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The scripts that Faulkner wrote for film and television constitute an extensive and, until now, thoroughly underexplored archival source. Stefan Solomon not only analyzes the majority of these scripts but compares them to the novels and short stories Faulkner was writing at the same time.
Examines the intersections of queerness, regionalism, and identity depicted in film, television, and other visual media about the American South during the twentieth and twenty-first centuries.
Examines the intersections of queerness, regionalism, and identity depicted in film, television, and other visual media about the American South during the twentieth and twenty-first centuries.
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