Bøger i Readers in Cultural Criticism serien

What is posthumanism and why does it matter? This reader offers an introduction to the ways in which humanism's belief in the natural supremacy of the Family of Man has been called into question at different moments and from different theoretical positions. Can posthumanism have a politics - post-colonial or feminist?

Queer Theory is one of the most contested and intellectually complex movements in contemporary sexual politics. Where did it come from, and what does it do? Is queer theory only for queers? If you have ever wanted to be a leather daddy, been puzzled by performativity, tried to measure bisexuality, or wondered whether Diana, Princess of Wales could be a gay icon, Queer Theory is required reading.This vibrant anthology of groundbreaking work by influential scholars, activists, performers, and visual artists is essential for anyone with an interest in sexuality studies or gender activism. The fifteen articles - including two specially commissioned contributions, as well as an engaging introduction - map, contextualise, and challenge queer theory's project both within and beyond the academy. Helpful critical summaries that link the selections, and suggestions for further reading, make this volume perfect for anyone approaching queer theory for the first time.

These are just some of the questions that are explored in this book. Postmodern Debates introduces modernity, postmodernism and postmodernity through a series of debates between prominent thinkers in literary theory, philosophy and cultural studies.

What do we mean when we talk about 'the body'? The essays collected here foreground the historical construction of 'the body' throughout a range of discourses from the modern to the postmodern, and seek to present it not as a biological 'given', but as a contestable signifier in the articulation of identities.

Questions about how and why we read the past continue to demand the attention of cultural critics. Reading the Past introduces key debates about history, historiography, and historicism which have transformed approaches to the past in departments of History and Literature.

By discussing a range of visual material, from advertising and architecture to painting and photography, it crosses generic and disciplinary boundaries and suggests ways in which vision and visuality are related to questions of textuality, subjectivity, race and gender.

A new kind of writing about Irish culture has emerged in recent years, the best examples of which are gathered in this volume.