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The Review of Contemporary Fiction was founded in 1981 to promote a vision of literary culturethat is not limited to the immediately popular, and to ensure that important world writers outside popular attention continue to be written about and discussed.

To celebrate the publication of a revised translation of Georges Perec's masterpiece, Life: A User's Manual, as well as other debut Perec translations due in 2009, Dalkey Archive is reissuing one of the most popular issues of the Review of Contemporary Fiction in a newly expanded edition.

Review of Contemporary FictionSpring 2014 Vol. XXXIV, #1 Novel-Writing Playwrights and Playwriting Novelists. The Review of Contemporary Fiction is a tri-quarterly journal that features critical essays on fiction writers whose work resists convention and easy categorization. The Review's aesthetic focus has been called many things-postmodern, experimental, avant-garde, metafictional, subversive-but in bringing this aesthetic to a wider audience it also seeks to expose the artificial barriers that exist between and within cultures. To this end, the Review has a special affinity for the works of foreign writers who may otherwise go unread in the United States, as well as American writers whose work has gone unchampioned in their own country. An extensive book review section also covers recent works of innovative writing. Above all, the Review of Contemporary Fiction attempts to expand readers' notions of what fiction is and what it can do.

David Andrews, Gilbert Sorrentino David Andrews, The Art Is the Act of Smashing the Mirror: A Conversation with Gilbert Sorrentino John Beer, Robert L. McLaughlin, Mary CaponegroWilliam Gaddis Joy Castro, Margery Latimer

"The Review of Contemporary Fiction" was founded in 1981 to promote a vision of literary culture that is not limited to the immediately popular, and to ensure that important world writers outside popular attention continue to be written about and discussed.

Editor's note/An interview with Gerald Murnane by Antoni Jach/Looking for Writers Beyond Their Work by John Griswold/Five Silhouettes by Luis Chitarroni (translated by Sarah Denaci)/Seven and a Half Studies by S.D. Chrostowska/Nine Suppositions Concerning "Bouvard and Pecuchet" by Jacques Jouet (translated by E.C. Gogolak)/Irrationality, Situations, and Novels of Inquiry by Thalia Field/Margins and Mirrors by Warren Motte/The Colon by Lily Hoang and Bhanu Kapil/The Fragile Shelter of the Declarative: On Edouard Leve by Adrian West/Transgressive Autofictions by Jacques Houis/Contributors/Translators/Acknowledgments/Book Reviews/Books Received/Annual Index

Over the past twenty-five years, the Review of Contemporary Fiction has earned a reputation for being one of the most important journals covering contemporary literature. Through essays, excerpts, and an extensive book review section, the Review is dedicated to the discussion and celebration of innovative fiction, and some of the most influential authors of the twentieth century have been featured in its pages. (See page 46 for a full list of available issues.)

Dedicated to the discussion and celebration of innovative fiction, the Review of Contemporary Fiction has featured the most influential authors of the twentieth century for over twenty years.This summer, with the issue on New Japanese Fiction, RCF will return to featuring interesting new fiction from around the world. This issue builds on a tradition in place since the origin of RCF, and has included publication of issues devoted to: New Italian Fiction (156478-121-6), New Danish Fiction (1-56478-127-5), New Finnish Fiction (1-56478-098-8) and New Latvian Fiction (1-56478-178-X).The fall issue highlights the new format for RCF, featuring long essays on two to four authors that provide both an introduction to their fiction and interpretative strategies for reading their work. For a complete list of recent issues.In addition, each issue features an extensive book review section, focused on contemporary fiction that is generally not reviewed by the mainstream media.

David Bellos, Introduction: The Book of Bachelors by Philip Terry/Philip Terry, The Book of Bachelors/Philip Terry, Afterword

Jim Neilson, Dirtying Our Hands: An Introduction to the Fiction of Richard Powers/Jim Neilson, An Interview with Richard Powers/James Hurt, Narrative Powers: Richard Powers as Storyteller/Greg Dawes, The Storm of Progress: Richard Powers's Three Farmers/Joseph Dewey, Hooking the Nose of the Leviathan: Information, Knowledge, and the Mysteries of Bonding in The Gold Bug Variations/Trey Stecker, Ecologies of Knowledge: The Encyclopedic Narratives of Richard Powers and His Contemporaries/Ann Pancake, 'TheWheel's Worst Illusion': The Spatial Politics of Operation Wandering Soul/Sharon Snyder, The Gender of Genius: Scientific Experts and Literary Amateurs in the Fiction of Richard Powers/Charles B.Harris, 'The Stereo View': Politics and the Role of the Reader in Gain/A Richard Powers Checklist/Sinda Gregory, Finding a Language: Introducing Rikki Ducornet/Sinda Gregory and Larry McCaffery, At the Heart of Things and Wild Beauty: An Interview with Rikki Ducornet/Rikki Ducornet, The Death Cunt of Deep Dell/Rikki Ducornet, Excerpts from Five Novels/Raymond Leslie Williams, Ducornet and Borges/Allen Guttmann, Rikki Ducornet's Tetralogy of Elements: An Appreciation/Richard Martin, 'The Tantalizing Prize': Telling the Telling of The Fountains of Neptune/Giovanna Covi, Gender Derision, Gender Corrosion, and Sexual Differences in Rikki Ducornet's Materialist Eden/Lynne Diamond-Nigh, Phosphor in Dreamland/Warren Motte, Desiring Words/A Rikki Ducornet Checklist

Dane Johnson, Introduction: Chased by Life, Politics, Demons: Flying to Fiction/Luis Rebaza-Soraluz, Demons and Lies: Motivation and Form in Mario Vargas Llosa/Mario Vargas Llosa, The Trumpet of Deya/Mario Vargas Llosa, A Bullfight in the Andes/Efrain Kristal, Captain Pantoja and the Special Service: A Transitional Novel/Elizabeth Dipple, Outside Looking In: Aunt Julia and Vargas Llosa/Alex Zisman, Out of Failure Comes Success: Autobiography and Testimony in A Fish in the Water/Alex Zisman, A Mario Vargas Llosa Checklist/Steve Horowitz, Introduction: The Bittersweet Vision of Josef Skvorecky and a Selected Bibliography of Works by and about Him/Sam Solecki, The Last Decade: An Interview with Josef Skvorecky/Josef Skvorecky, Three Bachelors in a Fiery Furnace, a short story/Josef Skvorecky, Authors, Critics, Reviewers, a lecture/Josef Skvorecky, Keynote Address on Eastern European Literature in Transition/Lubomir Doruzka, A Genial Gossipmonger/Mila Sakova-Pierce, The Cowards: Josef Skvorecky and His Contributions to Czech Humorist Literature/Josef Jarab, This Thing, The Bass Saxophone, Is Anything But Ordinary/Edward Galligan, The Engineer of Human Souls: Skvorecky's Comic Vision/James Grove, Place and Placelessness in Josef Skvorecky's Dvorak in Love/Helena Kosek, American Themes in Skvorecky's Work: The Bride from Texas/Maria Nemcova Banerjee, Josef Skvorecky's Variation on American Themes: The Bride from Texas/Robert L.McLaughlin, A Josef Skvorecky Checklist/Margaret Wehr, The Culture of Everyday Venality: Or a Life in the Book Industry

Philip Landon, Introduction/ Markku Eskelinen, From Nonstop, or Missing in Fiction: A Synoptic Margin to a Trilogy/Mariaana Jantti, From Amorfiaana/Kari Kontio, From The Last of His Kind/Leena Krohn, Lucilia illustris/Kirsti Paltto, From Run Safely, My Flock/ Petter Sairanen, From Electric Lighting/ Hans Selo, From Cloudcomplexion/ Raija Siekkinen, The Black Sun/Lars Sund, From Colorado Avenue/Nils-Aslak Valkeapaa, From The Sun, My Father

Edmund White / Samuel Delany Number

"The Review of Contemporary Fiction "is a tri-quarterly journal that features critical essays on fiction writers whose work resists convention and easy categorization.

Claude Ollier / Carlos Fuentes Number

Mary Campbell-Sposito, CANIS MAJOR: Introducing Raymond Queneau/Gilbert Sorrentino, Variations for Raymond Queneau/* Raymond Queneau, Interviews with Georges Charbonnier -- No. 5?/Raymond Queneau, Technique of the Novel/Raymond Queneau, From Children of Clay/Harry Mathews, Charity Begins at Home/Gilbert Pestureau, The Art of the Novel in Saint Glinglin/Jacques Jouet, 'Interludes' from Raymond Queneau/Claude Debon, Queneau and Poetic Illusion/Barbara Wright, Translating Queneau/Andre Blavier, Droles de Drames/Jacques Roubaud The Birth of a Form: Elementary Morality/Selected Bibliography/Selected Translations of Queneau's Works into English/Victoria Frenkel Harris, Carole Maso: An Introduction and an Interpellated Interview/Carole Maso, Except Joy: on Aureole/Carole Maso, Traveling Light from The Bay of Angels/Louise DeSalvo, 'We Will Speak and Bear Witness': Storytelling as Testimony and Healing in Ghost Dance/Charles B.Harris, The Dead Fathers: The Rejection of Modernist Distance in The Art Lover/Victoria Frenkel Harris, Emancipating the Proclamation: Gender and Genre in AVA/Nicole Cooley, 'There's Not One Story That Will Change This': The American Woman in the Chinese Hat/Jeffrey DeShell, Between the Winding Sheets: The American Woman in the Chinese Hat/Steven Moore, A New Language for Desire: Aureole/A Carole Maso Checklist

The Review of Contemporary Fiction is a tri-quarterly journal that features critical essays on fiction writers whose work resists convention and easy categorization.

Curtis White and Milorad Pavic Number

Featuring essays and tributes by Jonathan Lethem, Marjorie Perloff, and Gerald Howard among others, this issue of the Review of Contemporary Fiction focuses on the life and work of Gilbert Sorrentino, with a special focus on his most popular novel, the endlessly fascinating, frustrating, and hilarious Mulligan Stew.

The Review of Contemporary Fiction was founded in 1981 to promote a vision of literary culture that is not limited to the immediately popular, and to ensure that important world writers out- side the popular attention continue to be written about and discussed.

This issue of the "Review of Contemporary Fiction" is, for the first time, devoted to--but not devotional toward--contemporary British fiction. Bringing together writers, literary critics, and academics with the aim of challenging fossilized approaches to British contemporary fiction, and attesting to the vitality (or otherwise) of the British novel today, contributors such as Stewart Home, China Mi?ville, Maureen Freely, and Patricia Waugh pose difficult questions about the status of the literary in contemporary Britain--where it's been, and where it's going.

The Review of Contemporary Fiction was founded in 1981 to promote a vision of literary culturethat is not limited to the immediately popular, and to ensure that important world writers outside popular attention continue to be written about and discussed.

In honor of the 80th birthday of one of the grandmasters of American experimental fiction, editor St phane Vanderhaeghe has gathered critical essays and appreciations by William Gass, John Barth, Bradford Morrow, Shelley Jackson, Kathryn Hume, Brian Evenson, Kate Bernheimer, Rick Moody, and many more along with prose and poetry by Coover himself.

Mary McGlynn, Janice Galloway Thomas Cousineau, Thomas Bernhard Nancy Blake, Robert Steiner Chris Hopkins, Elizabeth Bowen

A literary magazine devoted to discussions of contemporary fiction and authors, including selections from works-in-progress and interviews, as well as a lengthy book-review section.

The Review of Contemporary Fiction was founded in 1981 to promote a vision of literary culturethat is not limited to the immediately popular, and to ensure that important world writers outside popular attention continue to be written about and discussed.

This issue of the Review of Contemporary Fiction will feature excerpts from a variety of works currently being translated.

Djuna Barnes Number (Review of Contemporary Fiction)

This issue publishes short stories by Catalan's most exciting contemporary writers, providing readers a unique opportunity to view both the life and art of Catalonian culture.