Bøger i Studies in European History serien

The origins, nature and effects of the Revolution have been the themes of a voluminous literature, especially since the 1950s, and there has been sharp disagreement among historians about them.

Catherine Baker offers an up-to-date, balanced and concise introductory account of the Yugoslav wars of the 1990s and their aftermath. The volume incorporates the latest research, showing how the state of the field has evolved and guides students through the existing literature, topics and debates.

Michael Dockrill's concise study of the early years of the Cold War between the Western Powers and Soviet Union has been widely acclaimed as an authoritative guide to the subject. In this second edition, he and Michael Hopkins bring the story up to the events of 1991, and also expand coverage of key topics.

The eighteenth-century Enlightenment was one of the most exciting and significant currents of European culture.

Drawing on research based on access to the recently-opened Soviet archives, this new edition provides a valuable thematic account of the nature of Stalinism.

In examining the controversial historiographical literature surrounding this subject, the book criticises particular explanations, and introduces readers to some of the new directions in research and inquiry currently being explored by historians.

This book examines why, in 1914, a Balkan conflict escalated into a general European war. It focuses on the decision-making of each Power during the July-August crisis, and analyses the role of domestic politics, economics, cultural factors, militarism, imperialism, and the international political system.

Was the Golden Age of Spain in the sixteenth century an illusion? By introducing and examining some of the key issues and themes involved, Henry Kamen offers a balanced discussion of this question. 2nd edn has been thoroughly revised and rewritten in the light of recent research and new chapters added covering religion and culture.

In this study Peter Burke distances himself from the traditional interpretation of the Renaissance as essentially Italian, self-consciously modern and easily separable from the Middle Ages.