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  • af Markus Miessen
    72,95 kr.

  • af Nikolaus Hirsch
    271,95 kr.

  • af Markus Miessen
    348,95 kr.

    The applied research project from University of Arts and Design, Karlsruhe, and resulting publication, The Archive as a Productive Space of Conflict examines archival practice and its spatial repercussions in an open conversation among over 80 artists, architects, writers, theorists, educators, designers and others. What are the spaces involved in making archives productive? Conventional archives tend to define themselves through content-specific accumulation of matter, subscribing to an existing order. The structure of archives has not evolved in response to its cumulative model. A productive archive would offer an open framework which actively transforms itself, thus allowing for the constant production of new and surprising relationships and new perspectives on archival practice. Contributions by Stuart Bailey, Bless, Beatriz Colomina, Cline Condorelli, Armin Linke, Dexter Sinister, Nav Haq, Nikolaus Hirsch, Christoph Keller, Hans Ulrich Obrist, Walid Raad and Alice Rawsthorn.

  • af Lars Bang Larsen, Nicolaus Schafhausen & Cristina Ricupero
    339,95 kr.

  • af Alexis Vaillant
    198,95 kr.

  • af Raqs Media Collective
    198,95 kr.

  • af Jean-Charles Massera
    161,95 kr.

  • af Matthias Ulrich
    219,95 kr.

  • af Bettina von Dziembowski, Silvia Eiblmayr & Kunstverein Springhornhof
    161,95 kr.

  • af Peter Friedl
    155,95 kr.

  • af Markus Heinzelmann
    304,95 kr.

  • af Anke Kempkes
    242,95 kr.

  • af Natasha Marie Llorens
    313,95 kr.

    Artists who belong to Algeria are caught between a national mythology that does not represent them and a historical space blanked out by state-sanctioned amnesia on both sides of the Mediterranean. Waiting for Omar Gatlato: A Survey of Contemporary Art from Algeria and Its Diaspora presents the work of twenty-five such artists who offer diverse representations of everyday life and are rigorously critical in their engagement with the legacies of Orientalist figuration, modernist abstraction, monumental public art, Conceptual art, and postmodern media theory after 1962, in a postindependence context.00This publication includes the first English translations of texts by key theorists of contemporary art in Algeria on the evolving relationship between art and politics, as well as poetry by Samira Negrouche and a graphic essay by Nawel Louerrad. The book's title comes from an essay by Wassyla Tamzali on Merzak Allouache's 1977 film Omar Gatlato.00Exhibition: Art Gallery, Columbia University in the City of New York, New York, USA (26.10.2019 - 15.03.2020).

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