Bøger i Queer Film Classics serien

Winter Kept Us Warm explores a romance between two young men at the University of Toronto in the early 1960s, when being gay was still a crime in Canada. The film achieved international success when first released but has largely disappeared form the contemporary queer film canon. Chris Dupuis examines the film's creation, disappearance, and what this story reveals about queer history more broadly.

A Queer Film Classic: the 1998 film based on the troubled life of director James Whale.

Maurice (1987), a British film based on the novel by E.M. Forster, follows an Edwardian man's journey to self-acceptance as someone who loves and desires men. Rebutting its critical reception, this volume champions the film as a sympathetic adaptation, making a case for its underappreciated positive depiction of gay love.

Released in 1919, Anders als die Andern is a remarkable artefact of the pre-Stonewall homosexual rights movement of early-twentieth-century Germany. Ervin Malakaj shows how the film's "mournful cinema" is key to its endurance, fostering connection through emotions and acting as a springboard to engage in an intergenerational queer struggle.

Ce livre s'impose tel un véritable devoir de mémoire envers les pionniers du cinéma de fiction LGBTQ+ québécois avec ce premier et courageux aveu queer de Claude Jutra dans À tout prendre ainsi que la mise en scène par le duo Brassard-Tremblay dans Il était une fois dans l'Est d'une faune colorée s'affirmant dans un quartier modeste de Montréal.

A film that transcends time, Sally Potter's Orlando (1992) follows its titular character through nearly four hundred years of British history. Orlando starts life as a young man in the 1600s and then, mid-film, becomes a woman in the 1800s. Russell Sheaffer meticulously charts the distinct shift from lesbian feminist text to queer film classic.

A Queer Film Classic: the 1996 film by Indian-born director Deepa Mehta, about the burgeoning relationship between the wives of two brothers; its unprecedented lesbian themes led to riots outside cinemas in India.

A Queer Film Classic on Luchino Viscontis lyrical 1971 film adaptation of the Thomas Mann novel.

A Queer Film Classic on a groundbreaking 1977 documentary that profiled the lives of ordinary gay men and lesbians.

A Queer Film Classic on John Greyson's controversial 1993 film musical about the AIDS crisis which combines experimental, camp musical, and documentary aesthetics while refuting the legend of Patient Zero, the male flight attendant accused in Randy Shilts' book And the Band Played On of bringing the AIDS crisis to North America. Wendy Gay Pearson and Susan Knabe both teach in the women's studies and Feminist Research department at the University of Western Ontario. Arsenal's Queer Film Classics series cover some of the most important and influential films about and by LGBTQ people.

Alfred Hitchcock's 1951 thriller based on the novel of the same name by Patricia Highsmith (author of The Talented Mr. Ripley) is about two men who meet on a train: one is a man of high social standing who wishes to divorce his unfaithful wife; the other is an enigmatic bachelor with an overbearing father. Together they enter into a murder plot that binds them to one another, with fatal consequences.This Queer Film Classic delves into the homoerotic energy of the film, especially between the two male characters (played by Farley Granger and Robert Walker). It builds on the question of the sexuality the film puts on view, not to ask whether either character is gay so much as to explore the queer relations between sexuality and murder and the strong antisocial impulses those relations represent. The book also includes a look at the making of the film and the critical controversies over Hitchcock's representations of male homosexuality.QUEER FILM CLASSICS is a critically acclaimed film book series that launched in 2009. It features twenty-one of the most important and influential films about and/or by LGBTQ people, made in eight different countries between 1950 and 2005, and written by leading LGBTQ film scholars and critics.Jonathan Goldberg is a professor at Emory University, where he directs the Studies in Sexualities program. He is the author of many books and editor of Eve Kosofsky Sedgwick's posthumous 2012 book The Weather in Proust.

A Queer Film Classic on Canadian director Patricia Rozema's I've Heard the Mermaids Singing, her quirky and hopeful first feature film which made its premiere at Cannes and won its Prix de la jeunesse. Presented as a "e;videotaped confession,"e; it tells the story of Polly Vandersma, an unpretentious and introverted young woman who takes photographs as a hobby and works as a personal assistant to an elegant and sophisticated, but unsatisfied, art gallery director, Gabrielle St. Peres, whom she worships. This book presents a new close textual analysis of Mermaids that places this complex yet teachable film unquestionably within the global queer film canon while uncovering many of its complexities. The film has appeared on the Maclean's "e;Top 10 Films of the 20th Century"e; and Toronto International Film Festival's Best 10 Canadian Films of All Time.Julia Mendenhall, a longtime fan of the film, places it in the context of the director's life experiences and her filmic oeuvre, the production and reception history of the film within the mid to late 1980s and the 1990s era of "e;outing,"e; and the development of queer theory.