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James Blish called him the “finest conscious artist science fiction ever produced.” Kurt Vonnegut based the famous character Kilgore Trout on him. And such luminaries as Harlan Ellison, Stephen King, and Octavia Butler have hailed him as a mentor. Theodore Sturgeon was both a popular favorite and a writer’s writer, carving out a singular place in the literary landscape based on his masterful wordplay, conceptual daring, and narrative drive. Sturgeon’s sardonic sensibility and his skill at interweaving important social issues such as sex—including gay themes—and war into his stories are evident in all of his work, regardless of genre.Case and the Dreamer displays Sturgeon’s gifts at their peak. The book brings together his last stories, written between 1972 and 1983. They include “The Country of Afterward,” a sexually explicit story Sturgeon had been unable to write earlier in his career, and the title story, about an encounter with a transpatial being that is also a meditation on love. Several previously unpublished stories are included, as well as his final one, “Grizzly,” a poignant take on the lung disease that killed him two years later. Noted critic and anthologist Paul Williams contextualizes Sturgeon as both man and artist in an illuminating afterword, and the book includes an index to the stories in all thirteen volumes.

Written between 1955 and 1957, the 15 stories in And Now the News ... include five previously uncollected stories along with five well-known works, two cowritten with genre legend Robert Heinlein. Spanning his most creative period, these tales show why Sturgeon won every science fiction award given.

Thunder and Roses is the fourth volume in The Complete Stories of Theodore Sturgeon. Included in Thunder and Roses are 15 stories, with major works like "Maturity," "The Professor's Teddy Bear," "A Way Home," and the title story, in addition to two works never published before.

By the winner of the Hugo, the Nebula, and the World Fantasy Life Achievement Awards, this latest volume finds Theodore Sturgeon in fine form as he gains recognition for the first time as a literary short story writer. Written between 1957 and 1960, when Sturgeon and his family lived in both America and Grenada, finally settling in Woodstock, New York, these stories reflect his increasing preference for psychology over ray guns. Stories such as "The Man Who Told Lies," "A Touch of Strange," and "It Opens the Sky" show influences as diverse as William Faulkner and John Dos Passos. Always in touch with the zeitgeist, Sturgeon takes on the Russian Sputnik launches of 1957 with "The Man Who Lost the Sea," switching the scene to Mars and injecting his trademark mordancy and vivid wordplay into the proceedings. These mature stories also don't stint on the scares, as "The Graveyard Reader"—one of Boris Karloff's favorite stories—shows. Acclaimed novelist Jonathan Lethem's foreword neatly summarizes Sturgeon's considerable achievement here.