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Schelling's 1806 polemic against Fichte, and his last major work on the philosophy of nature.
An original philosophical exploration of the limits of Hegel's thought.
Examines the role that poets and the poetic word play in the formation of philosophical thinking in the modern German tradition.
A critical study of the concept of form in Adorno's writings on art and literature.
Shows the relevance of Schiller's thought for contemporary philosophy, particularly aesthetics, ethics, and politics.
Draws from twentieth-century French thought on film and aesthetics to address the philosophical significance of the pervasiveness of screens in contemporary technological life as well as the mutation of philosophy that such a pervasiveness seems to require.
Drawing from philosophy and psychology, offers a clear and compelling interpretation of what it means to be an adult.
A systematic study of testimony rooted in contemporary continental philosophy and drawing on literary case studies.
Argues that symbolism is an important and unique element of Merleau-Ponty's phenomenology.
A study of the significance of the visual arts in Merleau-Ponty's aesthetics in relation to the work of five artists not known or discussed by him.
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