Bøger i The New Middle Ages serien

The Medieval Fold presents a theory of the medieval subject from 1050-1215, informed by contemporary theories of subjection and power from Freud, Nietzsche, Foucault, Lacan, and Deleuze.

Through close readings of both familiar and obscure medieval texts, the contributors to this volume attempt to read England as a singularly powerful entity within a vast geopolitical network.

Broadens the perspective of recent work on the discourse of the Muslim Other in medieval Christendom by investigating pertinent texts, art, and artefacts, situating these local discourses of the Muslim Other in the larger cultural context of proto-Eurocentric discourse.

Drawing on a close reading of nearly forty years' worth of personal letters and her will, and incorporating new archival material, Margaret Paston emerges from this study as the best example we have of how lay piety was negotiated and integrated into daily medieval life.

Strange Beauty provides a new perspective on early Celtic stories of the Otherworld and their relevance to today's ecological concerns, arguing for a contemporary re-reading of the Otherworld trope in relation to physical experience.

This book breaks new ground by bringing postmodern writings on vision and embodiment into dialogue with medieval texts and images: an interdisciplinary strategy that illuminates and complicates both cultures.

From majestic Celtic crosses to elaborate knotwork designs, visual symbols of Irish identity at its most medieval abound in contemporary culture. Consdering both scholarly and popular perspectives this book offers a commentary on the blending of pasts and presents that finds permanent visualization in these contemporary signs.

Vernacular Aesthetics in the Later Middle Ages explores the formal composition, public performance, and popular reception of vernacular poetry, music, and prose within late medieval French and English cultures.

The Black Middle Ages examines the influence of medieval studies on African-American thought. Vernon focuses on nineteenth century uses of medieval texts to structure racial identity, but also considers the flexibility of medieval narratives more broadly in the medieval period, twentieth and twenty-first centuries.

This book examines social and medical responses to the disfigured face in early medieval Europe, arguing that the study of head and facial injuries can offer a new contribution to the history of early medieval medicine and culture, as well as exploring the language of violence and social interactions.

This Palgrave Pivot provides the first ever comprehensive consideration of the part played by women in the workings and business of the English Parliament in the later Middle Ages.

From devotional literature to political narratives, medieval texts propose that sexual violence victims have privileged moral, ethical, and spiritual insight. This book explores these discourses of survival in a wide range of medieval English texts, including letters of spiritual advice, legal cases, romances, and legendary histories.

Byzantine Ecocriticism: Women, Nature, and Power in the Medieval Greek Romance applies literary ecocriticism to the imaginative fiction of the Greek world from the twelfth to fifteenth centuries.

Drawing on the philosophical reading and writing practices of medieval author Christine de Pizan and twentieth-century philosopher Luce Irigaray, and through an engagement with Hans-Georg Gadamer's work on tradition and hermeneutics, it develops means to re-write the stories and ideas that shape society.

This book explores the tangled relationship between literary production and epistemological foundation as exemplified in one of the masterpieces of Italian literature.

David Strong argues that where the philosophers John Duns Scotus and William of Ockham revolutionize the view of human potential through their theories of epistemology, ethics, and freedom of the will, Langland vivifies these ideas by contextualizing them in an individual's search for truth and love.

This book argues that the traditional relationship between the act of confessing and the act of remembering is manifested through the widespread juxtaposition of confession and memory in Middle English literary texts and, furthermore, that this concept permeates other manifestations of memory as written by authors in a variety of genres.

This book examines three aspects of Rolle's thinking used throughout this work: his ontology, phenomenology, and sound ecology. These facets of his work invoke both a way of understanding being in the world, an opening up of the body in queer ways to experience the divine, and a way to consider divine contemplation in terms of singing the body.

This book provides a systematic analysis of the innovations that occurred in the display of royal power during John II's four years in English captivity.

The Orientalist romance, in the late medieval period and in modernity, is emblematic of popular attitudes towards the East. This book, the first full-length cross-period comparison of medieval and modern Orientalist romances, offers detailed case studies on how these texts represent sameness and difference in gender, ethnicity, and religion.

Drawing on a rich variety of material, this collection of essays demonstrates that the spaces in which reading took place (or in which reading could take place) in later medieval England directly influenced how and why reading happened.

Beginning with Saint Barbatianus, a fifth-century wonderworking monk and confessor to the Empress Galla Placidia, this book focuses on the changes in the religious landscape of Ravenna, a former capital of the Late Roman Empire, through the Middle Ages.

This book examines the broad varieties of religious belief, religious practices, and the influence of religion within medieval society.

The Middle English Melusine offers a particularly rich source for such a study, as it presents the story of a powerful fairy/human woman who desires a full human life-and death-within a literary tradition that is more friendly to women's agency than its continental counterparts.

These scholarly writings blend with and relate to his fictional writings in various ways depending on the moment at which he began teaching, translating, or editing a specific medieval work and, simultaneously, composing a specific poem, fantasy, or fairy-story.

The fourteenth and fifteenth centuries were times of tumultuous change in medieval Europe; Few figures were as widely and as intimately involved in late medieval Europe's struggles as Saint Vincent Ferrer.

This study traces the genealogy of Saint Perpetua's story with a straightforward yet previously overlooked question at its center: How was Perpetua remembered and to what uses was that memory put?

Heir to an earldom, and wife and widow of William de Valence (half-brother of King Henry III), Joan de Valence was an important actor in the volatile political world of thirteenth-century England, Wales, Scotland, and Ireland.

Medieval writers such as Chaucer, Abelard, and Langland often overlaid personal story and sacred history to produce a distinct narrative form. The first of its kind, this study traces this widely used narrative tradition to Augustine's two great histories: Confessions and City of God .