Bøger i South Asia in Motion serien

The first book that examines India's mega-publicity campaigns to theorize the global transformation of the nation-state into an attractive investment destination.The early twenty-first century was an optimistic moment of global futures-making. The chief narrative was the emergence of the BRICS nations-leading stars in the great spectacle of capitalist growth stories, branded afresh as resource-rich hubs of untapped talent and potential, and newly opened up for foreign investments. The old third-world nations were rapidly embracing the script of unbridled capitalism in the hope of arriving on the world stage. If the tantalizing promise of economic growth invited entrepreneurs to invest in the nation's exciting futures, it offered utopian visions of "e;good times,"e; and even restoration of lost national glory, to the nation's citizens. Brand New Nation reaches into the past and, inevitably, the future of this phenomenon as well as the fundamental shifts it has wrought in our understanding of the nation-state. It reveals the on-the-ground experience of the relentless transformation of the nation-state into an "e;attractive investment destination"e; for global capital.As Ravinder Kaur provocatively argues, the brand new nation is not a mere nineteenth century re-run. It has come alive as a unified enclosure of capitalist growth and nationalist desire in the twenty-first century. Today, to be deemed an attractive nation-brand in the global economy is to be affirmed as a proper nation. The infusion of capital not only rejuvenates the nation; it also produces investment-fueled nationalism, a populist energy that can be turned into a powerful instrument of coercion. Grounded in the history of modern India, the book reveals the close kinship among identity economy and identity politics, publicity and populism, and violence and economic growth rapidly rearranging the liberal political order the world over.

""Tribes" appear worldwide today as vestiges of a pre-modern past at odds with the workings of modern states. Acts of resistance and rebellion by groups designated as "tribal" have fascinated as well as perplexed administrators and scholars in South Asia and beyond. Tribal resistance and rebellion are held to be tragic yet heroic political acts by "subaltern" groups confronting omnipotent states. By contrast, this book draws on fifteen years of archival and ethnographic research to argue that statemaking is intertwined inextricably with the politics of tribal resistance in the margins of modern India. Uday Chandra demonstrates how the modern Indian state and its tribal or adivasi subjects have made and remade each other throughout the colonial and postcolonial eras, historical processes of modern statemaking shaping and being shaped by myriad forms of resistance by tribal subjects. Accordingly, tribal resistance, whether peaceful or violent, is better understood vis-áa-vis negotiations with the modern state, rather than its negation, over the past two centuries. How certain people and places came to be seen as "tribal" in modern India is, therefore, tied intimately to how "tribal" subjects remade their customs and community in the course of negotiations with colonial and postcolonial states. Ultimately, the empirical material unearthed in this book requires rethinking and rewriting the political history of modern India from its "tribal" margins"--

This book explains how modern political oratory in Tamil emerged out of Protestant missionary forms of speech.

The first ethnographic study of Delhi's All India Institute of Medical Sciences, Special Treatment follows a group of students and explores how the institution's prestige is reproduced by powerful norms attached to ambition, aspiration, caste, class, and the role of medicine in society.

A radical rethinking of hierarchy as a moral idiom through an ethnography of professional thieves in northern India.

Partisan Aesthetics explores art's entanglements with conjunctural and climactic histories of late-colonial and postcolonial India, to foreground political, social, and intellectual formations of modern art during India's long decolonization.

Dying to Serve is a study of the affective relationships at the heart of war and violence.

In the Name of the Nation offers a much-needed contemporary history of India's troubled Northeastern region.

As anti-colonial activism and global war intensified in the twentieth century, the Hindu, Muslim, Christian and Sikh soldiers of the British Indian Army wrestled with the moral dilemma of giving their devotion to either nationalism or imperialism.

This is an anthropological study of protest and popular sovereignty in Bangladesh.