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Silent Film offers some of the best recent essays on silent cinema, essays that cross disciplinary boundaries and break new ground in a variety of ways. Some focus on the "materiality" of early cinema: the color processes used in printing nitrate film stocks, the choreographic styles of film acting, and the wide range of sound accompaniment. Others focus on questions of periodicity and nationality: on the shift from a "cinema of attractions" to a "classical narrative cinema," on the relationship between changes in production and those in exhibition, and on the historical specificity of national cinemas.
Controlling Hollywood features ten innovative and accessible essays that examine some of the major turning points, crises, and contradictions affecting the making and showing of Hollywood movies from the 1910s through the early 1970s. The articles included here examine landmark legal cases; various self-regulating agencies and systems in the film industry (from the National Board of Review to the ratings system); and, external to Hollywood, the religious and social interest groups and government bodies that took a strong interest in film entertainment over the decades.
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