Bøger i Vintage International serien

"Capturing the post-World War I atmosphere of the Lost Generation on American soil, William Faulkner explores the war's emotional impact on three weary veterans and their Southern hometown in Georgia"--

"A fascinating glimpse of the author as a young artist, Faulkner's sophomore novel, Mosquitoes (1927), introduces us to a colorful band of passengers on a boating excursion from New Orleans. This engaging, high-spirited tale--which Faulkner wrote 'for the sake of writing because it was fun'--provides a delightful accompaniment to his canonical works."--Publisher's website.

"Terror is the given of the place." The place is El Salvador in 1982, at the ghastly height of its civil war. The writer is Joan Didion, who delivers an anatomy of that country's particular brand of terror-its mechanisms, rationales, and intimate relation to United States foreign policy.As ash travels from battlefields to body dumps, interviews a puppet president, and considers the distinctly Salvadoran grammar of the verb "to disappear," Didion gives us a book that is germane to any country in which bloodshed has become a standard tool of politics.

WINNER OF THE NOBEL PRIZE® IN LITERATURE 2013This acclaimed, bestselling collection also contains the celebrated stories that inspired the Pedro Almodóvar film Julieta. Runaway is a book of extraordinary stories about love and its infinite betrayals and surprises, from the title story about a young woman who, though she thinks she wants to, is incapable of leaving her husband, to three stories about a woman named Juliet and the emotions that complicate the luster of her intimate relationships. In Munro's hands, the people she writes about-women of all ages and circumstances, and their friends, lovers, parents, and children-become as vivid as our own neighbors. It is her miraculous gift to make these stories as real and unforgettable as our own.

When a breach birth leaves Paulo severely disabled, his father, the articulate, unsentimental Professor Frigerio, struggles to come to terms with his son’s condition. Face to face with his own limitations, Frigerio confronts the strange way society around him handles Paolo’s handicaps and observes his surprising gifts. In spare, deeply affecting episodes, the professor of language explores the nuanced boundaries between “normal” and “disabled” worlds.A remarkable memoir of fathering, winner of the 2001 Strega Prize, Italy’s most prestigious literary honor, Born Twice is noted Italian author Guiseppe Pontiggia’s American debut. Sometimes meditative, often humorous, and always probing, Pontiggia’s haunting characters linger and resound long after the book is done.

With a precision and brilliance unmatched perhaps by any other novelist of the twentieth century, Junichiro Tanizaki interweaves a sense of his country''s deep past with the kind of pathologies and obsessions we are likely to think of as modern. Here, in two eerie and beautiful novellas, he displays this skill at its most elegant and affecting.   The Reed Cutter has a contemporary setting, though it might have taken place any time in the past thousand years. On a fine September evening, the narrator decides to make a solitary excursion to the site of an ancient imperial palace south of Kyoto, a place now lost and overgrown near the banks of a river. Musing upon old poems, passages of history, and topographical antiquities, he eventually finds himself among the reeds of a sandbar sipping sake from the bottle he has brought with him, watching the moon rise over the river, and scribbling bits of verse in his notebook. Suddenly he is surprised to discover that he is not alone. A strange man joins him and begins to tell a most extraordinary tale about his father, about a scene glimpsed in a moonlit garden forty years before, and about a mysterious woman who has become a lasting obsession.   Captain Shgemoto''s Mother is more violent but no less strange. It takes place in tenth-century Kyoto, in a world in which poetry and brutality, power and sexual impulse, shape the lives of the courtiers. Beginning in an almost whimsical vein with an account of the amorous exploits of a Heian Don Juan called Heiju, it gradually shifts mood to focus on three people—Shihei, the powerful Minister of the Left; his doddering uncle Kunitsune; and Kunitsune''s ravishing and much-younger wife, a woman known only as Shigemoto''s mother. How Shihei succeeds in taking Kunitsunes'' wife away from him in the course of a bizarre and drunken party is a story as shocking—and memorable—as anything Tanizaki ever wrote.

New York, 2005. Chinese expatriate Feng Danlin is a fiercely principled reporter at a small news agency whose website is read by Chinese all over the world. Danlin’s explosive exposés have made him legendary among readers—and feared by Communist officials. But his newest assignment may be his undoing: investigating his ex-wife, Yan Haili, an unscrupulous novelist who has willingly become a pawn of the Chinese government in order to realize her dreams of literary stardom.   Haili’s scheme infuriates Danlin both morally and personally—he will do whatever it takes to expose her as a fraud. But in outing Haili, he is also provoking her powerful political allies, and he will need to draw on all of his journalistic cunning to come out of this investigation with his career—and his life—unscathed. A brilliant, darkly funny story of corruption, integrity, and the power of the pen, The Boat Rocker is a tour de force.

In her moving and insightful new book, Joan Didion reassesses parts of her life, her work, her history and ours. A native Californian, Didion applies her scalpel-like intelligence to the state's ethic of ruthless self-sufficiency in order to examine that ethic's often tenuous relationship to reality.Combining history and reportage, memoir and literary criticism, Where I Was From explores California's romances with land and water; its unacknowledged debts to railroads, aerospace, and big government; the disjunction between its code of individualism and its fetish for prisons. Whether she is writing about her pioneer ancestors or privileged sexual predators, robber barons or writers (not excluding herself), Didion is an unparalleled observer, and her book is at once intellectually provocative and deeply personal.

Gavin Stevens, the wise student of crime and folkways of Mississippi's Yoknapatawpha County, plays the major role in these six stories of violence.

Prize-winning German writer Ingo Schulze's first novel, Simple Stories, is a marvel of storytelling and craft. Set in the East German town of Altenburg after the fall of the Berlin Wall, it deftly leaps among an array of confused characters caught in the crossroads of their country's history: a lovelorn waitress who falls for a visiting West German investor; an art historian turned traveling salesman; a former Communist official plagued by his past; an unsuccessful writer who asks his neighbor to break his leg so that he can continue to live on welfare. Schulze skillfully intercuts an assortment of moving and comic vignettes about seemingly unconnected people, gradually linking them into an exhilarating whole of tidal unity and emotional force, until we see that all the time we have been reading a novel in glittering fragments, spun by a master. With a piercing eye for detail and a magical ear for dialogue, Schulze portrays the tragi-comedy of ordinary people caught up in the last great historical upheaval of the century.

Booker Prize-winning author John Berger brings us this tender and bittersweet novel is a book of dreams: dreams of freedom and romance, dreams that intoxicate and redeem, dreams that have the power to exalt their dreamers or dash them against hard truth. It is the unforgettable, often comical portrait of a dreamer, one William Corker, the genteel proprietor of a London employment agency, who, in his sixty-third year, has just moved out of the house he shared with his overbearing sister. As Corker takes his first steps into a life of passions, Berger creates a character of astonishing depth and liveliness-a man whose fantasies and ambitions are at once splendid and tragic.

From the British-West Indian novelist who is rapidly emerging as the bard of the African diaspora comes a haunting work about "the final passage"-the exodus of black West Indians from their impoverished islands to the uncertain opportunities of England. In her village of St. Patrick's, Leila Preston has no prospects, a young son, and a husband, Michael, who seems to prefer the company of his mistress. So when her ailing mother travels to England for medical care, Leila decides to follow her. As Caryl Phillips follows the Prestons' outward voyage-and their bewildered attempt to find a home in a country whose rooming houses post signs announcing "No vacancies for coloureds"-he produces a tragicomic portrait of hope and dislocation. The Final Passage is a novel rich in language, acute in its grasp of character, and unforgettable in its vision of the colonial legacy. "Like Isabel Allende and Gabriel García Márquez, Phillips writes of times so heady and chaotic and of characters so compelling that time moves as if guided by the moon and dreams."-Los Angeles Times Book Review

Louisa is a clever, self-reliant woman who has just been discharged from her duty as an officer in the British Army during World War II. In a London pub one afternoon she meets Gordon: a slight, peculiar psychiatrist with queer eyes and a strange charisma. Within an hour, Louisa has been sexually conquered by him on a garden bench. So begins an affair in which Gordon compulsively violates Louisa's body and psyche, while Louisa matches his onslaughts with an insolent submission. As their entanglement deepens, Louisa finds a heady emotional satisfaction beneath the humiliation that Gordon inflicts, and comes to a new understanding of her troubled history and the self that has emerged from it.Originally published under a pseudonym in 1966, Gordon was banned in England and Germany for its frank sexual content, and even today it remains provocative in its fearless probing of the boundaries of consent and submission.

Shakespeare called Othello "an extravagant and wheeling stranger/Of here and every where." In this exciting anthology, Caryl Phillips has collected writings by thirty-nine extravagant strangers: British writers who were born outside of Britain and see it with clear and critical eyes. These eloquent and incisive voices prove that English literature, far from being pure or homogenous, has in fact been shaped and influenced by outsiders for over two hundred years. Here are slave writers, such as Ignatius Sancho, an eightieth century African who became a friend to Samuel Johnson and Laurence Sterne; writers born in the colonies such as Thackeray, Kipling, and Orwell; "subject writers," such as C.L.R. James and V.S. Naipaul; foreign émigrés, such as Joseph Conrad and Kazuo Ishiguro; and postcolonial observers of the British scene, such as Salman Rushdie, Ben Okri, and Anita Desai. With the eloquent and often inspiring collection, Phillips proves, if proof be needed, that the greatest literature is often born out of irreconcilable tensions between a writer and his or her society.

An intriguing, fabulously bizarre debut collection of short stories by prize-winning German writer Ingo Schulze, author of Simple Stories.These thirty-three macabre, often comical short pieces revolve around moments of odd bliss-moments seized by characters who have found ways to conquer the bleakness of everyday life in the chaotic world of post-communist Russia. Peopled by Mafia gunmen, desperate young prostitutes, bewildered foreign businessmen, and even a trio of hungry devils, the stories are by turns tragic and bleakly funny. From a sly retelling of the legend of St. Nicholas featuring a rich American named Nick, to a lavish gourmet feast in which the young female cook ends up as the main dish, these stories are above all playful and even surreal-and many of them are masterful tributes to Russian writers from Gogol to Nabokov.Translated by John E. Woods.