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Pugh explores Capote through a cinematic lens, skillfully weaving the most relevant elements of Capote's biography with insightful critical analysis of the films, screenplays, and adaptations of his works that composed his fraught relationship with the Hollywood machine.
The scripts that Faulkner wrote for film and television constitute an extensive and, until now, thoroughly underexplored archival source. Stefan Solomon not only analyzes the majority of these scripts but compares them to the novels and short stories Faulkner was writing at the same time.
Analyses the fraught location of Appalachians within the southern and American imaginaries, building on studies of race in literary and cinematic characterizations of the American South. Not only do we know what ""rednecks"" are, Meredith McCarroll argues, we rely on the use of such categories in fashioning our broader sense of self and other.
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