Bøger i The New Middle Ages serien

Addressing questions about the musical life in English nunneries in the later Middle Ages, Yardley pieces together a mosaic of nunnery musical life, where even the smallest convents sang the monastic offices on a daily basis and many of the larger houses celebrated the late medieval liturgy in all of its complexity.

This book is a social history of the ritual and custom of churching, a liturgical rite of purification after childbirth performed on a woman's first visit to church after giving birth. The book describes the development of the rite from its original meaning as a response to blood pollution to its redefinition as a rite that honoured marriage.

Guynn offers an innovative new approach to the ethical, cultural, and ideological analysis of medieval allegory. Working between poststructuralism and historical materialism, he considers both the playfulness of allegory and its disciplinary force.

Through extended readings of English, French, and Italian writers of the Thirteenth and Fourteenth centuries, Claustrophilia shows that medieval enclosures actually make room for desires and communities that a poetics of pure openness would exclude.

This book presents a series of narratives that reflect the compelling and sometimes dangerous allure of the world of books - and the world in books - in late-medieval Britain. It envisions the confines of medieval manuscripts as virtual worlds: realms that readers call forth through imaginative interactions with books' material features.

This book reads the surprisingly widespread representations of cannibals and cannibalism in medieval English literature as political metaphors that were central to England's on-going process of articulating cultural and national identity.

Tolkien delved into the Middle Ages to create a critique of the modern world in his fantasy, yet did so in a form of modernist literature with postmodern implications and huge commercial success.

Charlemagne's Mustache presents the reader with seven engaging studies, 'thick descriptions', of cultural life and thought in the Carolingian world. How did medieval kings become stars? How were secrets kept and conveyed in the early Middle Ages? And why did early medieval peoples believe in storm and hailmakers?

Eleanor's patrilineal descent, from a lineage already prestigious enough to have produced an empress in the eleventh century, gave her the lordship of Aquitaine. In this collection, essays provide a context for Eleanor's life and further an evolving understanding of Eleanor's multifaceted career.

This study explores the extraordinary afterlife of the Spanish legend of King Roderick and La Cava in plays, poems, novels and operas from the Eighth century to the present day.

Top scholars in the field unite here with critical newcomers to offer fresh perspectives on the function of poetry on the cusp of the modern age, and in particular on the way that poetry speaks to the heightened relevance of material goods and possessions to the formation of late medieval identity and literary taste.

This book explores how Medieval and Early Modern writers reconstructed, and also how readers read, the contradictory meanings of "Lady" Wisdom.

This book tells the story of the bitter feud between the Duchess of Kingston and the actor, Samuel Foote, which resulted in a pair of scandalous trials in London in the revolutionary year of 1776.

Bringing together memory theory, medieval cognition of images, and the English Corpus Christ drama in an innovative way, this study argues that the relationship of frames or backgrounds to the image has been misunderstood in the study of drama.

Although aesthetic reflection has sometimes seemed out of sync with modern approaches to mind and language, Knapp defends its value in general and demonstrates its importance for the analysis of Chaucer s narrative art.

Through interdisciplinary readings of medieval literature and devotional artifacts, The Medieval Poetics of the Reliquary shows how reliquaries shaped ideas about poetry and poetics in late-medieval England.

Written by historians, art historians, and literary scholars, these essays focus on the multifaceted ways the Charlemagne legend functioned in the Middle Ages and how central the shared (if nonetheless fictional) memory of the great Frankish ruler was to the medieval West.

This book is an innovative study of humour and the body in Juan Ruiz's Libro de Buen Amor (1330), using modern analytical techniques to examine the place of the Libro's bawdy and grotesque in relation to secular and sacred culture.

This interdisciplinary book intergrates the historical practices regarding material excrement and its symbolic representation, concluding that excrement is a moral and ethical category deserving scrutiny.

In this wide-ranging study of costume history contributors explore fashion, textiles, and the representation of clothing in the middle ages.

This unique study traces fundamental parallels between medieval European and Middle Eastern cultures. By examining sources in cultural history, literature, and architecture, this book reveals mutual influences evident in the development of the current conception of the Middle Ages.

This new edition offers fascinating insights into one of the most celebrated love affairs of the Middle Ages. A new chapter charts the debate about the letters and offers fresh evidence to attribute them to Abelard and Heloise. The complete Latin text is reproduced with an annotated translation by Chiavaroli and Mews.

This volume examines the common medieval notion of life experience as a source of wisdom and traces that theme through different texts and genres to uncover the fabric of experience woven into the writings by, for, and about women.

The first study to juxtapose medieval effigy tombs and personal seals, the two forms of cultural patronage through which royal women crafted a visual imagery for queenship in twelfth- and early thirteenth-century France.

This collection of essays explores consolation and mourning in the varied, sometimes provocative, readings of Boethius and of Stoic consolation by French, English, Italian and German authors, including Dante, Petrarch, Boccaccio, Machaut, Chaucer, Wyatt and Queen Elizabeth I.

Reading semiotically against the backdrop of medieval mirrors of princes, Arthurian narratives, and chronicles, this study examines how Rene d Anjou (1409-1480), Geoffrey Chaucer s House of Fame (ca.

This study provides extensive readings of overlooked American reconstructions of Chaucer and The Canterbury Tales from the colonial to postmodern periods, demonstrating how these repackagings convey uniquely American ideas.

This book uses the methodologies of cultural studies and the history of the book to show how editors and readers of the Sixteenth through the early Nineteenth century successively remade Piers Plowman and its author according to their own ideologies of the Middle Ages.

This volume brings together contemporary popular entertainment, current political subjects, and medieval history and culture to investigate the intersecting and often tangled relations between politics, aesthetics, reality and fiction, in relation to issues of morality, identity, social values, power, and justice, both in the past and the present.

This book examines marvels as tangible objects in the literary, courtly, and artisanal cultures of medieval England, but these clever devices, neither wholly semiotic nor purely positivist objects, are imbued with diverse cultural significance that illuminates in new ways the familiar literature of the Ricardian period.