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Putting food and theatre into direct conversation, this volume focuses on how food and theatre have operated for centuries as partners in the performative, symbolic, and literary making of meaning. Through case studies, literary analyses, and performance critiques, contributors examine theatrical work from a wide range of locations, addressing w
Over a range of countries and political regimes, this book examines forms of theatre censorship in the 20th and 21st centuries. It revisits assumptions about prohibition and state control, examining theatre censorship as a continuum ranging from the unconscious self-censorship built into social structures and discursive practices, through bureau
This is the first comprehensive analysis of performance art in East, Central and Southeast Europe under socialist rule. By investigating the specifics of event-based art forms in these regions, each chapter explores the critical roles that this work assumed under censorial circumstances.
Closet Drama: History, Theory, Form introduces the emerging field of Closet Drama Studies by featuring twelve original essays from distinguished scholars who offer fresh and illuminating perspectives on closet drama as a genre.
Performing artists are increasingly involved in the transfer between different media, in their productions as well as in the events, materials, and documents that surround them. Performing Arts in Transition explores what takes place in the moments of transition from one medium to another, and from the live performance to that w
Incapacity and Theatricality acknowledges the distinctive contribution to contemporary theatre made by actors with intellectual disabilities. This book offers an analysis of how these actors have emerged onto the main stage, and how their inclusion calls into question long-held assumptions about theatre and intellectual disability.
Peter Harrop offers a reappraisal of mummers' plays, which have long been regarded as a form of 'folk' or 'traditional' drama, somehow separate from the mainstream of British theatre.
That Shakespeare thematized time thoroughly, almost obsessively, in his plays is well established: time is, among other things, a 'devourer' ("Love's Labour's Lost"), one who can untie knots ("Twelfth Night"), or, perhaps most famously, simply 'out of joint' ("Hamlet"). This book offers an investigation of time in Shakespearean theatre.
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