Bøger i Routledge History of Photography serien

This book examines the photography's unique capacity to represent time with a degree of elasticity and abstraction. Part object-study, part cultural/philosophical history, it examines the medium's ability to capture and sometimes "defy" time, while also traveling as objects across time-and-space nexuses.

This book explores the territories where manual, graphic, photographic, and digital techniques interfere and interlace in sciences and humanities.

Emphasizing the medium's reception among several Chinese constituencies, this book explores photography's impact within new discourses on science, as well its effects in social life, visual modernity and the media during China's transition from imperial to republican government.

This collection explores the cultural fascination with social media forms of self-portraiture, "selfies," with a specific interest in online self-imaging strategies in a Western context.

Emphasizing the medium's reception among several Chinese constituencies, this book explores photography's impact within new discourses on science, as well its effects in social life, visual modernity and the media during China's transition from imperial to republican government.

This collection explores the cultural fascination with social media forms of self-portraiture, "selfies," with a specific interest in online self-imaging strategies in a Western context.