Bøger i Routledge Advances in Theatre & Performance Studies serien

Transcultural Theater outlines the idea of a transcultural theater as enabling an approximation to and an interaction with the foreign and the alien. This book is for scholars and students as well as for all those working in the cultural field, especially in the field of cultural transfer.

This book analyses the different ways in which Ibsen's plays were and are performed in different cultures on five continents and examines the impact of such performances on the theatre, social life, and politics of these cultures. It shows that performing Ibsen means performing multiple modernities.

This project collects the most significant historical inventions, artists, and movements that have contributed to the development of Live Visuals

This project collects the most significant historical inventions, artists, and movements that have contributed to the development of Live Visuals

Peter Harrop offers a reappraisal of mummers' plays, which have long been regarded as a form of 'folk' or 'traditional' drama, somehow separate from the mainstream of British theatre.

Incapacity and Theatricality acknowledges the distinctive contribution to contemporary theatre made by actors with intellectual disabilities. This book offers an analysis of how these actors have emerged onto the main stage, and how their inclusion calls into question long-held assumptions about theatre and intellectual disability.

Performing artists are increasingly involved in the transfer between different media, in their productions as well as in the events, materials, and documents that surround them. Performing Arts in Transition explores what takes place in the moments of transition from one medium to another, and from the live performance to that w

Closet Drama: History, Theory, Form introduces the emerging field of Closet Drama Studies by featuring twelve original essays from distinguished scholars who offer fresh and illuminating perspectives on closet drama as a genre.

This is the first comprehensive analysis of performance art in East, Central and Southeast Europe under socialist rule. By investigating the specifics of event-based art forms in these regions, each chapter explores the critical roles that this work assumed under censorial circumstances.

Theatre and Dictatorship in the Luso-Hispanic World draws on a diverse range of methodological approaches to explore the discourses that have linked theatrical performance and prevailing dictatorial regimes across Spain, Portugal and their former colonies.

Over a range of countries and political regimes, this book examines forms of theatre censorship in the 20th and 21st centuries. It revisits assumptions about prohibition and state control, examining theatre censorship as a continuum ranging from the unconscious self-censorship built into social structures and discursive practices, through bureau

Putting food and theatre into direct conversation, this volume focuses on how food and theatre have operated for centuries as partners in the performative, symbolic, and literary making of meaning. Through case studies, literary analyses, and performance critiques, contributors examine theatrical work from a wide range of locations, addressing w

Considering affect as mood, inclination, and manner, as well as emotion, and addressing affect as both an economic and cultural phenomenon, this collection of fourteen original essays showcases historical modes of affect within the formal productions of early modern English theater as well as its more informal entertainments and

Embodied Nostalgia is a collection of interlocking case studies that focus on how social dance in musical theatre brings forth the dancer on stage as a site of embodied history, cultural memory, and nostalgia, and asks what social dance is doing performatively, dramaturgically, and critically in musical theatre.

This anthology of essays aims to explore the many types of relationships that exist between puppets, broadly speaking, and the immaterial world.The allure of the puppet goes beyond its material presence as, historically and throughout the globe, many uses of puppets and related objects have expressed and capitalized on their posited connections to other realms or ability to serve as vessels or conduits for immaterial presence. The flip side of the puppet's troubling uncanniness is precisely the possibilities it represents for connecting to discarnate realities. Where do we see such connections? How do we describe, analyze, and theorize these relationships? The first of two volumes, this book focuses on these questions in relation to long-established, traditional practices using puppets, devotional objects, and related items with sacred aspects to them or that perform ritual roles. Looking at performance traditions and artifacts from China, Indonesia, Korea, Mali, Brazil, Iran, Germany, and elsewhere, the essays from scholars and practitioners provide a range of useful models and critical vocabularies for addressing the ritual and spiritual aspects of puppet performance, further expanding the growing understanding and appreciation of puppetry generally.This book, along with its companion volume, offers, for the first time, robust coverage of this subject from a diversity of voices, examples, and perspectives.

This collection gathers a set of provocative essays that sketch innovative and interdisciplinary approaches to Genre Theory in the 21st century.

This study explores the history of Portuguese performance art, in its various "speculative" and "performative" forms.

"Originally published as Bereuhrungen. Bewegung, Relation und Affekt im zeitgeneossischen Tanz. Transcript Verlag 2016."