Bøger i Studies in Medievalism serien

Essays on the post-modern reception and interpretation of the Middle Ages.

Essays on the post-modern reception and interpretation of the Middle Ages,To attract followers many professional politicians, as well as other political actors, ground their biases in (supposedly) medieval beliefs, align themselves with medieval heroes, or condemn their enemies as medieval barbarians. The essays in the first part of this volume directly examine some of the many forms such medievalism can take, including the invocation of "e;blood libels"e; in American politics; Vladimir Putin's self-comparisons to "e;Saint Equal-of-the-Apostles Prince Vladimir"e;; alt-right references to medieval Christian battles with Moslems; nativist Brexit allusions to the Middle Ages; and, in the 2019 film The Kid Who Would be King, director Joe Cornish's call for Arthurian leadership through Brexit. These essays thus inform, even as they are tested by, the subsequent papers, which touch on politics in the course of discussing the director Guy Ritchie's erasure of Wales in the 2017 film King Arthur: Legend of the Sword; medievalist alt-right attempts to turn one disenfranchised group against another; Jean-Paul Laurens's 1880 condemnation of Napoleon III via a portrait of Honorius; Henry Wadsworth Longfellow's extraordinarily wide range of medievalisms; the archaeology of Julian of Norwich's anchorite cell; the influence of Julian on pity in J.K. Rowling's Harry Potter book series; the origins of introductory maps for medievalist narratives; self-reflexive medievalism in a television episode of Doctor Who; and sonic medievalism in fantasy video games. Contributors: Laura Cochrane, James Cook, Esther Cuenca, Andrew B.R. Elliott, Ali Frauman, JohnWyatt Greenlee, Sean Griffin, Christopher Jensen, M.J. Toswell, Laura Varnam, Usha Vishnuvajjala, Anna Fore Waymack, Daniel Wollenberg, Victoria Yuskaitis

The difficult and nuanced issue of discrimination - race, gender, ethicity, religion - is the focus of this volume.Discrimination has long played a part in medievalism studies, but it has rarely been weaponized as thoroughly and publicly as in recent exchanges. The essays in the first part of this volume respond to that development by examining some of the many forms discrimination has taken in medievalism (studies) relative to race, gender, sexual orientation, religion, and ethnicity. These papers thus inform many of the subsequent chapters, which address a wide variety of aspects of medievalism, showing how many cultural areas it touches upon. Subjects include Evelyn Underhill's literary interest in the Arts and Crafts Movement; the Anchoresses of the filmmaker Chris Newby and novelist RobynCadwallader; cinematic battle orations; contemporary representations of Viking helmet horns; modern board-game culture; and Vincent Van Gogh's Studio of the South. The volume also includes a transcription and contextualization ofthe celebrated scholar Helen Waddell's notes on medieval texts. KARL FUGELSO is Professor of Art History at Towson University. Contributors: Carla Arnell, Aida Audeh, Peter Burkholder, Christopher Caldiero,Michael Evans, Jennifer FitzGerald, Jonathan Godsall, Angus J. Kennedy, Nadia Margolis, Lauryn Mayer, Timothy S. Miller, Tison Pugh, Richard Utz, Kim Wilkins, Karen A. Winstead, Helen Young

Essays tackling the difficult but essential question of how medievalism studies should look at the issue of what is and what is not "e;authentic"e;.Given the impossibility of completely recovering the past, the issue of authenticity is clearly central to scholarship on postmedieval responses to the Middle Ages. The essays in the first part of this volume address authenticitydirectly, discussing the 2017 Middle Ages in the Modern World conference; Early Gothic themes in nineteenth-century British literature; medievalism in the rituals of St Agnes; emotions in Game of Thrones; racism in Disney's Middle Ages; and religious medievalism. The essayists' conclusions regarding authenticity then inform, even as they are tested by, the subsequent papers, which consider such matters as medievalism in contemporary French populism; nationalism in re-enactments of medieval battles; postmedieval versions of the Kingis Quair; Van Gogh's invocations of Dante; Surrealist medievalism; chant in video games; music in cinematic representations of the Black Death; and sound in Aleksei German's film Hard to Be a God. Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland. Contributors: Aida Audeh, Tessel Bauduin, Matthias Berger, Karen Cook, Timothy Curran, Nickolas Haydock, Alexander Kolassa, Carolyne Larrington, David Matthews, E.J. Pavlinich, Lotte Reinbold, Clare Simmons, Adam Whittaker, Daniel Wollenberg.

Essays on the post-modern reception and interpretation of the Middle Ages,This volume continues the theme of its predecessor, addressing how the Middle Ages have been invoked to score political points, particularly with reference to the rise of populism fueled by recent recessions and a pandemic. The nine essays in the first portion of the volume directly address political medievalism in Tariq Ali's 2005 novel on Mideast instability, A Sultan in Palermo; attempts by twentieth-century Czech politicians to anchor their causes in the fifteenth-century Czech hero Petr Chelcicky; far-right deployment of Robin Hood memes to slander Hillary Rodham Clinton and Barack Obama; the ways Rory Mullarkey's 2017 play Saint George and the Dragon comments onEnglish national identity relative to Brexit; how national stereotypes have come into play amid cross-channel reporting on Brexit; nationalism in the medievalizing German monument to their fallen at the 1942 Battle of El Alamein;the English-speaking world's reception of Anthony Munday's 1589 book on conduct, Palmendos; nationalism in the self-characterization of two contemporary British Pagan movements; and how various communities in the television series Game of Thrones comment on medieval and/or contemporary nations. Nor are politics entirely absent from the final four articles in the volume, as they examine attempts to promote such particular agendas as toxic masculinity in Game of Thrones; misogyno-feminism there and in the George R.R. Martin book series on which the television program is based, A Song of Ice and Fire; the potential for audience self-realization amid the tension between the individual and the collective in The Mere Wife, Maria Dahvana Headley's 2018 adaptation of Beowulf; and ideal individual and collective behavior as modeled in the Ringling Brothers' 1912-13 spectacles about Joan of Arc. Contributors: Leticia Alvarez-Recio, Susan Aronstein, Matthias D. Berger, Shiloh Carroll, Louise D'Arcens, Laurie Finke, John C. Ford, Alexander L, Kaufman, Stephen Lahey, Scott Manning, Galit Noga-Banai, S.C. Thomson, Ethan Doyle White, Karen A. Winstead,

Essays on the post-modern reception and interpretation of the Middle Ages, with a particular concentration on environmental matters.Ecoconcerns and ecocriticism are a rising trend in medievalism studies, and form a major focus of this collection. Topics under discussion in the first part of the volume include figurations in nineteenth- and twentieth-century medievalism; environmental medievalism in Sidney Lanier's Southern chivalry; nostalgia and loss in T.H. White's "e;forest sauvage"e;; and green medievalism in J.R.R. Tolkien's elven realms. The eleven subsequent articles continue to take in such themes more tangentially, testing and buillding on the methods and conclusions of the first part. Their subjects include John Aubrey's Middle Ages; medieval charter-horns in early modern England; nineteenth-centuryreimaginings of Chaucer's Griselda; Dante's influence on Harlan Ellison's "e;I Have No Mouth and I Must Scream"e;; multi-layered medievalisms in George R.R. Martin's A Song of Ice and Fire; (coopted) feminism via medievalism inDisney's Maleficent; (neo)medievalism in Babylon 5 and Crusade; cosmopolitan anxieties and national identity in Netflix's Marco Polo; mapping Everealm in The Quest; undergraduate perceptions ofthe "e;medieval"e; and the "e;Middle Ages"e;; and medievalism in the prosopopeia and corpsepaint of Mayhem's De Mysteriis Dom Sathanas. Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland. Contributors: Dustin M. Frazier Wood, Daniel Helbert, Ann F. Howey, Carol Jamison, Ann M. Martinez, Kara L. McShane, Lisa Myers, Elan Justice Pavlinich, Katie Peebles, Scott Riley, Paul B. Sturtevant, Dean Swinford, Renee Ward, Angela Jane Weisl, Jeremy Withers.

Essays examining the complex intertwining and effect of medievalism on modernity - and vice versa.The question of how modernity has influenced medievalism and how medievalism has influenced modernity is the theme of this volume. The opening essays examine the 2001 film Just Visiting's comments on modern anxieties via medievalism; conflations of modernity with both medievalism and the Middle Ages in rewriting sources; the emergence of modernity amid the post-World War I movement The Most Noble Order of Crusaders; Antonio Sardinha's promotion of medievalism as an antidote to modernity; and Mercedes Rubio's medievalism in her feminist commentary on modernity. The eight subsequent articles build on this foundation while discussing remnants of medieval London amid its moderndescendant; Michel Houellebecq's critique of medievalism through his 2011 novel La Carte et le territoire; historical authenticity in Michael Morrow's approach to performing medieval music; contemporary concerns in Ford Madox Brown and David Gentleman's murals; medieval Chester in Catherine A.M. Clarke and Nayan Kulkarni's Hryre (2012); medieval influences on the formation of and debate about modern moral panics; medievalist considerations inmodern repurposings of medieval anchorholds; and medieval sources for Paddy Molloy's Here Be Dragons (2013). The articles thus test the essays' methods and conclusions, even as the essays offer fresh perspectives on the articles. Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland. Contributors: Edward Breen, Katherine A. Brown, Catherine A.M. Clarke, Louise D'Arcens, Joshua Davies, John LanceGriffith, Mike Horswell, Pedro Martins, Paddy Molloy, Lisa Nalbone, Sarah Salih, Michelle M. Sauer, James L. Smith

Essays on the modern reception of the Middle Ages, built round the central theme of the ethics of medievalism.Ethics in post-medieval responses to the Middle Ages form the main focus of this volume. The six opening essays tackle such issues as the legitimacy of reinventing medieval customs and ideas, at what point the production and enjoyment of caricaturizing the Middle Ages become inappropriate, how medievalists treat disadvantaged communities, and the tension between political action and ethics in medievalism. The eight subsequent articles then build on this foundation as they concentrate on capitalist motives for melding superficially incompatible narratives in medievalist video games, Dan Brown's use of Dante's Inferno to promote a positivist, transhumanist agenda, disjuncturesfrom medieval literature to medievalist film in portrayals of human sacrifice, the influence of Beowulf on horror films and vice versa, portrayals of war in Beowulf films, socialism in William Morris's translation of Beowulf, bias in Charles Alfred Stothard's Monumental Effigies of Great Britain, and a medieval source for death in the Harry Potter novels. The volume as a whole invites and informs a much larger discussion on such vital issues as the ethical choices medievalists make, the implications of those choices for their makers, and the impact of those choices on the world around us. Karl Fugelso is Professor of Art History at Towson University in Baltimore, Maryland. Contributors: Mary R. Bowman, Harry Brown, Louise D'Arcens, Alison Gulley, Nickolas Haydock, Lisa Hicks, Lesley E. Jacobs, Michael R. Kightley, Phillip Lindley, Pascal J. Massie, Lauryn S. Mayer, Brent Moberley, Kevin Moberley, Daniel-Raymond Nadon, Jason Pitruzello, Nancy M. Resh, Carol L. Robinson, Christopher Roman, M.J. Toswell.

Though manifestations of play represent a burgeoning subject area in the study of post-medieval responses to the Middle Ages, they have not always received the respect and attention they deserve. This volume seeks to correct those deficiencies.

Essays on the post-modern reception and interpretation of the Middle Ages, with a particular focus on its relationship with business and finance.

Essays on the post-modern reception and interpretation of the middle ages, with a particular focus on its relationship with business and finance.

An engagement with the huge growth in neomedievalism forms the core of this volume, with other essays testing its conclusions.

Articles which survey and map out the increasingly significant discipline of medievalism; and explore its numerous aspects.

Studies in Medievalism is the only journal entirely devoted to modern re-creations of the middle ages: a field of central importance not only to scholarship but to the whole contemporary cultural world.

The second part of Medievalism and the Academy identifies the four specific questions that have come to focus recent scholarship in medievalism: What is difference? what is theory? woman? God?

Twelve essays discuss how the middle ages are reflected in English culture from the sixteenth century to the present day.

Studies on the influence of the middle ages, and in particular the Arthurian legends, on the culture of North America.

Studies of texts from the late middle ages to the contemporary moment, together they indicate, broadly, directions both in postmodern studies and studies in medievalism.

Essays on the use, and misuse, of the Middle Ages for political aims.

'The Year's Work in Medievalism, ' volume XVII, is based upon but not restricted to the 2002 proceedings of the annual International Conference on Medievalism, organized by the Director of Conferences of Studies in Medievalism, Gwendolyn Morgan, and, for 2002, Jesse G. Swan and Richard Utz. It contains eleven essays exploring various representations of the medieval from the Renaissance through contemporary times: Hannah Johnson, The Saint in the Photograph: Sister Marie Gabriel and Another New Middle Ages Mike McKeon, The Postmodern Subject in Early Christian Catacomb Painting Anna Kowalcze, Disregarding the Text: Postmodern Medievalisms and the Readings of John Gardner's Grendel Laura Morowitz, 'Une Guerre Sainte Contre l'Academisme: ' Louis Courajod, The Louvre, and the Barbaric Middle Ages Sandra Ballif Straubhaar, A Birth Certificate for Sweden, Packaged for Postmoderns: Jan Guillou's Templar Trilogy Susan Rochette-Crawley, Wholly Ghosts: Genre, Postmodern Transubstantiations, and Flannery O'Connor's 'The Enduring Chill' David Lampe, 'The Accuracies of My Impressions: ' Mark Twain, Ford Madox Ford, and Michael Crichton Re-Imagine Chivalry Liliana Sikorska, Mapping the Green Man's Territory in Lindsay Clarke's 'The Chymical Wedding ' A. Keith Kelly, Medieval Movie Madness Hailey Haffey, Dualistic Particulars: How Mystical and Metaphysical Literatures Demand Differentiation of Erotic Profanities Alissa Stickler, The (Mid)Evil Nightmare of Yesterday and Tomorrow: Flagg as the Immortal Monster in Stephen King's 'The Eyes of the Dragon and The Stan

Medievalism examined in a variety of genres, from fairy tales to today's computer games.

Articles centred on the use made by European nations of medieval texts and other artefacts to define their history and origins.

Essays on the post-modern reception and interpretation of the middle ages.

The second study of medievalism in Europe shows how the influence of the middle ages has been manifested itself in various forms, throughout the modern age, in Germany, France, Denmark, Sweden - and Brazil.

This volume is devoted to medievalism in England, including: The Antiquarian Impulse in England, 1500-1730, The Two Noble Kinsmen and the Problem of Chivalry, From Medievalism to Historicism, Catholic History and the MiddleAges, Rossetti's Quest for God's Graal.

New essays attempt to survey and map out the increasingly significant discipline of medievalism.

Essays on the continuing power and applicability of medieval images, with particular reference to recent films.

Concentrating on Europe, this volume's sixteen essays discuss different forms of medievalism in Germany, France, Italy, Spain, and Serbia.