Bøger i University of North Carolina Studies in Germanic Languages and Literature serien

Mariana Scott, poet and translator of Hofmannsthal, Meyrink, Celan, and others, translates the eighth-century Old Saxon Heliand into its original meter in this work originally published in 1966. This anonymous masterpiece presents the life of Christ and affords an excellent insight into medieval life.

In this study of the prose fiction of Das Junge Deutschland, the internal stresses and paradoxes of specific texts are examined and special attention is devoted to the unfulfilled strivings toward realism. These essays attempt to enhance the understanding of the post-Romantic crisis in German literature.

Offers a reconsideration of modern forms of paternity and friendship as they emerge in works by writers and philosophers from the eighteenth to the twentieth century. Exploring various models of these twin themes, contributors examine writings of canonical figures such as Goethe, Schiller, Holderlin, Kleist, Kafka, Benjamin, and Arendt.

Offers a penetrative and perceptive comparison of two of the most discussed novels of the twentieth century. Beginning with Camus' own appraisal of Kafka's work, the study convincingly analyses the authors' fictive creations.

This 1952 study is an investigation into the nature of language that focuses on reinterpreting Hamann's theories of language in light of twentieth century linguistic philosophy. One of the first studies of Hamann to be presented in English, it poses many questions of universal concern and interest.

Explores Nietzsche's view of various aspects of classical antiquity as compared to those of Augustine, Thomas Aquinas, Dante, Voltaire, Winkelmann, Hamann, Goethe, Schiller, Heine, Byron, the fin de siecle Decadents and others. An introductory essay by classical scholar H. Lloyd-Jones plus two essays on Nietzsche's aesthetics round out the volume.

Within the framework of Jungian archetypal psychology and utilizing Karl Kerenyi's theories on Hermes and the archetypal symbolism of mother and daughter, this book combines the mythopoeic and psychoanalytical approaches in interpreting Krull's development as both a mythic identification with Hermes and an odyssey into the Collective Unconscious.

With der Stricker, an early representative of the post-courtly period, dawns the beginning of a new attitude towards love and marriage. Poems by the itinerant poet revealing these concepts form the basis of this work. The introduction focuses on editing principles, the genre of the bispel, and the poet's ideals of love and marriage.

Twenty-one distinguished American Germanists pay tribute to F.E. Coenen, previous longtime editor of UNC Press' Studies in Germanic Languages and Literatures series. Their essays deal with many major and some minor figures who have influenced the literary scene after 1800 and add significantly to scholarship in modern German literature.

This translation of all the poems in the main body of the work of George extensively revises the first publication of The Works of Stefan George which appeared in 1949. The editors have also expanded the volume, adding a number of George's early poems, two essays, and the lyrical drama The Lady's Praying.

Explores the question of Tieck's reception in and influence on the American literary scene before 1900, with the additional goal of shedding light on the reception in America of German Romanticism as a whole.

Offers an unorthodox approach to the origin, historicity, and authorship of the anonymous Icelandic sagas. Following the publication of her translation of the Laxd la Saga, in this volume Madelung uses her deep knowledge of the text to demonstrate the literary quality and aesthetic structure of the work, especially the function of repetition.

In this first definitive study of Friedrich Schiller's relationship to music, R.M. Longyear discusses Schiller's personal, literary, and philosophical utilization of music as well as the influence of Schiller's works on composers from 1782 through the 1960s.

Presents a series of interpretive readings of the Romische Elegien, Sonette, Chinesisch-deutsche Jarhes- und Tageszeiten, several trilogies, and the shorter cycles of 1821, taking into account the variety of literary devices Goethe employs to link poems together into a cycle.

First published as an American contribution to the 1959 bicentennial celebration of Friedrich Schiller's birth, Krumpelmann's translation of the poet's Joan of Arc drama retains the iambic pentameter of the original. This revised second edition, published in 1962, corrects typographical errors and includes some changes to the text.

In this piece of German-American cultural history, Krumpelmann traces the paths and influence of young men from the American South who attended German universities in the age of Goethe. Discussed are Hugh Legare, Jesse Burton Harrison, George Henry Calvert, Thomas Caute Reynolds, Basil Lanneau Gildersleeve, James Woodrow, and others.

Originally published in 1965, this volume presented the only comprehensive bibliography of the writings of the Austrian novelist, journalist, and playwright Stefan Zweig and of the books and articles about his work.

Presents interpretation and criticism of Catharina von Greiffenberg's Geistliche Sonnette (1662) with contrastive discussions of the process and structure of Gryphius' sonnets. The author uses an eclectic method to explore the sonnets as viable poetic constructs, and arrives at new conclusions on the nature of the two poets' gifts.

Presents the historical development of topical drama in the German Democratic Republic from 1945 to 1975. The author investigates the sociopolitical function of both dramas and dramatists such as Karl Grunberg, Friedrich Wolf, and Erwin Strittmatter during the various transitional stages of the GDR's growth toward a socialist society.

A study of in the interrelationship of the sciences and the humanities grounded in the writings of Novalis in the early Romantic period. Alongside his analysis of Novalis' fragments relating to mathematics Dyck gives commentary on previous scholarship and a history of mathematics in the eighteenth century as both science and philosophy.

Arthur Schnitzler (1862-1931) and Hermann Bahr (1863-1934), two of the leading literary personalities in turn-of-the-century Vienna, maintained a friendship that lasted forty years. These letters contribute to an understanding of the life, times, and writings of both of these important authors and provide another perspective on the Jung-Wien group.

This correspondence is a firsthand record of a literary and personal friendship that spanned the years 1906 to 1931. It is significant for both its insights into the lives and works of these two important writers and for its information concerning the eventful time in which they lived.

Concentrating on a single theme-the German drama, this volume contains essays and interpretations of plays ranging from Hrotsvit von Gandersheim to Bertolt Brecht. Eight of the sixteen essays deal with dramas from the area of Silz's main concentration-the nineteenth century. Also included are a tribute to Silz and a bibliography of his writings.

Presents in comprehensive fashion the extraordinary development of Ariadne auf Naxos from its conception to the final operatic version. The unique collaboration of Hofmannsthal and Strauss is examined and the classical myths that served as a basis for the libretto are investigated.

This first complete modern edition of Peter Schott's Lucubraciunculae opened a treasure-trove of information to students of German literature, historians of Humanism, folklorists, and theologians on its publication in 1963. Also included in this volume are the De mensirus syllabarum epithoma and a letter in German to Schott's sister Anna.

An essential tool for gaining access to the writings of the humanist Peter Schott. The commentary volume comprises explanatory notes to Volume I, including English summaries of all items and, in addition, pertinent cultural, economic, and political information.

The poetry of Wilhelm Muller, to whom Heine expressed indebtedness for his renewal of the forms of the German Volkslied, had rarely been discussed in depth prior to this volume, originally published in 1970.

Featuring contributions from eminent Swedish and American Strindberg scholars, this collection of essays addresses the question of how Strindberg's art collides and colludes, ideologically and aesthetically, with the literary doyens of the nineteenth and twentieth centuries in both the Scandinavian and the larger Western cultural context.

A study in the Romantic reshaping of space and time to evoke the fantastic interior landscape and the temporal dynamics of subjective experience. Close textual analysis is coupled with frequent reference to literary and intellectual history in the reassessment of the narrative art of Novalis and Tieck.

Ulrich von Hutten (1488-1523), Renaissance-Reformation publisher and ardent champion of German nationalism, has previously been characterized as a bitter and vehement political satirist. From this concise, critical survey of his comic writing a more balanced, congenial image of Hutten emerges.