Bøger i Studies in European Culture and History serien

The twentieth century witnessed genocides, ethnic cleansing, forced population expulsions, shifting borders, and other disruptions on an unprecedented scale. This book examines the work of memory and the ethics of healing in post authoritarian societies that have experienced state-perpetrated violence.

Drawing upon the philosophical insights of Friedrich Schlegel, Walter Benjamin, Theodor W. Adorno, and Blixa Bargeld, this book explores the persistence of a critical-deconstructive approach to musical production, consumption, and reception in the German cultural sphere of the last two centuries.

Presenting the first English-language collection of essays on Jorge Semprun, this volume explores the life and work of the Spanish Holocaust survivor, author, and political activist. Essays explore his cultural production in all its manifestations, including the role of testimony and fiction in representations of the Holocaust.

The novel-essay emerged in France, in the last quarter of the nineteenth century, and reached its highest formal complexity in Austria and Germany, during the interwar period. Here, Ercolino argues that it is crucial for a renovated understating of the history of the novel in modernity.

Too often, scholars treat transnationalism as a conflict in which the local, regional, and national give way to globalized identity. As these varied studies of German cities show, though, the urban environment is actually a site of trans-localism that is not merely oppositional, but that adapts itself dialectically to the forces of globalization.

Following the fall of the Soviet Union in 1989, the borders hitherto separating Greek culture and society from its contiguous Balkan polities came down, and Greeks had to reorient themselves toward their immediate neighbors and redefine their place within Europe and the new, more fluid global order.

This transnational collection discusses the use of Native American imagery in twentieth and twenty-first-century European culture.

This book explores the relationship between film and the Holocaust in France: how has film changed the way that this traumatic event has been inscribed in French cultural memory? And what can these representations tell us about how we think of and understand the traumas of history?

This book explores the role of masculinity in shaping citizenship in the western world. Can the universal ideal of citizenship be redeemed or is it mired in exclusionary notions of masculinity, race and class? The book traces the ideal of citizenship and its myriad of exclusions from the French revolution to the Twentieth century.

Challenging the commonplace that suspends migrants between two worlds', this study turns a refreshingly curious eye to complex cultural relations and literary novelties wrought by Turkish migration to Germany.

In reading popular films of the Weimar Republic as candid commentaries on Jewish acculturation, Ofer Ashkenzi provides an alternative context for a re-evaluation of the infamous 'German-Jewish symbiosis' before the rise of Nazism, as well as a new framework for the understanding of the German 'national' film in the years leading to Hitler's regime.

Pursues the hypothesis that fictional literature has been instrumental in the development and dissemination of European anti-Americanism from the early 1800s to today. Focusing on Britain, France and Germany, it offers analyses of a range of canonical literary works in which resentful hostility towards the United States is a predominant feature.

This book explores the memory of the Romanian Holocaust in Romanian, German, Israeli, and French cultural representations. The essays in this volume discuss first-hand testimonial accounts, letters, journals, drawings, literary texts and films by Elie Wiesel, Paul Celan, Aharon Appelfeld Norman Manea, Radu Mihaileanu, among others.

This wide-ranging collection brings together contributions from historians, political scientists, policymakers, and others to provide much-needed perspective on the unification of Germany as it actually played out in real historical time.

Deploying concepts of interpretation, liberation, and survival, esteemed literary critic Herbert Lindenberger reflects on the diverse fates of his family during the Holocaust. Combining public, family, and personal record with literary, musical, and art criticism, One Family's Shoah suggests a new way of writing cultural history.

This book explores the role of masculinity in shaping citizenship in the western world. Can the universal ideal of citizenship be redeemed or is it mired in exclusionary notions of masculinity, race and class? The book traces the ideal of citizenship and its myriad of exclusions from the French revolution to the Twentieth century.

Cinema After Fascism considers how postwar European films glance ambivalently backward from the postwar period to the fascist era and delves into issues of gender certainties and spectatorship.

This book traces representations of "Gypsies" that have become prevalent in the European imagination and culture and influenced the perceptions of Roma in Eastern and Western European societies.

This book explores German and European exile visual artists, designers and film practitioners in the United States such as Max Beckmann, George Grosz, Hans Richter, Peter Lorre, and Edgar Ulmer and examines how American artists including Walter Quirt, Jackson Pollock, and Robert Motherwell responded to the Europeanization of American culture.

Includes essays, which examine modernism in Germany and Scandinavia by focusing on the relation between culture, politics, and critical ideological endeavours.

A central concern of this study is the relationship between Wagner the artist and Wagner the social phenomenon. Many of the essays within explore the most difficult yet most crucial issue in Wagner studies: the impact of the composer's problematic world view and complex personal life on his musical/dramatic creations.

The history of American universities is punctuated by shifts in the terms on which the mission of higher education is defined and debated. The studies in this book examine the achievements of numerous influential emigre intellectuals against the background of their mediation between the two cultural traditions in science and liberal studies.

This collection demonstrates the persistence of the initial anxieties about a united Germany and its rapid absorption of the German Democratic Republic, and also suggests a potential optimism that, despite much contemporary domestic disenchantment, the new Germany continues to thrive as a European democracy endeavouring to confront its past.

Re-imagining the Family explores contemporary films and literature about the effects of legal and illegal immigration on the structure and the stories of the contemporary 'European' family, with a focus on Germany.

1977 is usually associated with West German terrorism, but it witnessed another cultural watershed: punk music. A new reckoning with the legacy of political and aesthetic spaces, this book argues the centrality of punk music for understanding crises of state and terrorist violence, American racism and German fascism, and aesthetic production.

Weber contributes to the ongoing scholarly discussion about Islam in the West, demonstrating how current thinking about gender violence prohibits the intellectual inquiry necessary to act against such violence, and analyzes ways in which Muslim women participate in the public sphere by thematizing violence in literature, art, and media.

Challenging the commonplace that suspends migrants between two worlds', this study turns a refreshingly curious eye to complex cultural relations and literary novelties wrought by Turkish migration to Germany.

The book explores European artists' critical engagement with the images and stories that politicians and the media use to advocate globalization.

Kafka's literary universe is organized around constellations of imprisonment. Freedom and Confinement in Modernity proposes that imprisonment does not signify a tortured state of the individual in modernity. Rather, it provides a new reading of imprisonment suggesting it allows Kafka to perform a critique of a modernity instead.

Kafka's literary universe is organized around constellations of imprisonment. Freedom and Confinement in Modernity proposes that imprisonment does not signify a tortured state of the individual in modernity. Rather, it provides a new reading of imprisonment suggesting it allows Kafka to perform a critique of a modernity instead.