Bøger om År 1–1500

By far the most comprehensive study of the subterranean structure known as the Osireion, its relationship to the main temple complex of Seti I, and surrounding sacred landscape at Abydos. The Osireion contains an enormous wealth of information with its encyclopedic array of New Kingdom Underworld Books and provides a unique insight into the ancient Egyptian worldview, circa 1300 B.C. at the beginning of the Nineteenth Dynasty, following the tumultuous Amarna Heresy. It was built by Seti I as part of his program to re-establish the abode of Osiris, abolished by the heretic Akhenaten, thus explaining its form as a subterranean architectural rendition of the Duat itself, the realm of Osiris as Ruler of the West. Built on the same axis as Seti's Mansion of Millions of Years, it was from the beginning to have been an integral part of this complex. Its ancient name, "Beneficial is Menmaatre (Seti I) for Osiris", points to is purpose. Two graffiti from Dynasties XXI and XXII provide further insights as to how the ancient Egyptian priests perceived this unique structure, calling it "hidden/mysterious place of the Duat of Menmaatre" and in a greeting "Hail to you! Isis in the birth house".

It has been said that, as human beings, we are hardwired to believe that objects speak to us. Lucas Steiner, Luke to his friends, is a PhD candidate at one of the larger universities. On his last term extension and running out of time to complete his dissertation, Luke comes to believe that a five-hundred-year-old unknown, and undocumented drawing is talking to him. He is surprised that no one else can hear it. He believes that this drawing is the work of Pieter Brueghel, The Elder.In his effort to prove the existence, establish the provenance, and make known to the world Brueghel's lost drawing, Luke will experience loss, separation, and conflict. Amid the morass of structured bureaucratic lethargy and the extreme animosity of a department superior, Luke will confront the persistent presence of a pernicious evil stemming back to 16th Century Belgium and the blood-stained legacy of the Duke of Alba-the Iron Duke.

Whether in outwardly- or inwardly-directed ceremonies and rituals, the appearances of rulers and their court states, as well as other institutions of power, took place under unique acoustic conditions. The latter, in turn, were embedded not only in an intermedial and sensory structure, but also in a complex system of symbols and signs that conveyed certain messages or evoked particular associations. The contributions to this conference volume are devoted to these multi-layered connections and constellations, their manifestations in sound and silence, their distinctive power and their inherent specifics. The approach to the topic is interdisciplinary and multi-perspective as well as inter-, cross-, and transcultural and focuses on various courtly and urban instances of power between Ragusa, the Ottoman Empire, Habsburg-Burgundy, China, and other cultures at the turn of the 14th century to the beginning of the 18th century.Ob in nach außen oder innen gerichteten Zeremoniellen und Ritualen: Die Auftritte von Herrschern, Herrscherinnen und deren Hofstaaten sowie anderen Machinstitutionen vollzogen sich unter besonderen akustischen Bedingungen. Letztere wiederum waren nicht nur in ein intermediales und intersensorisches Gefüge, sondern auch in ein komplexes System von Symbolen und Zeichen eingebettet, die bestimmte Botschaften vermittelten oder Assoziationen hervorriefen. Diesen vielschichten Verbindungen und Konstellationen, ihren Ausprägungen in Klang und Stille, ihrer besonderen Macht und deren innenwohnenden Spezifika widmen sich die Beiträge des vorliegenden Konferenzbandes. Die Zugriffe auf die Thematik erfolgen unter interdisziplinären, multiperspektivischen sowie inter-, cross- und transkulturellen Blickwinkeln auf verschiedenste höfische und städtische Machtinstanzen zwischen Ragusa, dem Osmanischen Reich, Habsburg-Burgund, China und anderen Kulturen an der Wende zum 14. und dem beginnenden 18. Jahrhundert.

"The first time Romeo Montague sees young Rosaline Capulet he falls instantly in love. Rosaline, headstrong and independent, is unsure of Romeo's attentions but with her father determined that she join a convent, this handsome and charming stranger offers her the chance of a different life. Soon though, Rosaline begins to doubt all that Romeo has told her. She breaks off the match, only for Romeo's gaze to turn towards her cousin, 13-year-old Juliet. Gradually Rosaline realises that it is not only Juliet's reputation at stake, but her life. With only hours remaining before she will be banished behind the nunnery walls, will Rosaline save Juliet from her Romeo? Or can this story only ever end one way?"--Provided by publisher.

'A worthy continuation of the Seton Chronicles, packed with personal, political and religious tension and intrigue.' Margaret Skea, award winning author.Italy 1555. Bethia and her growing family find themselves in the midst of the Inquisition's vicious attack on Jews and Conversos. Despite Bethia's commitment to her Catholic faith, her greater loyalty to her Converso husband forces them to flee onwards to Constantinople - but will it be a any safer? For Will, Bethia's brother, it's equally perilous to be a Protestant. Caught up in France's religious turmoil, where many are burned for their faith, his choice is stark; fight or accept a martyr's death. Set amid the treacherous landscape of Reformation Europe, where faiths divide and shifting allegiances dictate survival, can the strength of family endure?

Mysterious Shadows. Arthurian Legend. Dangerous Magic. Join Merle on the first installment of her adventure with these beautiful illustrated second editions of Found. All artworks are originals created by the author and the book is printed in a new 6x9 size! Ten years after her father's disappearance, Merle Wilde has lost hope she'll ever find answers. Her Mum is convinced he was taken by the Shadows she sees, and that they're coming back for Merle. In a last ditch attempt to save herself, Merle makes a blood wish. Will she find the answers she seeks?The Knights Templar faces extinction. For hundreds of years the knights have protected the true heirs to Camelot from evil, but faery Queen Morgwese is determined to claim the throne for herself . As her power threatens to overwhelm them, the knights must start the search for Merlin's Heir, the only sorcerer who can banish her for good.When the mysterious Ren enters Merle's life, claiming she's the lost heir of the great wizard Merlin, and that the Shadows are not what they seem, Merle is catapulted into a world of magic, adventure, and legend. Tasked with protecting the Pendragon's and with time running out, Merle must convince the Knights of the Round Table that she can claim Merlin's magic and defeat Morgwese, before the fae bring ruin to them all.

She healed his body. Now he wants to heal her heart.The English Lord:On his return trip from the borderlands, Lord Robin Blake sees bandits attacking a young woman in the snow. He comes to her aid and fights off the ruffians, but not before he is wounded. To make matters worse, he is thrown from his horse and breaks through the ice. From underwater, he sees the silhouette of an angel in a flurry of snow. It is the woman he's helped, now coming to assist him.She tells him her name is Sage and takes him to a nearby monastery where she works as a healer. Her expertise at healing doesn't go unnoticed, but Robin also sees something else. Sage is not only heartbroken about something, but also shaken, and frightened for her life. He decides she is hiding at the monastery, staying there for sanctuary from whoever it is who wants to hurt or kill her. It is close to Christmas and Connor decides he'd like to take her back to the castle for the holiday to spend time with her and to protect her while he tries to learn her secret.The Healer:Sage Hillock is the town's herbalist. Since the death of her parents, she has been raising her younger siblings by herself but has become worried about their safety. She uses the garden at the monastery to do her healings, but her home is only a small, unprotected hut made of wattle and daub. A noble she's tried to heal recently has died and now someone is trying to kill her in revenge.When a handsome lord comes to her rescue and is injured because of her, she wants nothing more than to heal him, hoping he will not die too. The man is kind and she feels comfortable and safe around him. So when he offers to take her back to the castle for Christmas, she accepts, knowing her siblings will be protected there. Life has been rough and this is exactly what her family needs since it was on Christmas that they lost their parents, making this the hardest time of year. Sage accepts the knight's noble invitation, not telling him until afterwards that her siblings will be traveling with them.Love has no bounds but marriage has rules. A noble must never wed anyone from below the salt.(This series features the next generation from Elizabeth's Legacy of the Blade Series.)

"In April 1964, Michelangelo's Renaissance sculpture, the Pietáa, embarked on its perilous transatlantic voyage from Rome to New York to become the blockbuster of the World's Fair, accomplished only through the cooperation of two of New York's most powerful men, Robert Moses and Francis Cardinal Spellman"--

A classic study of Gothic architecture, presented in an engaging question and answer format. Bloxam covers the principles that underpin the design of churches, cathedrals, and other ecclesiastical buildings. This is an essential guide for anyone interested in the history and design of great Gothic structures.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.