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Paola Bonifazio investigates the ways in which films sponsored by Italian and American government agencies promoted a particular vision of modernization and industry and functioned as tools to govern the Italian people.
In The Sopranos: Born under a Bad Sign, Franco Ricci presents an insightful analysis of the groundbreaking HBO series and its complex psychological themes
Ideally suited to course use, and written with great lucidity, Italian Cultural Lineages will prove fascinating to students, academics, and general readers alike.
An original and challenging work, The Quest for Epic documents the development of Italian narrative from the chivalric romance at the end of the fifteenth century to the genre of epic in the sixteenth century.
Including work on psychoanalysis, politics, film production, autobiography, and the relationship between film tradition and contemporary culture, Marco Bellocchio touches on fundamental issues in film analysis.
This set of twelve essays by one of the leading scholars in the field represents an authoritative view of the modern Italian intellectual tradition, its relationship with fascism, and its enduring implications for history, politics, and culture in Italy and beyond.
As an investigation of new expressive processes and stylistic experiences, The Invention of Modern Italian Literature situates prominent Italian writers within the context of modern literature.
Drawing on the disciplines of book history, translation studies, comparative literature, and visual studies, the author focuses on the book as an object, examining how specific copies of manuscripts and printed books were presented to an English readership by a variety of translators.
Using little-known Italian, Austrian, and Dalmatian sources, Monzali explores the political history of Dalmatia between 1848 and 1915, with a focus on the Italian minority, on Austrian-Italian relations and on the foreign policy of the Italian state towards the region and its peoples.
Eugenio Montale, the Fascist Storm, and the Jewish Sunflower uncovers one of the great hidden sagas of modern literature.
Unfinished Business is the first book to examine Italian mafia cinema of the past decade.
In this book, Chiara Ferrari interrogates how the rhetoric of sacrifice was used by the Italian fascist regime throughout the interwar years to support its totalitarian project and its vision of an all-encompassing bond between the people and the state.
Edward Goldberg reveals the dramas of daily life behind the scenes in the Pitti Palace and in the narrow byways of the Florentine Ghetto, using thousands of new documents from the Medici Granducal Archive.
Fictions of Youth is a comprehensive examination of adolescence as an aesthetic, sociological, and ideological category in Pier Paolo Pasolini's prose, poetry, and cinema.
Bringing together the eleven plays Ginzburg wrote between 1965 and the months before her death, this volume directs attention to Ginzburg's unique talent as a dramatist.
Bringing a wealth of scholarship and insight into Scorsese's work, Casillo's study will captivate readers interested in the director's magisterial artistry, the rich social history of Southern Italy, Italian American ethnicity, and the sociology and history of the Mafia in both Sicily and the United States.
Umberto Mariani presents a clear and comprehensive introduction of Pirandello's major plays for general readers, students, and scholars new to Pirandello.
Migiel challenges readers to pay attention to Boccaccio's language and ultimately, Migiel contends, the stories of the Decameron suggest that as women become more empowered, the limitations on them, including the threat of violence, become more insistent.
Eco's Chaosmos demonstrates how Eco's use of semiotic theory is important for an understanding of the postmodern aspects of today's literature and culture.
Carlo Testa demonstrates that while pairings of famed directors and writers are commonplace in modern Italian cinema, the study of the interrelation between Italian cinema and European literature has been almost completely neglected in film scholarship.
Mazzotta traces how major medieval and Renaissance thinkers invented their worlds through utopias, magic, science, art, and theatre and calls for the necessity to study the Renaissance in terms of the ongoing conversation of the arts and sciences.
This book seeks to redefine, recontextualize, and reassess Italian neorealism - an artistic movement characterized by stories set among the poor and working class - through innovative close readings and comparative analysis.
Stories about pranks figure prominently in Boccaccio's Decameron. This book explores Boccaccio's poetics of repetition, accumulation, and contiguity in Day Eight, a day rich in tales of practical jokes.
This book examines the many ways in which anger and indignation shape authorial intentions and determine the products of contemporary Italian artists.
This book explores Kafka's sometimes surprising connections with key Italian writers, from Italo Calvino to Elena Ferrante, who shaped Italy's modern literary landscape.
The Complete Short Stories of Natalia Ginzburg encourages a deeper understanding of Ginzburg's life's work and compliments those other collections and individual works which are already widely available in English.
This book takes as its starting point a striking paradox: that the antique tradition of the art of memory - created by an oral culture - reached its moment of greatest diffusion during an age that saw the birth of the printed book.
Mafia Movies: A Reader provides incisive interpretations of over fifty films and television programs about the Italian and Italian-American Mafias.
Mafia Movies: A Reader provides incisive interpretations of over fifty films and television programs about the Italian and Italian-American Mafias.
The first biography of the Jewish poet and polemicist Sarra Copia Sulam situates her in the tradition of women's writing in Venice and explores her rise and fall as a public intellectual in the tumultuous world of the city's presses.
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