Bøger i Villa I Tatti Series serien

The Bernard and Mary Berenson Collection of Persian Manuscripts and Paintings at I Tatti presents an in-depth analysis of the little-known Persian manuscripts and paintings collected by the world-renowned art historian, art critic, and connoisseur Bernard Berenson. Fourteen essays focus on three manuscripts and four detached folios.

Using a variety of analytical methods and theoretical approaches, this book moves food studies firmly into the arena of Late Medieval and Renaissance history, providing an essential key to deciphering the material and metaphorical complexity of this period in European, and especially Italian, history.

The Medici: Citizens and Masters offers a novel, comparative approach to examining Medici power and influence in Florence. Contributors from diverse perspectives set Medici rule against princely states such as Milan and Ferrara, and they ask how much the Medici changed Florence, contrasting their supremacy with earlier Florentine regimes.

This comprehensive, interdisciplinary collection illuminates many previously unexplored aspects of the Basilica of San Lorenzo's history, extending from its Early Christian foundation to the modern era. San Lorenzo depicts this church as a living Florentine institution, continually reshaped by complex historical forces.

Bernard Berenson: Formation and Heritage explores the intellectual world of Berenson (1865-1959), who put the connoisseurship of Renaissance art on a firm footing at the turn of the twentieth century. Essays explore his relationships with various cultural figures including William James, Jean Paul Richter, Katherine Dunham, and many others.

The two richly illustrated volumes of Renaissance Studies in Honor of Joseph Connors demonstrate Villa I Tatti's role as the world's leading center for Italian Renaissance studies. Gathered to honor I Tatti's director from 2002 to 2010, the 177 essays represent the cutting edge of Renaissance scholarship in art history, literature, music, and more.

Sassetta, the subtle genius from Siena, revolutionized Italian painting with an altarpiece for the small Tuscan town of Borgo San Sepolcro in 1437-1444. This book solves the three-dimensional jigsaw puzzle of this masterwork's reconstruction and, on a firm scientific foundation, restores it to its vivid historical context.