Bøger i Routledge Media and Cultural Studies Companions serien

This comprehensive collection fills that gap, giving students, scholars, and media studies practitioners a cutting-edge guide to understanding the array of methodologies and projects operating at the intersection of digital humanities, computing, and culture. .

Across the last decade, journalism has undergone many changes, which have driven scholars to reassess its most fundamental questions, and in the face of digital change to ask again: `Who is a journalist?¿ and `What is journalism?¿.Bringing together scholars from across the globe, and highlighting leading work in Africa, Asia, Australia, and Latin America, this companion aims to explore, analyse, and critique the issues that inform Digital Journalism Studies across national, historical and cultural settings. The Routledge Companion to Digital Journalism Studies offers an unprecedented collection of essays addressing the key issues and debates shaping the field of Journalism Studies today.

This comprehensive collection of all new essays assembles major theoretical approaches to cinema, gender, and spectatorship, covering the intersections with other discourses such as class, ethnicity, sexuality, stars, genres, new media, and feminist modes of address.Bringing together leading figures in the field, the volume provides an overview of cinema and gender, while also reflecting a desire to rethink some of the ways in which feminist film theory and filmmaking are historicized, theorized, and taught. Essays are organised into five parts, each highlighting key areas and approaches. The Companion will be an important resource for researchers and students.

Research on popular culture is a dynamic, fast-growing domain. In scholarly terms, it cuts across many areas, including communication studies, sociology, history, American studies, anthropology, literature, journalism, folklore, economics, and media and cultural studies. The Routledge Companion to Global Popular Culture provides an authoritative, up-to-date, intellectually broad, internationally-aware, and conceptually agile guide to the most important aspects of popular culture scholarship.

Labor resides at the center of all media and communication production, from the workers who create the information technologies that form the dynamic core of the global capitalist system and the designers who create media content to the salvage workers who dismantle the industry¿s high-tech trash. The Routledge Companion to Labor and Media is the first book to bring together representative research from the diverse body of scholarly work surrounding this often fragmentary field, and seeks to provide a comprehensive resource for the study and teaching of media and labor. Essays examine work on the mostly unglamorous side of media and cultural production, technology manufacture, and every occupation in between.Specifically, this book features:-wide-ranging international case studies spanning the major global hubs of media labor; -interdisciplinary approaches for thinking about and analyzing class and labor in information communication technology (ICT), consumer electronics (CE), and media/cultural production; -an overview of global political economic conditions affecting media workers; -reports on chemical environments and their effect on the health of media workers and consumers; -activist scholarship on media and labor, and inspiring stories of resistance and solidarity.

The Routledge Companion to the Cultural Industries takes a distinct and critical `cultural industries¿ approach to the subject of mass cultural production, focusing on the production and consumption of goods and services whose economic value are drawn primarily from their cultural or symbolic value.

This Companion provides an authoritative and comprehensive examination of the diverse forms, practices and philosophies of alternative and community media across the world. The 50 chapters present a range of theoretical and methodological positions, and arguments to demonstrate the dynamic, challenging and innovative thinking around the subject; locating media theory and practice within the broader concerns of democracy, citizenship, social exclusion, race, class and gender. By considering media practices across a range of cultures and communities, this collection is an ideal companion to the key issues and debates within alternative and community media.

The Routledge Companion to Media and Gender explores a broad span of issues, conceptual frameworks, and methodological approaches to talk about a diverse range of media audiences; media forms, including television, newspapers, radio, magazines, video games, mobile media, and the internet; and media institutions and professional practices, as well as questions of media ownership, control and regulation.

The Routledge Companion to Remix Studies comprises contemporary texts by key authors and artists who are active in the emerging field of remix studies. This rapidly growing field extends from remix culture, an organic international movement that originated in the popular music culture of the 1970s and has grown into a rich cultural activity encompassing various forms of media. The act of recombining pre-existing material brings up pressing questions of authenticity, reception, authorship, copyright, and the techno-politics of media activism.

The Routledge Companion to Media and Gender explores a broad span of issues, conceptual frameworks, and methodological approaches to talk about a diverse range of media audiences; media forms, including television, newspapers, radio, magazines, video games, mobile media, and the internet; and media institutions and professional practices, as well as questions of media ownership, control and regulation.