Bøger i Shakespeare in Practice serien

What is the role of costume in Shakespeare production? Shakespeare and Costume in Practice argues that costume design choices are central not only to the creation of period setting and the actor's work on character, but to the cultural, political, and psychological meanings that the theatre makes of Shakespeare.

When directors approach Shakespeare, is the play always the thing - or might something else sometimes be the thing? How can directing produce fresh contexts for Shakespeare's work?

When actors perform Shakespeare, what do they do with their bodies? How do they display to the spectator what is hidden in the imagination? This is a history of Shakespearean performance as seen through the actor's body. Tunstall draws upon social, cognitive and moral psychology to reveal how performers from Sarah Siddons to Ian McKellen have used the language of gesture to reflect the minds of their characters and shape the reactions of their audiences. This book is rich in examples, including detailed analysis of recent performances and interviews with key figures from the worlds of both acting and gesture studies. Truly interdisciplinary, this provocative and original contribution will appeal to anyone interested in Shakespeare, theatre history, psychology or body language.

This book explores theoretical and practical approaches to performing gender in contemporary Shakespeare productions. It focuses on contemporary practice, looking at how it is responding to a new cultural politics of gender and creating a critical language for understanding the performing of gender in the staging of Shakespeare's plays.

What do audiences do as they watch a Shakespearean play? What makes them respond in the ways that they do? This book examines a wide range of theatrical productions to explore the practice of being a modern Shakespearean audience. It surveys some of the most influential ideas about spectatorship in contemporary performance studies, and analyses the strategies employed both in the texts themselves and by modern theatre practitioners to position audiences in particular ways.

What are the political dimensions of Shakespeare's plays in performance? Hartley reveals the unspoken politics of Shakespeare's plays on stage, examining their nature, agenda, limits and potential. In doing so, he highlights a more consciously political approach to making theatre out of Shakespeare's scripts - and to experiencing it as an audience.