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Based on the translation by Alexander Teixeira de Mattos. With an Introduction by David Stuart Davies.' the shadow turned round; and I saw a terrible death's-head, which darted a look at me from a pair of scorching eyes. I felt as if I were face to face with Satan'Erik, the Phantom of the Paris Opera House, is one of the great icons of horror literature. This tormented and disfigured creature has made his home in the labyrinthine cellars of this opulent building where he can indulge in his great passion for music, which is a substitute for the love and emotion denied him because of his ghastly appearance.It is in the Opera House that he encounters Christine Daa whom he trains in secret to become a great singer. Erik's passionate obsession with a beautiful woman beyond his reach is doomed and leads to the dramatic tragic finale.Gaston Leroux's novel is a marvellous blend of detective story, romance and spine-tingling terror which has fascinated readers ever since the work was first published.

Selected and Introduced by M J Elliott.'They were removing the stones quietly, one by one, from the centuried wall. And then, as the breach became large enough, they came out into the laboratory in single file; led by a stalking thing with a beautiful head made of wax.'From the dark, mind-expanding imagination of H P Lovecraft, Wordsworth presents a third volume of tales penned by the greatest horror writer of the 20th Century. Here are some of Lovecraft's weirdest flesh-creeping masterpieces, including Pickman's Model, The Shunned House, his famous serial Herbert West - Reanimator, and several classic tales from the Cthulhu Mythos, in which mankind is subjected to the unimaginable terrors known only to those who have read from the forbidden Necronomicon. Also included in this compelling collection are the complete Randolph Carter stories, chronicling his adventures in this world and the realm of his dreams, where he faces perils beyond comprehension.

With an Introduction by M.J. Elliott.'My eyes, perversely shaken open, gazed for an instant upon a sight which no human creature could even imagine without panic, fear and physical exhaustionA wax museum in London boasts a new exhibit, which no man has seen and remained sane A businessman is trapped in a train carriage with a madman who claims to have created a new and efficient method of capital punishment A doctor plans a horrible revenge, using as his murder weapon an insect believed capable of consuming the human soul Within these pages, some of H P Lovecraft's more obscure works of horror and science fiction can be found, including several fantastic tales from his celebrated Cthulhu Mythos. No true Lovecraft aficionado dare be without this volume.

Millenia ago, the Old Ones ruled our planet. Since that time, they have but slumbered. But when a massive sea tremor brings the ancient stone city of R'lyeh to the surface once more, the Old Ones awaken at last. This work brings together the original Cthulhu Mythos stories of the legendary horror writer H P Lovecraft.

M.R. James is probably the finest ghost-story writer England has ever produced. These tales are not only classics of their genre, but are also superb examples of beautifully-paced understatement, convincing background and chilling terror.

Selected and Edited with an Introduction and Notes by David Blair, University of Kent at Canterbury.Late in the eighteenth century authors began to write 'Gothic' stories as a way of putting literature back in touch with the irrational, the supernatural and the bizarre, which had been neglected in the 'Age of Reason'.This superb new collection brings together stories from the earliest decades of Gothic writing with later 19th and early 20th century tales from the period in which Gothic diversified into the familiar forms of the ghost- and-horror-story. Work by writers such as Poe, Dickens, Hawthorne, Gaskell and M. R. James appears alongside that of anonymous writers from the start of the period and many lesser-known authors from Britain and America. Some of these stories, like the haunting 'The Lame Priest' are 'lost masterpieces' and several have never been anthologised before. Together they cover the spectrum of Gothic story-telling - tales of madness and violence, of shape-shifters and spectres, that express some of the deepest fears of the human mind - insanity, sexuality, death and the often terrible power of the past to catch up with the present.In a lively, authoritative introduction David Blair provides fresh insights and a detailed commentary on the stories' place in the complex traditions of Gothic writing in British and American literature.

'His body was pressed against the wall at the head of the bed, and the face was a mask of agonised horror and fruitless entreaty. But the eyes were already glazed in death, and before Francis could reach the bed the body had toppled over and lay inert and lifeless. Even as he looked, he heard a limping step go down the passage outside.'E. F. Benson was a master of the ghost story and now all his rich, imaginative, spine-tingling and beautifully written tales are presented together in this bumper collection. The range and variety of these spooky narratives is far broader and more adventurous than those of any other writer of supernatural fiction. Within the covers of this volume you will encounter revengeful spectres, vampires, homicidal spirits, monstrous spectral worms and slugs and other entities of nameless dread. This is a classic collection that cannot fail to charm and chill.

With an Introduction and Notes by Martin Scofield, University of Kent at Canterbury.Henry James was arguably the greatest practitioner of what has been called the psychological ghost story. His stories explore the region which lies between the supernatural or straightforwardly marvellous and the darker areas of the human psyche. This edition includes all ten of his ghost stories, and as such is the fullest collection currently available.The stories range widely in tone and type. They include 'The Jolly Corner', a compelling story of psychological doubling; 'Owen Wingrave', which is also a subtle parable of military tradition; 'The Friends of the Friends', a strange story of uncanny love; and 'The Private Life', which finds a shrewd, high comedy in its ghostly theme.The volume also includes James's great novella The Turn of the Screw, perhaps the most ambiguous and disturbing ghost story ever written.

With an Introduction by David Stuart Davies.'The worst parts were the great masses of flesh of the monstrous Worm, in all its red and sickening aspect The sight was horrible enough, but, with the awful smell added, was simply unbearable. The Worm's hole appeared to breathe forth death in its most repulsive forms.'Here are two great, neglected horror novels by Bram Stoker, author of Dracula, together in one volume for the first time. It is a double treat for lovers of blood-curdling fantasy fiction.The Lady of the Shroud, published here in its full and unabridged form, is a fascinating and engrossing concoction of a vampire tale, Ruritanian adventure story and science fiction romance. The novel fully demonstrates the breadth and ingenuity of Stoker's imagination.The spine-chilling The Lair of the White Worm features a monstrous worm secreted for thousands of years in a bottomless well and able to metamorphose into a seductive woman of a reptilian beauty who survives on her victim's life blood. The novel contains some of Stoker's most graphic and grisly moments of horror.

With an Introduction by Kathryn White.'He saw her wounded, and bleeding to death; saw her ashy countenance, and her wasting eyes turned piteously on himself, as if imploring him to save her from the fate that was dragging her to the grave'Ann Radcliffe, author of The Romance of the Forest and The Mysteries of Udolpho, is the high priestess of the gothic novel. In The Italian, first published in 1797, she creates a chilling, atmospheric concoction of thwarted lovers, ruined abbeys, imprisonment and dark passages, with an undercurrent of seething sexuality and presents us with a cunning villain in the sinister monk Schedoni. A contemporary review commented on, 'Radcliffe's uncommon talent for exhibiting, with picturesque touches of genius, the vague and horrid shapes which imagination bodies forth'Radcliffe's work was hugely influential and H.P. Lovecraft, early twentieth century master of the uncanny, was impressed by the, 'eerie touch of setting and action contributing artistically to the impression of illimitable frightfulness which she wished to convey.' The novel remains a fascinating, engrossing and unnerving masterpiece of gothic fiction.

With an Introduction by Kathryn White.Prepare to be shocked. This novel, written in 1796, is a Gothic festival of sex, magic and ghastly, ghostly violence rarely seen in literature. The Monk is remarkably modern in style and tells a breathless tale of temptation, imprisonment and betrayal. Matthew Lewis recounts the downfall of Ambrosio, the holier-than-thou monk seduced within the walls of a Madrid abbey until he heads for the utter corruption of the soul. Meanwhile, two sets of young lovers are thwarted and the reader thrills to pursuits through the woods by bandits and is chilled by the spectre of nuns imprisoned in vermin-ridden and skeleton-crowded vaults.Late Eighteenth Century audiences were polarised in opinion as to the novel's merits. Lord Byron and the Marquis de Sade were impressed by Lewis's daring, while Coleridge warned parents against The Monk's suitability for their sons or daughters, describing the novel as 'poison for youth. If you want a novel that still terrifies, over two hundred years after it was written, there is none finer than The Monk.

With an Introduction by David Stuart Davies.Joseph Sheridan Le Fanu (1814-1873) was one of the great masters of Victorian of mystery and horror fiction, and can be regarded as the father of the modern ghost story. In a Glass Darkly (1872), one of his most celebrated volumes, purports to be the casebook of Dr Hesselius, a pioneer psychologist.These five tales represent some of Le Fanu's most accomplished work, which rises above the staid conventions of the age. Although drawing on Gothic conventions - the book features both ghosts and vampires - Le Fanu redefined the parameters of supernatural fiction. He had little interest in the crude depiction of other worldly phenomena in order to provide the reader with a pleasurable frisson of fear. Le Fanu concern rather lay in the examination of the results of supernatural experience on the psyche of his protagonist, in this he paved the way for the work of Henry James and M. R. James.This volume is an indispensable cornerstone of modern horror and remains one of the finest collections of unsettling fiction in the language.

Editedand with an Introduction by David Stuart Davies.'Have you ever heard of the fascination of terror?'This is a unique collection of strange stories from the cunning pen of Wilkie Collins, author of The Woman in White and The Moonstone. The star attraction is the novella The Haunted Hotel, a clever combination of detective and ghost story set in Venice, a city of grim waterways, dark shadows and death. The action takes place in an ancient palazzo coverted into a modern hotel that houses a grisly secret. The supernatural horror, relentless pace, tight narrative, and a doomed countess characterise and distinguish this powerful tale.The other stories present equally disturbing scenarios, which include ghosts, corpses that move, family curses and perhaps the most unusual of all, the Devil's spectacles, which bring a clarity of vision that can lead to madness.

With an Introduction and Notes by Scott Brewster, University of Central Lancashire.Wilkie Collins is a master of mystery, and The Woman in White is his first excursion into the genre. When the hero, Walter Hartright, on a moonlit night in north London, encounters a solitary, terrified and beautiful woman dressed in white, he feels impelled to solve the mystery of her distress.The intricate plot is peopled with a finely characterised cast, from the peevish invalid Mr Fairlie to the corpulent villain Count Fosco and the enigmatic woman herself.

With an Introduction by John S. Whitley, University of Sussex.This collection of Poe's best stories contains all the terrifying and bewildering tales that characterise his work. As well as the Gothic horror of such famous stories as 'The Pit and the Pendulum', 'The Fall of the House of Usher', 'The Premature Burial' and 'The Tell-Tale Heart', all of Poe's Auguste Dupin stories are included.These are the first modern detective stories and include 'The Murders in the Rue Morgue', 'The Mystery of Marie Roget' and 'The Purloined Letter'.

With an Introduction by David Stuart Davies. 'I read it and reread it, and wept and laughed and trembled with horror which at all times assails me yet'. With its strange, imaginative blend of horror, science fiction, romance and lyrical prose, Robert W. Chambers' The King in Yellow is a classic masterpiece of weird fiction. This series of vaguely connected stories is linked by the presence of a monstrous and suppressed book which brings fright, madness and spectral tragedy to all those who read it. An air of futility and doom pervade these pages like a sweet insidious poison. Dare you read it? This collection has been called the most important book in American supernatural fiction between Poe and the moderns. H. P. Lovecraft, creator of the famed Cthulu mythos, whose own fiction was greatly influenced by this book stated that The King in Yellow 'achieves notable heights of cosmic fear'.

'The thing came abruptly and unannounced; a demon, rat-like, scurrying from pits remote and unimaginable, a hellish panting and stifled grunting, and then from that opening beneath the chimney a burst of multitudinous and leprous life - a loathsome night-spawned flood of organic corruption more devastatingly hideous than the blackest conjurations of mortal madness and morbidity.' Only the expansive imagination of H.P. Lovecraft could conceive the delicious and spine-tingling horrors you will find within the pages of this unique collection. In addition to such classics as The Picture in the House, The Music of Erich Zann and The Rats in the Walls, this volume contains some fascinating rarities: examples of Lovecraft's earliest weird fiction and material unpublished during his lifetime. H.P. Lovecraft's creation of the Cthulhu Mythos has influenced many modern authors, and still remains at the forefront of supernatural literature.

This volume brings together the uncollected short fiction of the poet, writer and religious philosopher Aleister Crowley. Crowley was a successful critic, editor and author of fiction from 1908 to 1922, and his short stories are long overdue for discovery. Of the fifty-two stories in the present volume, only thirty were published in his lifetime

The original story of Sweeney Todd, 'The Demon Barber of Fleet Street'.

Better known as the writer of pioneering social novels, Elizabeth Gaskell also wrote some fascinating tales of the supernatural and the macabre, which are collected here in this volume.

Compelling, rich and strange, the ghost stories of Edith Wharton, like vintage wine, have matured and grown more potent with the passing years.

Bram Stoker's chilling masterpiece, Dracula, is a truly iconic and unsettling tale of vampirism. It is accompanied by a selection of his macabre short stories.

Horrific, horrendous, unspeakable, The Whitechapel Murderer, Jack the Ripper, stalked the streets of East London in 1888, slaughtering prostitutes and bewildering the police who were hunting him. They never succeeded in apprehending him, and to this day the mystery of his identity remains an enigma. But he did leave clues to his identity, and numerous theories have been entertained throughout the one hundred and twenty years since he held London's East End in his grip of terror.This book looks at the evidence left by the murderer and the reports and investigative papers which recorded the atrocities that the Ripper performed. It takes time to analyse the existing information and evaluate the letters sent to the police. It is the strongest and most powerful book ever written on the murders. It dispels a lot of myths attached to the Ripper, and eliminates a lot of the previously conjectured perpetrators, leaving only those who realistically could have been...Jack the Ripper.

The great M.R. James, who collected and introduces the stories in this book, considered that Le Fanu 'stands absolutely in the first rank as a writer of ghost stories.'

This is a book to be read by a blazing fire on a winter's night, with the curtains drawn close and the doors securely locked. The unquiet souls of the dead, both as fictional creations and as 'real' apparitions, roam the pages of this haunting selection of ghost stories by Rex Collings.Some of these stories are classics while others are lesser-known gems unearthed from this vintage era of tales of the supernatural. There are stories from distant lands - 'Fisher's Ghost' by John Lang is set in Australia and 'A Ghostly Manifestation' by 'A Clergyman' is set in Calcutta. In this selection, Sir Walter Scott (a Victorian in spirit if not in fact), keeps company with Edgar Allen Poe, Sheridan Le Fanu and other illustrious masters of the genre.