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An expanded edition of a classic work of film criticism, with a provocative and eloquent new chapter on Marnie, Hitchcock's most heartfelt--and most controversial--film.
Explores a growing number of films and filmmakers that challenge the strict boundaries between belief and unbelief.
The first collection of essays devoted to the phenomenon of the film sequel.
Explores how modernist films use classical music in ways that restore the music's original subversive energy.
Considers how dangerous beasts in horror films illuminate the human-animal relationship.
Engaging essays on a wide spectrum of Hollywood directors and the films they created.
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Ved tilmelding accepterer du vores persondatapolitik.