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As an early articulation of Heidegger's thought, this book will be an indispensable resource for scholars and students.

Looks into the essence of Heidegger's thought and engages the philosopher's transformative thinking with contemporary Western culture. This work examines Heidegger's translations of Greek philosophy and his interpretations and displacements of anthropology, ethics and politics, science and aesthetics.

Considers the role and meaning of philosophy. The author proposes a robust and unified philosophy that would find itself equally at home in artistic and scientific disciplines. He focuses on Deleuze's "Difference and Repetition" and Heidegger's "Contributions to Philosophy" for their handling of the concept of difference.

Volume 18 of Martin Heidegger's collected works presents his important 1924 Marburg lectures which anticipate much of the revolutionary thinking that he subsequently articulated in Being and Time. Here are the seeds of the ideas that would become Heidegger's unique phenomenology. Heidegger interprets Aristotle's Rhetoric and looks closely at the Greek notion of pathos. These lectures offer special insight into the development of his concepts of care and concern, being-at-hand, being-in-the-world, and attunement, which were later elaborated in Being and Time. Available in English for the first time, they make a significant contribution to ancient philosophy, Aristotle studies, Continental philosophy, and phenomenology.

Presents an enigmatic discourse in the history of philosophy. Plato's discourse on the chora forms the pivotal moment in the Timaeus. This book undertakes a reinterpretation of the entire dialogue oriented to the chorology. It unsettles the traditional reading of the famous passage on time as the moving image of eternity.

With particular focus on imagination, this work presents a close reading of Kant's second critique, "The Critique of Practical Reason". In an interpretation that is daring as well as rigorous, this work reveals imagination as both its central force and the bridge that links Kant's three critiques.

Offers a philosophical reflection on the nature and process of translation. This title shows that translating is much more than a matter of transposing one language into another. It approaches translation from four directions and shows how the classical concept of translation has undergone mutation and deconstruction.

A historical study of Husserl's phenomenological method, this book presents an interpretation of the development of Husserl's philosophical position against the background of an insight into the phenomenon of horizon - perhaps the issue that motivates and guides Husserl's thought.

Brings philosophical and critical unity to the self

Reorienting our approach to fundamental questions about human existence

Discusses both the role and meaning of sacrifice in our lives. This book explores the religious and ethical issues that sacrifice entails. It considers the views of Hegel, Schelling, Kierkegaard, Nietzsche, Heidegger, Bataille, Lacan, Levinas, Blanchot, Irigaray, Derrida, and more. It affords a philosophical treatment of the question of sacrifice.

Offers an introduction to Martin Heidegger's second important work, "Contributions to Philosophy" (From Enowning). This title reflects Heidegger's struggle to think at the edge of words and to bring to language what remains beyond the written or the spoken.

Reinterprets the history of Western philosophy from Greece to modern times.

A sensitive and original reading of Plato's Republic that foregrounds the power of myth in the shaping of history.

Examining tragedy as one of the highest forms of human expression for both the ancients and the moderns, this book presents what Greek tragedy and German philosophy reveal about the meaning of art for ethical life.

Pursuing Jacques Derrida's reflections on the possibility of "religion without religion," this book makes room for a sense of the religious that does not depend on religions or traditional notions of God or gods. It shows why and where religion matters.

Through these broad and sprawling notebooks, Heidegger offers fascinating opinions on Holderlin, Nietzsche, Wagner, Wittgenstein, Pascal, and many others. The importance of the Black Notebooks transcends Heidegger's relationship with National Socialism. These personal notebooks contain reflections on technology, art, Christianity, the history of philosophy, and Heidegger's attempt to move beyond that history into another beginning.

[Sallis's] ideas are presented in a singular, scholarly, remarkable, captivating, conceptually rigorous, dense, and deep manner.... Highly recommended."e; -ChoiceThis fascinating book by one of the more original voices writing philosophy in English poses questions about the nature of the visible and invisible, sensible and intelligible."e; -Dennis SchmidtWhat is it that an artist paints in a painting? Working from paintings themselves rather than from philosophical theories, John Sallis shows how, through shades and limits, the painter renders visible the light that confers visibility on things. In his extended examination of three phases in the development of modern painting, Sallis focuses on the work of Claude Monet, Wassily Kandinsky, and Mimmo Paladino-three painters who, each in his own way, carry painting to the limit.

Force of ImaginationThe Sense of the ElementalJohn SallisA bold and original investigation into how imagination shapes thought and feeling.This is a bold new direction for the author, one that he takes in an arresting and convincing manner.... a powerful, original approach to what others call 'ecology' but what Sallis shows to be a question of the status of the earth in philosophical thinking at this historical moment."e; -Edward S. CaseyIn this major original work, John Sallis probes the very nature of imagination and reveals how the force of imagination extends into all spheres of human life. While drawing critically on the entire history of philosophy, Sallis's work takes up a vantage point determined by the contemporary deconstruction of the classical opposition between sensible and intelligible. Thus, in reinterrogating the nature of imagination, Force of Imagination carries out a radical turn to the sensible and to the elemental in nature. Liberated from subjectivity, imagination is shown to play a decisive role both in drawing together the moments of our experience of sensible things and in opening experience to the encompassing light, atmosphere, earth, and sky. Set within this elemental expanse, the human sense of time, of self, and of the other proves to be inextricably linked to imagination and to nature. By showing how imagination is formative for the very opening upon things and elements, this work points to the revealing power of poetic imagination and casts a new light on the nature of art.John Sallis is Liberal Arts Professor of Philosophy at Pennsylvania State University. His previous books include Being and Logos: Reading the Platonic Dialogues; Shades-Of Painting at the Limit; Stone; Chorology: On Beginning in Plato's Timaeus (all published by Indiana University Press), Crossings: Nietzsche and the Space of Tragedy and Double Truth.Studies in Continental Thought-John Sallis, editorContentsProl