Bøger om År 1980 til 1989

'In the Spring of 1989, shortly after my twenty-seventh birthday, as I stood in the sleet at a bus stop in Colchester, it dawned on me that I had probably, all things considered, failed in my mission to become Sting. At least, for the time being.'Lost in Music is about growing up with pop music - about hearing it, buying it, loving it, and attempting to play it in public for money. A brilliant combination of the confessional and the unapologetic, this is a book for anyone who has ever treasured vinyl, or sung into a roll-on deodorant in front of the bedroom mirror and dreamed of playing Wembley.Praise for Lost in Music'Very, very funny . . . Giles Smith is a wonderful writer' Nick Hornby'A wonderfully funny pop-music memoir . . . You don't have to know who Nik Kershaw is to laugh out loud at the chapter about him' Sebastian Faulks, Spectator'One of the best books about music that you will ever read . . . It is impossible to read Lost in Music without laughing out loud' Daily Telegraph

Nerys Williams' new collection questions what makes a Republic? Machinations of power? The speeches of politicians? The broad sweep of official histories? This sequence of 80 prose-poems, each constructed in 20 sentences, has arisen from the author's need to tell a more intimate history, to commit an untold oral history to paper. Williams returns to the meaning of "republic" in its Latin origins which meant "wealth of the people". The poems tell the story of a young Welsh woman growing up and coming of age in the 1980s and 90s, a time that culminated with new devolutionary powers in Wales. The explosion of the arts and culture looms large, through bands from New Order to my bloody valentine, but it is explored specifically through Cwl Cymru', and the power of Welsh-language bands like Datblygu. This story is also about class, as we explore a family history of hard work in jobs from retail to caregiving. The poems introduce us to family influences, from a father who urges the narrator as a child to 'own the stage' in an early school Eisteddfod, to a grandmother who worked long hours in her rural shop, and a mother who was the local midwife. There are stories told, overheard, handed down, sometimes translated from Welsh. Together, they create an expansive portrait of the era, including the challenges for women, Welsh-speakers, and other marginalized groups. Ferocious remarks about the Welsh in the popular media are dissected with satirical humour and appalled fascination, while other poems describe being a token woman and political outsider on a TV current affairs show panel, tolerated but ostracized. From her more recent home, the republic of Ireland, Williams poses the possibilities of a nation looking at itself and its history from afar. Wales has not been allowed to be a republic, but is subject to a state that has military claims on its landscape and a second home explosion which has a severe impact on its communities. There is rebellion to be found in the older meaning of "republic": since the wealth of the people is a wealth of sounded stories, culture, art, and history.

This book is an interdisciplinary study of Japan during the `Bubble-erä of the 1980s, which explores consumer experiences under the drastic socio-economic upheavals of the time.

'A heart-breaking exploration of a family fractured by civil war. This beautiful, nuanced novel follows a young doctor caught within conflicting ideologies as she tries to save lives. I couldn't put this book down' BRIT BENNETT, bestselling author of THE VANISHING HALF Sixteen-year-old Sashi wants to become a doctor. But over the next decade, as a vicious civil war tears through her hometown of Jaffna, her dream takes her on a different path as she sees those around her, including her four beloved brothers and their friend, get swept up in violent political ideologies and their consequences. Desperate to act, she must ask herself: is it possible for anyone to move through life without doing harm? "e;With immense compassion and deep moral complexity, V. V. Ganeshananthan brings us an achingly moving portrait of individual and societal grief. "e;I want you to understand,"e; the narrator of BROTHERLESS NIGHT insists, and by the end of this blazingly brilliant novel, we do: that in a world full of turmoil, human connections and shared stories can teach us how - and as importantly, why - to survive"e; CELESTE NG, bestselling author of LITTLE FIRES EVERYWHERE"e;Stunningly great"e; Curtis Sittenfeld, bestselling author of RODHAM, via Twitter

With shades of Patricia Highsmith's The Talented Mr Ripley, this is a novel about how far people will go to get the life they think they deserve . . .

"This is a major new study of JM Coetzee, one of the most important writers in the post-war period. This the first study that makes use of his archive to provide new sources and contexts for a reading of his novels"--

In the summer of 1986, Belle McGee is thirteen. The arrival of Fionn Power at her family home sets in motion a tragic chain of events. Now a forty-something investigative journalist living in Dublin, Belle returns home one night to find Fionn standing in the hallway before inexplicably vanishing. Unsettled, Belle immediately phones her sister, who tells her that Fionn was found dead that very morning. In her journey to find answers, Belle exposes corruption and scandal and is forced to stop running from the shameful truth of 1986.

A rich introduction to interior design in the 1980s and '90sPublished to accompany 80s Fashion, Design, & Graphic Design in France, an exhibition at the MAD in Paris, from October 2022 to April 2023Designers include: Ron Arad, ARC, Avant-Scène, François Bauchet, Andrea Branzi, David Gill, Michele De Lucchi, Tom Dixon, André Dubreuil, Sylvain Dubuisson, En Attendant les Barbares, Dan Friedman, Olivier Gagnère, Garouste & Bonetti, Michael Graves, Charles Jencks, Shiro Kuramata, Les Lalanne, Christian Liaigre, Ugo Marano, Javier Mariscal, Memphis, Alessandro Mendini, Juan Pablo Molyneux, Jasper Morrison, Patrick Elie Naggar, Néotù, Marc Newson, Gaetano Pesce, Andrée Putman, Pucci de Rossi, Eric Schmitt, Ettore Sottsass, Philippe Starck, Martin Szekely, Oscar Tusquets Blanca, Robert WilsonIn line with the works on decorators of the 1940s, '50s, '60s, and '70s, this book plunges us into the world of '80s and '90s. These have witnessed unprecedented experiments in the world of design and architecture. Composed of a rich introduction which gives a synoptic vision and 38 monographs that describe its many faces, this book makes an exceptionally creative period, and reveals through an abundant iconography, often unpublished, its formidable aesthetic richness.A new generation of designers stands out, among them Shiro Kuramata, Philippe Starck, Ron Arad, Bob Wilson, Elizabeth Garouste and Mattia Bonetti. All regenerate creation by refusing the elitism of their predecessors and by favoring the use of new materials. Some turn to recovery, such as the Creative Salvage group, and offer inventive and provocative furniture thanks to welding and assembly. Others, gathered in Italy around Ettore Sottsass and Memphis, combine unexpected colors and patterns to the playful use of plastic laminate. Sliding until the end of the '90s, the achievements presented in this book mark the desire for a dialog between artistic references with a new relationship to the industrial aspect, at the dawn of the 21st century and its technological innovations.Text in English and French.

Elverbakken er en stærk fortælling om uforudsigelig kærlighed, stærk loyalitet og søsterskab på tværs af tid og rum. Celines tilværelse splintres, da hendes mand erklærer, han vil skilles. Med samme slag mister hun også sit arbejde på den skole, hvor han er rektor, og hun og børnene må finde et nyt hjem. De flytter ind i et gammelt hus i landsbyen Sunnanäng ved bredden af Siljansøen – et hus, hvor mange dramatiske kvindeskæbner har udfoldet sig. På husets loft finder Celine en gammel, slidt dagbog. I den beretter enken Emilia om et helt andet liv i en helt anden tid og om det nærtliggende Käringberget, hvor man i 1600-tallet brændte kvinder, man havde dømt som hekse.

This book, first published in 2000, features analyses about and by some of the most important Russian writers of the 1980s, a period of great changes in the cultural life of Russia when the controls of Soviet communism gave way to a wide diversity of unfettered writing. A variety of critical approaches matches the diversity of Russian writers considered here. The book features David Bethea's theoretical discussion of the work of the outstanding critic and cholar Iurii Lotman and a fascinating extending interview with leading poet Ol'ga Sedakova. Several writers and works receive their first scholarly analyses in English, such as Sasha Sokolov's complex postmodern novel, Between Dog and Wolf, Elena Shvarts's poetry, and Zinovii Zinik's work. Aleksandr Zinov'ev's prose is subjected to a searching formal analysis. The book contains an essay on the literary environment of the Moscow poet Mikhail Aizenberg, and a highly controversial article that reviews Russian writing as an extension of imperialism. Writers who for various reasons fell into opprobrium during the 1980s include the Soviet village writers and the late Andrei Siniavskii (Abram Tertz). A survey of urban prose in the late 1980s looks into an uncertain future, while playwright Viktor Slavkin represents the best of contemporary Russian drama.

In the early 1980s, after a series of terrorist attacks resulted in American Americans, the United States struck back. Operation Eldorado Canyon is usually remembered as a long-range mission by F-111s. However, it involved many other participants.

The second powerful and heart-rending novel, set in 80s Glasgow, from Douglas Stuart, Booker-Prize- and British-Book-Award-winning author of &i>Shuggie Bain&/i>

'I can't think of a writer who is at once so formally daring and so rigorously uncompromising as Sarah Manguso' - Miranda July, author of The First Bad Man'No-one's there to watch her, so she just waits for the lights to turn on, waits to begin her performance.'No-one is watching Ruth. She, however, watches everyone and everything, and waits, growing up on the outskirts of an affluent but threadbare New England township, on the outer edge of popularity. She doesn't necessarily understand what she is seeing, but she records faithfully and with absolute clarity the unfurling of her awkward youth, under even more awkward parenting. As they alternately mock, ignore, undermine and discount their daughter, Ruth's parents present now as damaged, now as inadequate, now as monstrous. All the while the Future comes towards them all, steadily, inexorably, for some of them fatally. And the fog of the Past and the abuses committed under it gathers, swirls, settles, intermittently clears.Watching the future come, the reader of Very Cold People is immobilized, transfixed as much by the gross failures of the adults to be adults, as by the determinedly graceful arc Ruth's trajectory makes towards an adulthood of her own making.