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"Built in 1913, the Canadian Pacific Railway's ship Princess Maquinna steamed up and down the rugged west coast of Vancouver Island in summer and winter, calm weather and storms, for over forty years, and has become one of the most beloved boats in BC's maritime history. Princess Maquinna, sometimes referred to as the "Ugly Princess" but most often "Old Faithful," transported Indigenous people, settlers, missionaries, loggers, cannery workers, prospectors and travellers of all kinds up and down Vancouver Island's rugged and dangerous west coast, stopping at up to forty ports of call on her seven-day run. The Princess Maquinna faithfully served as the lifeline for all those who lived on the west coast of Vancouver Island before it became accessible by roads. Because of this strong connection she became the "Best Loved Boat" in BC's maritime history. Kennedy recounts battles through eighty-knot gales along the exposed coastline sailors called "The Graveyard of the Pacific," and reveals the bigotry that forced Indigenous and Chinese passengers to remain on the foredeck of the ship while other passengers sheltered from the elements inside. He brings the history of this beloved ship to life with rich detail, recalling a time when this remote part of British Columbia was alive with mines, canneries and now-forgotten settlements."--
"The Chilcotin's wild horses are are romantic and beautiful, but they are also controversial: they are seen by government policy as intruders competing for range land with native species and domestic cattle and, as a result, they have been subject to culls and are not officially protected. In this compelling book, wildlife biologist Wayne McCrory draws upon two decades of research to make a case for considering these wonderful creatures, called qiyus in traditional T]ilhqot'in culture, a resilient part of the area's balanced prey-predator ecosystem. McCrory also chronicles the Chilcotin wild horses' genetic history and significance to the T]ilhqot'in, juxtaposing their efforts to protect qiyus against movements to cull them."--
A speaker and writer on Self Knowledge and meditation, Robert William Eaton, or Kaivalya Aanand Brijendra, has, in a life of varied experiences, remained centered on absolute truth, freedom, and love. That has resulted in a focus on meditation and the infinity of Self. His vision is that we are one indivisible reality. As the Way Opened comprises his collected poetry, of which this is the first volume, covering the period from 1962 at age fifteen to 1977, when he travelled to India to be with his Guru.
The Meaning of Leaving lies in the pain of staying, and the frequent reality of being driven out-by force and violence, or by one's own recognition that a hope has been betrayed. This can be out of a parental home, the dream of affection, a marriage, a city (Toronto, Hong Kong), or the human-insulted loveliness of the earth. Rogers's agile narrow-gauge free verse flashes from song to description, to narrations that always fascinate, whether with exquisitely phrased details of beauty or scenes of pain etched in sharp brief strokes.-A. F. MoritzThese powerful poems grip the heart. The poet writes about intimate partner violence (a late husband whose fist was "a shadow puppet on the wall") with bravery, vulnerability and strength. The poet bears witness, too, to other forms of violence including political oppression in Hong Kong and China and homelessness in Canada. This inspiring collection also sparks hope and joy, as rich in imagery as "a field of white ginger lilies." with the cosmopolitan insight of a Canadian who has spent over two decades living in Asia.-Marsha BarberLeaving in these poems is not only leaving your country of birth but leaving the old self that did not have the confidence to leave. Leaving is power, to be wielded towards wisdom and liberation.In the face of all struggles-personal, cultural, and political- the poet like..."a sparrow, wingtips / meeting in prayer, / drags the dark robe / of twilight / across the pavement."- Bänoo ZanKate Rogers' poetry and critical writing have appeared in many literary journals and anthologies both in Canada and abroad, including The Montreal International Poetry Prize Anthology (Véhicule Press), Looking Back at Hong Kong (CUHK Press), subTerrain, ARC, PRISM, and many others. Her most recent poetry collection is Out of Place (Aeolus House/Quattro Books 2017.) She is a co-director of the Art Bar Poetry Reading Series in Toronto.
Shawna Lemay is the author of The Flower Can Always Be Changing (shortlisted for the 2019 Wilfred Eggleston Award for Non-Fiction) and the novel, Rumi and the Red Handbag, which made Harper's Bazaar's #THELIST. She has also written multiple books of poetry, a book of essays, and the experimental novel Hive. All the God-Sized Fruit, her first book, won the Stephan G. Stephansson Award and the Gerald Lampert Memorial Award. Calm Things: Essays was shortlisted for the Wilfred Eggleston Award for Non-Fiction. She lives in Edmonton.
Robert Colman is a Newmarket, Ontario-based writer and editor. He has been involved in trade publications for the manufacturing industry for more than ten years. Colman is the author of three other full-length collections of poetry, Democratically Applied Machine (Palimpsest Press, 2020), Little Empires (Quattro Books 2012) and The Delicate Line (Exile Editions 2008). He received his MFA from UBC in 2016 and currently serves on the editorial board of PRISM International.
Dear Nora is a slow and toxic descent into allowing a trauma to consume you. kinsella examines what happens when the stages of grief stagnate and are allowed to unfurl and fester into the darkest edges. this collection of addiction fueled letters leaves the writer to spin ever deeper into his own demons and self-loathing as he pins all responsibility on the woman he lost, chipping away at himself until he is only his most irredeemable parts.
This is a collection of poetry for those who need a little space, some trees, and some birdsong.
This volume brings together a group of most highly acclaimed Canadian writers and distinguished international experts on Canadian literature to discuss what potential Janice Kulyk Keefer's concept of "historiographic ethnofiction" has for ethnic writing in Canada. The collection builds upon Kulyk Keefer's idea but also moves beyond it by discussing such realms of the concept as its ethics and aesthetics, multiple and multilayered sites, generic intersections, and diasporic (con-)texts. Thus, focusing on Canadian historiographic ethnofiction, "Land Deep in Time" is the first study to define and explore a type of writing which maintains a marked presence in Canadian literature but has not yet been recognized as a separately identifiable genre.
"Luna is eleven years old and obsessed with adventure. While visiting the island of Newfoundland, Luna finally has a chance to explore a setting as big as her imagination, but her father, a roving journalist and widower, doesn't want her straying too far. Ignoring his caution, Luna sets off on her own and enters a mysterious forest, where she bests a monster in a battle of wits--and unleashes a creeping darkness that devours her father. Now she must embark on a real quest: to heal the island, the ghosts that haunt it, and the people she cares about most."--
"Jay Ritchie's poem's veer and dare new forms to think and feel in. From sonnets to open, more diaristic armatures, Ritchie's vexed interiority scans an ever rich and deeply felt ontology that emerges from a backdrop of wit, wonder, and hopeful bewilderment before the social world and its disarmingly absurd repercussions on language. A sure-footed, mighty feat."-Ocean Vuong, author of Time is a Mother and On Earth We're Briefly GorgeousListening in Many Publics is motivated by the possibility of a future that is fulfilling, luminous, and held in common. The book expresses this vision in three long poems which are themselves composed of individual, interlinked poems. Using a circular structure that resists linear capitalist logics, fragmentation that attunes us to sound over sense, and a hybrid form that traverses both poetics and narrative, the poems speak to the necessity of articulating possible futures, of rehearsing different ways of being, and of returning to material truths, together. Plural, civic, and political, the poems locate themselves in the many publics that constitute our individual and social being, interrogate that which brings the subject into existence, and ultimately convey an open, hopeful sensibility in the face of the structures and systems they critique.
"Widowhood and weirdos, online and off, NORMA is so dark it smarts. It's a terrible freedom to linger unaccounted for. Norma is waking up and cracking up. Decades of marriage, housekeeping, and family responsibility: buried with her husband Hank. Now, she's free, gorging on an online riot of canceled soap operas, message boards, and grocery store focus groups. Transcribing chatter for fifty cents a minute. It's all of humanity--grim, funny, and desperate--wafting into her world, a world reeking with the funk of old fast food wrappers, cold stale recycled air, and desiccated car upholstery. And one where appropriate boundaries are suddenly slipping too, when a voice from one of her transcripts goes from virtual to IRL and just down the block. NORMA is a tart, unhinged flail into widowhood, the parasocial, and some of the more careworn corners of the internet."--
Take a trip across British Columbia with this enchanting collection of essays from thirty local writers. What makes wandering the vibrant land called British Columbia really special? Encounters with locals who are ready to share, over a coffee or a beer, quirky tales and powerful truths rooted in place and time. Consider this book a meet-up with 30 such storytellers, the perfect road companion for your journey real or imagined. The Tyee is the province's oldest and most-read independent source of online news and ideas, renowned for its range of voices on politics, culture and nature. This anthology marking The Tyee's 20th anniversary includes pieces published over the last two decades and includes the distinct perspectives of some of the region's most celebrated writers, including J.B. MacKinnon, Alisa Smith, Cúagilákv (Jess H?äust?i), Arno Kopecky, Harrison Mooney, Michelle Cyca, Christopher Cheung, Andrew Nikiforuk, and many more, as well as illustrations by Nora Kelly. Pull up a chair and get their inside scoops on the places they call home.
Poems to bridge the gap between soul and nature in this ever evolving modern world.In "Branches in Bloom" let language draw you closer to the nature you crave in this collection of 57 poems that wander through rhyming forms, haiku, and free verse styles.Join the poetess as she explores the four seasons, creatures, and highlights experienced moments steeped in creation.
"A personal look at the stunning and diverse collection of one of Canada's most significant patrons of the arts."--
Bestselling chronicler of village life Dan Needles (author of the Wingfield Farm stage plays) leads an insightful and laugh-out-loud tour through the quirks and customs of today’s Canadian small town.Modern literature has not been kind to village life. For almost two centuries, small towns have been portrayed as backward, insular places needing to be escaped. But anthropologists tell us that the human species has spent more than 100,00 years living in villages of 100 to 150 people. This is where the oldest part of our brain, the limbic system, grew and adapted to become a very sophisticated instrument for reading other people’s emotions and figuring out how we might cooperate to find food, shelter and protection. By comparison, the frontal cortex, which helps us do our taxes, drive a car and download cat videos, is a very recent aftermarket addition, like a sunroof. And it is the village where almost half the world’s population still chooses to live.Finding Larkspur takes a walk through the Canadian village of the twenty-first century, observing customs and traditions that endure despite the best efforts of Twitter, Facebook and Amazon. The author looks at the buildings and organizations left over from the old rural community, why they were built in the first place and how they have adapted to the modern day. The post office, the general store, the church, the school and the service club all remain standing, but they operate quite differently than they did for our ancestors. Drawing from his experience working in rural communities across Canada and in other countries, Needles reveals how a national conversation may be driven by urban voices but the national character is often very much a product of its small towns and back roads.
Monday, December 11, 1916. It is two weeks until Christmas. The First World War rages overseas. And in Peterborough, Ontario at around 10:!5 am, the Quaker Oats Factory explodes. Held To The Fire dissects the shocking event piece-by-piece. From the stories of those involved, to the drama between major players, and a community pulling together, Matthew Flagler weaves the story within the backdrop of the war, the people, and the economic forces operating at the time. Inspired by actual events, and told through the lives of those involved, Held To The Fire lays back the curtain of time to reveal an unforgettable story about loss and the resilience of the human spirit.
The prestigious and highly anticipated annual anthology of the best poetry in English from the shortlist of the 2024 Griffin Poetry Prize.Each year, the best books of poetry published in English are honoured with the Griffin Poetry Prize, one of the world's most prestigious and richest literary awards. Since 2001, this annual prize has tremendously spurred interest in and recognition of poetry, focusing worldwide attention on the formidable talent of poets writing in English and works in translation. Annually, The Griffin Poetry Prize Anthology features the work of the extraordinary poets shortlisted for the awards and introduces us to some of the finest poems in their collections.
A long poem in six sections, Dream House takes its cue from Gaston Bachelard’s Poetics of Space in its investigation of female embodiment by calling up such feral, liminal spaces as the pregnant body, the aging mind, snail shells, broom closets, low-ceilinged pubs and abandoned pizza boxes. Part Tardis, part townhouse, part Howl’s moving castle, this wry, surreal and many-peopled narrative interrogates what metaphor might hold of history, both personal and social, in the wake of a mother’s passing. Its migrant speaker trawls through hedgerows and recipe books to unearth stained birdsong and undead civil wars, intent on tracing a matrilineal path across four generations while traversing the haunted margins between existence and belonging.
Alternator by Chris Banks is a masterful poetry collection that blends catastrophe and consciousness, modern living and past transgressions, off-kilter imagery and the “hidden room” of the unsayable to construct a polyphonic triumph. In the title poem, Banks says, after decades, all he wants to do is “thread fire through the eye of [his] imagination,” and the product of his labour are these new poems born of whole cloth: surrealist meditations, modern ghazals and powerful narrative sonnets that are both alive and burning.
"Crushed Wild Mint is a collection of poems embodying land love and ancestral wisdom, deeply rooted to the poet's motherland and their experience as a parent, herbalist and careful observer of the patterns and power of their territory. Jess Housty grapples with the natural and the supernatural, transformation and the hard work of living that our bodies are doing--held by mountains, by oceans, by ancestors and by the grief and love that come with communing. Housty's poems are textural--blossoms, feathers, stubborn blots of snow--and reading them is a sensory offering that invites the reader's whole body to be transported in the experience. Their writing converses with mountains, animals and all our kin beyond the human realm as they sit beside their ancestors' bones and move throughout the geography of their homeland. Housty's exploration of history and futurity, ceremony and sexuality, grieving and thriving invites us to look both inward and outward to redefine our sense of community. Through these poems we can explore living and loving as a practice, and placemaking as an essential part of exploring our humanity and relationality."--
Self-seeding windis a wind of ever-replenishing breath. -from "The Walk, or The Principle of Rapid Peering" The title of Sylvia Legris' melopoeic collection The Principle of Rapid Peering comes from a phrase the nineteenth-century ornithologist and field biologist Joseph Grinnell used to describe the feeding behavior of certain birds. Rather than waiting passively for food to approach them, these birds live in a continuous mode of "rapid peering." Legris explores this rich theme of active observation through a spray of poems that together form a kind of almanac or naturalist's notebook in verse. Here is "where nature converges with words," as the poet walks through prairie habitats near her home in Saskatchewan, through lawless chronologies and mellifluous strophes of strobili and solstice. Moths appear frequently, as do birds and plants and larvae, all meticulously observed and documented with an oblique sense of the pandemic marking the seasons. Elements of weather, ornithology, entomology, and anatomy feed her condensed, inflective lines, making the heart bloom and the intellect dance.
Miss Billy by Eleanor H. Porter has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.
Miss Billy's Decision by Eleanor H. Porter has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.
Miss Billy - Married by Eleanor H. Porter has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.
In Small Parental Forest, Chad Norman reaffirms our humanity and vital interconnectedness by immersing himself in the natural world. Norman has the rare ability to write poems that are politically engaging as well as poems that are so delicate that the reader, coming upon them unexpectedly, catches his breath:I sneak outsideduring the virus invasionto privately witness ...a wee purple crocuspoking out ofour morning's snowfallWith poems such as "The Beauty of the Thistle," and "The ID Cove 20," this collection is bound to impress.- Kenneth Sherman
Poetry is a form of memory. We involve ourselves in it because we are lost. We look for a place where we can encounter the most essential mysteries of who we are and where we might be going. The Commune of Our Waking suggests an idea of what poetry can do: how its base elements of language, imagery, and rhythm make us better human beings. Come visit, stay awhile...
"My Little Ogichidaa is inspired by Indigenous motherhood. It invites readers to explore the compelling dreams and hopes of an Indigenous parent for her soon-to-be-born warrior. The word Ogichidaa itself means warrior in Anishinaabemowin, and this beautifully illustrated book is a tribute to Indigenous families everywhere who are proudly raising their children to carry forward their culture, language, and love with resilience, strength, and kindness"--
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