranoia and misinformation corrupt British opinion, it is more important than ever to acknowledge the monumental contribution immigrants have made to this country historically, culturally, economically, politically - and continuously. Like Monty Python before us, the time has come to ask what the immigrants have ever done for us - although perhaps it would be more apt to ask what we would do without them.

Vicky Pryce's motorbike-riding mother wanted to study physics at university, but her family told her it was impossible for a woman. She was determined that her daughter would have the opportunities she hadn't - and the young Vicky went on to forge a glittering career as an economist, with high-profile posts spanning business, academia and government. But despite her own success, Pryce is still frustrated by the obstacles littering the paths of women in the workplace. We have an abysmal record on gender parity. Rwanda and Laos have more women in Parliament than Britain does. Massive pay gaps prevail across the professions. Senior positions are male-dominated in all walks of life - and not only at board level. Discrimination, a lack of role models and unconscious bias are all barriers to women climbing the career ladder - and that's even before counting the professional cost of starting a family. This isn't just a question of equality for women: by failing to remove the barriers to female progression, we're starving the UK of the talent it needs to grow and prosper to its full potential. Ultimately, Pryce argues, there is only one solution: women need quotas.

When Prince George was just eight weeks old, the Evening Standard declared him to be 'the most influential person in London'. He couldn't even walk, let alone talk. Yet one day he could become head of state, whether we like it or not. Joan Smith argues that it has become nearly impossible to question the existence of the monarchy. Articulate republicans are drowned out while the supercharged PR and media machines ask only who designed Kate's dresses. Smith topples the arguments for having a monarchy, one by one. The royals don't provide a boost for tourism, and their deliberately opaque accounting conceals the truth about the huge burden they place on the public purse. And she exposes darker truths. These symbols of so-called impartiality have hidden power and influence. Not only does Charles regularly lobby government ministers but - far from the sycophantic reporting of Kate's baby bump - the royals have dined with despots with blood on their hands. Are these people really fi t to be the public face of a modern country? Ultimately, Smith declares that the monarchy - undemocratic, unaccountable and shockingly expensive - has no place in modern Britain.

The idea of authenticity - deliciously vague and as ubiquitous as Starbucks - has hit the spot in almost every sector of 21st-century life. But can we trust the authentic image of Nigel 'man-of-the-people' Farage, Sarah 'hockey mom' Palin or Gwyneth 'inner life' Paltrow? Are punk bands, distressed denim and rustic furniture really as spontaneous as people seem to think? Is bare-brick Shoreditch just one big authenticity scam? From motivational speakers to PR consultants, music entrepreneurs to devoted foodies, bearded hipsters to earnest YouTubers - and, yes, politicians too - 'authentic' has become the buzzword of our age. But, as Peter York has discovered, its meaning has changed and become corrupted: every advertising agency, micro-connoisseur and charlatan going has re-tooled the language of authenticity for our changing market and it is now practically impossible for us to differentiate between authentic and 'authentic'. Drawing on witty anecdotes and analysing various spheres of everyday life, Peter has set out to uncover the truth behind authenticity - the ultimate con of our generation.

This topic divides people - and it will divide readers of this book too. Many Muslims worldwide either support or adopt religious veiling, and those who argue against it are often criticised, or worse. But, according to Yasmin Alibhai-Brown, the veil throws up a number of concerns, from questions of health and freedom of choice to issues of gender and personal identity. She argues that veiling conceals abuse, propagates eating disorders and restricts access to sunlight and exercise. It is imposed on babies and young girls, allows women to be shamed for not covering up, and has become associated with extremist factions. It demonises men, oppresses feminism and presents obstacles to performance and success. It even encourages racism, distorts Muslim values and strips women of autonomy and individuality. Written from a unique perspective and packed with personal experiences as well as public examples, Yasmin addresses the ultimate question of why Muslim women everywhere should refuse the veil.

Parenting in the modern world is an overwhelming concept. It seems to divide everyone from psychologists and politicians to scientists and salesmen, leaving the parents themselves with a terrible headache as a result. How can anyone live up to such expansive and conflicting expectations? As Zoe Williams explores, the madness begins before the baby has even arrived: hysteria is rife surrounding everything from drinking alcohol and eating cheese to using a new frying pan. And it only gets worse. The list of things you need to consider (as well as the things you never realised you needed to consider) is ever-increasing, and questions of breastfeeding, buggies, staying at home, schooling - and what your mother-in-law thinks you're doing wrong - take over completely. The task of raising a child has been turned into a circus of ludicrous proportions. Combining laugh-out-loud tales of parenthood with myth-busting facts and figures, Zoe provides the antithesis of all parenting discussions to date. After all, parents managed perfectly well for centuries before this modern madness, so why do today's mothers and fathers make such an almighty fuss about everything?

John Sutherland examines the intergenerational conflict as a new kind of 'war' in which institutional neglect and universal indifference to the old has reached aggressive, and routinely lethal, levels.

In the wake of recent scandals concerning charities such as Kids Company and BeatBullying, as well as the wave of suspicion they have generated about the third sector as a whole, celebrated restaurateur Iqbal Wahhab offers a scathing critique of the cosiness between government and charity, and proposes that the solution lies in business.Indeed, he believes we are entering a post-philanthropy age, where social entrepreneurs are better placed to sustainably solve our problems than the outdated and ineffective donations model. With social mobility on the wane and inequalities widening, he argues, the convention of paying taxes to provide a welfare state that fixes the problems of the poor and infirm is now considered a myth.The problem is that charities aren't evolving in the way businesses have to. They expand by the amount of hope and faith by which they can convince largely uninformed, if well-meaning, donors and philanthropists to finance them. Businesses expand through success, and success wins over hope.Put simply, Wahhab argues, charity sucks because business does it better.

Islam has been corrupted. A virulent strain of the religion manifests itself in bloodthirsty mutations such as Boko Haram in Nigeria and the terrifying spectre of ISIS. But behind the atrocities and turmoil lie many different versions and visions of Islam, each struggling to survive in a rapidly changing world.Ziauddin Sardar, with inimitable wit and intelligence, chronicles the diversity and richness of Islam and, in doing so, answers a host of frequently asked questions:Is Islam inherently violent and misogynistic?Why do young men and women choose to join the jihadi caliphate?What part should Muhammad's teachings play in our own times?Islam Beyond the Violent Jihadis argues for a pluralistic and reflective religion with a distinguished past - but one that appears to have been wrenched from its noble origins by rigid fundamentalism. In examining how we have nourished the rise of Islamic jihadi groups, Sardar urges us all to work together to preserve the sanity of our world.

Questions the long-accepted notion that translation reproduces or transfers an invariant contained in or caused by the source text. Contra Instrumentalism aims to end the dominance of instrumentalism by showing how it grossly oversimplifies translation practice and fosters an illusion of immediate access to source texts.

Rethinks the historical relationship between money and aesthetics in an effort to make critical theory newly answerable to politics. Scott Ferguson regrounds critical theory in the alternative conception of money articulated by the contemporary heterodox school of political economy known as Modern Monetary Theory.

New, updated edition of the acclaimed polemic by the celebrated libertarian broadcaster and the originator of the term `Snowflake' to describe a perceived lack of resilience in millennials. Previous edition ISBN 9781849549813 sold 4,500 copies.

Pushing back against the contemporary myth that freedom from oppression is freedom of choice, Frank Ruda resuscitates a fundamental lesson from the history of philosophical rationalism: a proper conceptof freedom can arise only from a defense of absolute necessity, utter determinism, and predestination.

James Bloodworth tackles the thorny issue of class, privilege and wealth in contemporary Britain, taking to task the major political parties in the process.