Bøger om Bluegrass

"Country music maintains a special, decades-long relationship to American military life, but these ties didn't just happen. This readable history reveals how country music's Nashville-based business leaders on Music Row created partnerships with the Pentagon to sell their audiences on military service while selling the music to service members. Beginning in the 1950s, the military flooded armed forces airwaves with the music, hosted tour dates at bases around the world, and drew on artists from Johnny Cash to Lee Greenwood to support recruitment programs. Over the last half of the twentieth century, the close connections between the Defense Department and Music Row gave an economic boost to the white-dominated sounds of country while marginalizing Black artists and fueling divisions over the meaning of patriotism. This story is filled with familiar stars like Roy Acuff, Elvis Presley, and George Strait, as well as lesser-known figures: industry executives who worked the halls of Congress, country artists who dissented from the stereotypically patriotic trappings of the genre, and more. Joseph M. Thompson argues convincingly that the relationship between Music Row and the Pentagon helped shape not only the evolution of popular music but also race relations, partisanship, and images of the United States abroad"--

The riveting and heart-wrenching story of country music diva Patsy Cline, from her against-all-odds rise from poverty and a strange, lonely childhood shrouded in secrecy, to her tragic and untimely death at the age of thirty when, ironically, she had finally achieved the triumph she had sought all her life.

My Husband, Jimmie Rodgers was the first book-length biography ever published about a country musician, and fittingly so. No single performer left as profound an impression on early country music. Songs that Rodgers popularized--"T for Texas," "Daddy and Home," "In the Jailhouse Now," "Miss the Mississippi"--are still a regular part of country performers' repertoires. Despite a recording career that lasted only six years (1927-1933) and ended with Rodgers's untimely death from tuberculosis, in many ways Jimmie Rodgers is still very much with us.

The Delmore Brothers—Alton and Rabon Delmore—molded blues and country-gospel into an influential, guitar-driven harmony sound with classic songs such as “Brown’s Ferry Blues” and “Blues Stay Away from Me.” Older brother Alton also left behind this fascinating, long-unpublished autobiography, which brings to life the early Grand Ole Opry and the struggles of pioneering country musicians. Edited by historian Charles K. Wolfe, The Delmore Brothers: Truth is Stranger Than Publicity lives up to its title.

An expert fiddler and a magnetic showman, Bob Wills (1905–1975) popularized a style of Southwestern dance music known as western swing, a rhythmic hybrid of fiddle music, blues, and big band swing. In 1938, when Wills was thirty-three and nearing the height of his fame, journalist Ruth Sheldon chronicled Wills’s rags-to riches rise. She produced a biography that captures the ebullient personality of Wills and reflects the bandleader’s vision of himself. Hubbin’ It provides a window into the daily life of a working musician during the Depression and a rich source of historical detail on one of America’s great musical innovators.

This illustrated biography tells the story of one of the most decorated songwriters in history, Country Music Hall of Fame member Bill Anderson, who broke into the music business with “City Lights,” which he penned at the age of nineteen, in 1957. When singer Ray Price released the song in 1958 on Columbia Records, it became a #1 country hit, and it launched Anderson’s long and storied career as a songwriter and recording artist. Anderson’s songs have been recorded by performers as varied as Connie Smith, James Brown, Dean Martin, Willie Nelson, Charley Pride, the Louvin Brothers, Elvis Costello, Conway Twitty, Jerry Lee Lewis, Kenny Chesney, and countless others. His multifaceted career has included stints as a disc jockey, sportswriter, and television star. At the same time, he has demonstrated a remarkable ability to bridge eras in his music and collaborate with writers across the country music spectrum, cementing his reputation as a songwriter and recording artist of uncommon impact and distinction. This book was published as a companion to the Country Music Hall of Fame and Museum’s exhibition Bill Anderson: As Far as I Can See, and it contains a foreword from fellow Grand Ole Opry star Jeannie Seely, along with seventy-five personal photographs and significant images rarely seen.

From her magical childhood being reared in a family of travelling entertainers to building a career as a music star, Sandy recounts the highs - and lows - of a lifetime in music.

Includes a new foreword by musician Dom Flemons, forty-five illustrations, and a complete session discography. A founding member of the Grand Ole Opry and the program’s first Black star, DeFord Bailey (1899–1982) was among the Opry’s most popular early performers. Known as the “Harmonica Wizard” for his virtuosity on the instrument, he was also a singer, guitarist, banjoist, and composer.  For decades following his departure from the Opry, Bailey’s story was shrouded in mystery. This meticulously researched biography, long out of print, tells the story of a pioneering Black star in early country music in rich and fascinating detail. The book’s original publication in 1991 helped pave the way for Bailey’s election to the Country Music Hall of Fame in 2005.

Husband and wife Boudleaux and Felice Bryant wrote more than six thousand songs together in a wide variety of musical styles. Many would come to be regarded as pop and country classics. These include the biggest hits of the Everly Brothers, such as “Bye Bye Love,” “Wake Up Little Susie,” and “All I Have to Do Is Dream.” As Nashville’s first full-time professional songwriters, the Bryants created enduring compositions that ranged from hard-country songs to tunes of romance and heartbreak, and even the widely known Tennessee state song “Rocky Top.” This book was published as a companion to the Country Music Hall of Fame and Museum exhibition We Could: The Songwriting Artistry of Boudleaux and Felice Bryant. It contains more than 100 rare personal photographs and reproductions of song manuscripts, and it celebrates their remarkable musical achievements and endearing love story

Founded by brothers Charles and Herbert Hatch in 1879, Hatch Show Print is one of the oldest working letterpress poster and design shops in America. Throughout its long history, the shop has produced vibrant posters that served as a leading advertising medium for southern entertainment. Today, Hatch Show Print creates posters the same way they were made 140 years ago. More than a century after the shop’s beginnings, its staff continues to create new and vibrant posters, perpetuating and celebrating an American style of graphic design that holds great appeal for twenty-first century audiences. Richly Illustrated with more than 300 photographs of historic posters printed throughout the shop’s history, this book examines Hatch Show Print’s relationship to and interaction with Nashville’s music industry. Readers will enjoy the book’s generous selection of images of history posters, carved wood and linoleum blocks, and rare photographs.

This collection will have you strumming and singing your favorite Taylor songs in no time! It includes lyrics, chord symbols, and guitar chord frames for 18 of her biggest hits.

"Enjoy a breakdown of the Lone Star State's generational bluegrass harmonies. From the moment they picked up the radio signal of Bill Monroe's mandolin, Texans have been enamored with this uniquely American style of music. But the high lonesome sound couldn't have put down roots without a tradition of mentorship that runs through families and spans generations. Meet the Van Cliburn piano prodigy that became a multi-instrumentalist for Taylor Swift. Travel to the summer bluegrass camp where students develop into teachers. Sit in on a back porch jam session with the Rogers, the Brocks, the Vestals and the Whites. From the state's first Asian-American bluegrass family to its banjo-building Santa Claus, Jeff Campbell and Braeden Paul set the stage for the stewards of Texas bluegrass." -- Amazon.

Pop singer Bebe Rexha teamed up with the country music group Florida Georgia Line to create this number-one hit that crossed numerous pop charts. This arrangement of Meant To Be by Michael Story perfectly captures the feel of the original recording. (2:05)

Pop singer Bebe Rexha teamed up with the country music group Florida Georgia Line to create this number-one hit that crossed numerous pop charts. This arrangement of Meant To Be by Michael Story perfectly captures the feel of the original recording. (2:05)

Fancy Like was a surprise smash, becoming Walker Hayes's first number-one country hit. This chart-topper will be a success with your ensemble and audience! (2:00)

In this enlightening and entertaining book, experience the evolution of country music, from the rural routes of 1970s Appalachia to the 1980s country music boom that paved the way for modern Americana.

Canadian performer k.d. lang broke new ground in the 1980s by blending the genres of punk and country, dubbed "cowpunk," with her band, the Reclines. Despite Grammy-award-winning recordings and frequent North American TV spots, mainstream country radio excluded lang from airplay due to her unconventional gender presentation and perceived sexuality. Not until lang's 1992 pop album Ingénue, the release of the single "Constant Craving," and her subsequent coming out in The Advocate did lang earn critical acclaim worldwide. The book addresses lang's rise to fame after switching genres, the successful reinvention of her sound and persona, and how she found herself immersed in the whirlwind of MTV and the "lesbian chic" aesthetic of 1990s pop culture. As an LGBTQ author, Joanna McNaney Stein discusses her adolescence and sexual development by weaving in short narrative prose pieces with her analysis of lang and Ingénue. Also included are interviews with lang's musical collaborators: Ingénue co-writer Ben Mink, drummer Fred Eltringham, pianist Daniel Clarke, and singer-songwriter Laura Veirs.

From Dolly Parton to Carrie Underwood, Kenny Rogers to Merle Haggard, Country Legends Alphabet is a toe-tappin’, boot scootin’ A to Z of the voices that have shaped country music over the years. Written and illustrated with a good dose of Nashville pride, this book is a must-read for every country music loving family.

Revised and expanded with a Preface from acclaimed Country Music historian and journalist Peter Cooper, The Storyteller¿s Nashville is the illuminating and entertaining tale of Music City¿s transformative years by Tom T. Hall, considered by many greats to be the greatest storyteller and songwriter in Nashville¿s illustrious history.

From country music sensation Miranda Lambert, comes a gorgeous cookbook sharing a wide array of tasty favorite recipes, straight outta Texas and collected from all the fabulous women who helped make Miranda who she is today. If you're going to have a Bitchin Kitchen, you're going to need a few things?plenty of room, plenty of good food for sharing, high spirits (in both senses) and all the friends and family you can fit. For Miranda Lambert, a good time means sharing a great meal with the women who helped raise her back in Texas?her mom and a colorful bunch of best friends who could raise the roof, come through in a pinch, celebrate, cry, and really, really cook. Miranda Lambert invites readers into this special circle of sisterhood with collection of recipes and stories. Y'all Eat Yet? is full of recipes for meals that fill your belly, and your soul, food meant to be shared, meant to be eaten with your fingers off of paper plates, or on your fanciest antique China. Some were handed down to Miranda from her mom and grandma, some come from the circle of cherished friends who helped raise her, and all of them are meant to be easy to prepare and shared with those you love. True to Miranda's personality, Y'all Eat Yet? is sassy and inviting. Whether she's cooking up omelets in her tricked-out Airstream to serve with Mimosas or laying out the Whiskey cupcakes next to Nonny's Banana pudding, Y'all Eat Yet? delivers food you want to make alongside charming stories that show just why Miranda Lambert is one of the most beloved artists in country music today.

Rich Redmond, drummer for superstar Jason Aldean, provides a shot of inspiration for those interested in jump-starting a music career. Filled with practical advice, stories of how Redmond did it himself, and insights from a chorus of other musicians, this is the ultimate behin...

"Chicago is recognized around the world for its place in the history of jazz, gospel, and the blues. Far less known is the surprisingly important role Chicago played in country music and the folk revival. Drawing on hundreds of interviews and deep archival research, Mark Guarino tells a forgotten story of music in Chicago and reveals how the city's institutions and personalities influenced sounds we today associate with regions further south. It is a story of migration and of the ways that rural communities became tied to growing urban centers through radio, the automobile, and the railroad. As the biggest city in the agricultural Midwest, Chicago became a place where rural folk could reinvent themselves and shape their music for the new commercial possibilities the city offered. Years before Nashville emerged as the commercial and spiritual center of country music, Chicago was the most active city for the genre's musicians and record labels. In the mid-1920s, the stars of WLS radio's Barn Dance modernized the sounds of country fiddlers and polished the mountain tunes of Appalachia for contemporary ears. By the 1940s, Chicago had the greatest concentration of country musicians in the US. Bill Monroe, The Carter Family, and Gene Autry all recorded some of their most legendary music in Chicago. When the larger recording industry drifted to the coasts after World War II, Chicago became known for working folk musicians who could freely experiment, collaborate, and perform at a distance from the sometimes stifling star structure of Nashville's Music Row. Guarino tells the stories of the Chicago hustlers who evolved new strains of country music in the city's bars, punk clubs, classrooms, and auditoriums. The College of Complexes, The Gate of Horn, the Earl of Old Town, the Old Town School of Folk Music, Club Lower Links, and Lounge Ax served as creative incubators for different generations of music. Country and Midwestern is a story as vital as the city itself, a celebration of the colorful characters who kept country and folk moving forward, and of the music itself, which even today is still kicking down doors"--

With hits such as "Stand By Your Man? and "Golden Ring,? Tammy Wynette was an icon of American domesticity and femininity. But there were other sides to the first lady of country. Steacy Easton places the complications of Wynette's music and her biography in sharp-edged relief, exploring how she made her sometimes-tumultuous life into her work, a transformation that was itself art. Wynette created a persona of high femininity to match the themes she sang about?fawning devotion, redemption in heterosexual romance, the heartbreak of loneliness. Behind the scenes, her life was marked by persistent class anxieties; despite wealth and fame, she kept her beautician's license. Easton argues that the struggle to meet expectations of southernness, womanhood, and southern womanhood, finds subtle expression in Wynette's performance of "Apartment #9??and it's because of these vocal subtleties that it came to be called the saddest song ever written. Wynette similarly took on elements of camp and political critique in her artistry, demonstrating an underappreciated genius. Why Tammy Wynette Matters reveals a musician who doubled back on herself, her façade of earnestness cracked by a melodrama that weaponized femininity and upended feminist expectations, while scoring twenty number-one hits.

"A beloved member of the country music community, David "Stringbean" Akeman found nationwide fame as a cast member of Hee Haw. The 1973 murder of Stringbean and his wife forever changed Nashville's sense of itself. Millions of others mourned not only the slain couple but the passing of the way of life that country music had long represented. Taylor Hagood merges the story of Stringbean's life with an account of murder and courtroom drama. Mentored by Uncle Dave Macon and Bill Monroe, Stringbean was a bridge to country's early days. His instrumental savvy and old-time singing style drew upon a deep love for traditional country music that, along with his humor and humanity, won him the reverence of younger artists and made his violent death all the more shocking. Hagood delves into the unexpected questions and uneasy resolutions raised by the atmosphere of retribution surrounding the murder trial and recounts the redemption story that followed decades later"--