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Considers how western cultures' understandings of racial, ethnic, and cultural difference have been reflected in music from seventeenth-century operas to the scores of late-twentieth-century television advertisements, arguing that the commonly used term "exoticism" glosses over such differences in many studies of western music.
Cultural and literary study of the construction of racial and artistic identity in soul cover albums of three popular artists--Aretha Franklin, Al Green, and Phoebe Snow.
Tracing the rise of a large and influential network of country fan clubs, this title highlights the significant promotional responsibilities assumed by club organizers until the early 1970s, when many of their tasks were taken over by professional publicists.
An ethnography exploring the aesthetics and politics of South Asian American (desi) hip hop artists.
Geoffrey Baker traces the trajectory of the Havana hip hop scene from the late 1980s to the present and analyzes its partial eclipse by reggaeton.
The best of the cult-favorite music magazine Roctobers conversations with overlooked or forgotten artists, from the Outlaw Country singer David Allan Coe to the frustrated interstellar glam act Zolar X.
The best of the cult-favorite music magazine Roctobers conversations with overlooked or forgotten artists, from the Outlaw Country singer David Allan Coe to the frustrated interstellar glam act Zolar X.
An analysis of the emergence, reception, and legacy of fusion, experimental music that emerged in the late 1960s and 1970s as musicians combined jazz, rock, and funk in new ways.
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