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Music for 15 popular songs ranges in styles from jazz and blues to swing, Dixieland, bop, Latin, boogie woogie, and rock. Plus, downloadable MP3s allow tenor saxophonists to play along with a current Broadway musician.Each song is recorded three ways: 1. Practice playing melody or harmony with the title tracks, MP3s 1-15, marked TT.2. Practice playing melody with harmony accompaniment, MP3s 16-30, marked HT. 3. Practice playing harmony with melody accompaniment, MP3s 31-45, marked MT.These rehearsal routines are comparable to playing a 25-minute set with a live stage band!Dover (2015) republication of the edition published by the Nancy Music Company, Inc., New York, 2002.See every Dover book in print atwww.doverpublications.com
Eleven bandstand favorites composed and/or recorded by one of jazz's greatest trumpet innovators. Different than most of our other volumes where many tunes incorporate new musical influences and styles such as rock, Latin, and fusion. Perfect for anyone wishing to spice up their repertoire. Six high-powered professional musicians back you up in a variety of combinations to give every song a different feel and make the music come alive! Rhythm Section: Dan Haerle or Mark Levine (p); Todd Coolman or John Goldsby (b); Ed Soph or Barry Ries (d). Titles: Birdlike * Little Sunflower * Coral Keys * Pensativa * Crisis * Red Clay * Dear John * Sky Dive * Gibraltar * Up Jumped Spring * Lament for Booker.
The Hal Leonard Easy Jazz Play-Along Series includes songs with accessible chord changes and features recordings with novice-friendly tempos. Volume 1 includes 18 songs: 'All of Me', 'All the Things You Are', 'Autumn Leaves' and more.
An anthology of compositions by popular Philadelphia jazz and blues artists accessible for every musician
Nothing defines the songs of the Great American Songbook more richly and persuasively than their urban sensibility. During the first half of the twentieth century, songwriters flourished in New York City, the home of Tin Pan Alley, Broadway, and Harlem. A lot of them were native New Yorkers, or else they got to Gotham as fast as they could. It was as if they were standing on the East Bank of the Hudson, facing west and describing America to the Americans:not its geography or politics but its heart. Michael Lasser's introduction to City Songs and American Life, 1900-1950 describes his coming of age in Broadway theaters and jazz clubs around Manhattan in the 1950s. The following chapters look closely at songs, but the book never ceases to give one man's take on the music he has lived with for more than half a century. First, an exploration of the ways in which songs portrayed Broadway and Harlem. Then a chronological look at how the urban sensibility evolved in the early decades of the century, followed by the Twenties, the Great Depression, and World War II. Michael Lasser, a former teacher and theater critic, is host of the syndicated public-radio show Fascinatin' Rhythm (winner of the Peabody Award) and the author of two previous books.
Learn the secret to playing long, flowing musical lines that move from one chord change to the other in a smooth, seamless manner. This book explains approach tones" (a tone or series of tones leading to a chord tone of the next chord---usually by a whole or half step) and "target tones" (tones that resolve your phrases and outline harmony). All great jazz players use this technique to create forward motion, tension / release, and play musical solos that sound "right."
A practical and systematic method that teaches how to practice jazz piano voicings so that they become automatic and intuitive. The method progresses step by step from 2-voice to 7-voice chord structures with fourths and upper-structure triads. Each chapter presents essential harmonic progressions written and spelled out in all keys, along with fingerings to help non-keyboardists. Also provided are songs, written out for both hands, which utilize the techniques and voicings just learned. Includes comping rhythms, bass line techniques, and practice strategies. Excellent for both classroom and individual study. Strongly endorsed by Mark Levine, Bobby Shew, Denis Diblasio, and many others. The included Play-a-long CD lets you practice the piano exercises in the book with bass and drum accompaniment; you can also practice comping along with a saxophone soloist. A demonstration piano track on one channel, played with a stylistic comping feel, gives you an idea of how the piano voicing exercises should sound.
by Jamey Aebersold. 2 CDs with book. A no-nonsense approach consisting of two hours of recorded ear training exercises with aural instructions before each. Beginning to advanced. Starts very simply, with intervals gradually increases in difficulty until you are hearing chord changes and progressions. All answers are listed in book. Book contains transposed parts for C, Bb and Eb instruments to allow playing along.
Analyzes two groups of "musical novels" -- novels that take music as a model for their construction -- including jazz novels by Toni Morrison and Michael Ondaatje, and novels based on Bach's Goldberg Variations.
Classic Cole Porter at a very accessible level. Night and Day arranged by Victor López doesn't include any individual solos, but features easy ranges and a bossa-nova groove played around 120 BPM. Optional flutes, clarinets, vibes, and more. A great choice for your young musicians. (2:33) This title is available in MakeMusic Cloud.
Classic Cole Porter at a very accessible level. Night and Day arranged by Victor López doesn't include any individual solos, but features easy ranges and a bossa-nova groove played around 120 BPM. Optional flutes, clarinets, vibes, and more. A great choice for your young musicians. (2:33)
These Toys Swing arranged by Mike Story is a superb grade 1 chart based on March of the Toys." Trumpet 1 range to written E top space, a written-out tenor sax 1 solo, and well-notated rhythm section parts played at 144 BPM. The perfect holiday chart! (2:19)"
Naptown Blues arranged by Terry White is an accessible straight-ahead swinger played around 150 BPM, with a nice sax soli, written-out solos for alto 1, tenor 1, trumpet 1, and trombone 1. Trumpet 1 range is to written E top space with optional G, plus check out the hot shout chorus. Plenty of optional instruments plus vibes. Everything you need to succeed! (3:16) This title is available in MakeMusic Cloud.
Compared to What arranged by Mike Kamuf has a straight-eighth groove played around 148 BPM with a distinctive Les McCann flavor. Written solos provided for tenor 1 and trumpet 2, unison sax lead lines, some written drum fills, and a sweet shout chorus together make a fine chart. Optional vibes too! (4:01) This title is available in MakeMusic Cloud.
It's the annual chicken chart! No Harm / No Fowl by Kris Berg is a very accessible rock groove played around 146 BPM, and features written-out solo opportunities for all saxes and all brass, and lead trumpet range is to written G on the staff. This chart has a catchy melody, is fun to play, and will please the band and the audience---we promise! (4:30)
It's the annual chicken chart! No Harm / No Fowl by Kris Berg is a very accessible rock groove played around 146 BPM, and features written-out solo opportunities for all saxes and all brass, and lead trumpet range is to written G on the staff. This chart has a catchy melody, is fun to play, and will please the band and the audience---we promise! (4:30) This title is available in MakeMusic Cloud.
Brincando com Fogo by Drew Zaremba is a fiery baião Latin played at half note = 100 BPM. Lead trumpet range is to written G on top of the staff, suggested written solos for tenor 1 and trumpet 2, space for drum fills, auxiliary percussion, optional instruments to include vibes, plus non-stop action. Energy abounds! (6:16) This title is available in MakeMusic Cloud.
A Latin straight-eighth groove played at 125 BPM. Lead trumpet range is to written G-sharp on the staff, suggested written solos provided for flexibility for C, B-flat, E-flat, and bass clef instruments. Includes auxiliary percussion and vibes. Change Is Good by Gordon Goodwin is a refreshing and mellow chart that will appeal to everyone. (5:27)
The best-selling jazz improv book of all time is not just for horn players anymore! Jamey's world famous Volume 1 :How To Play Jazz And Improvise has a whole new look. Respected Jazz guitarist and author Cory Christiansen has rewritten the origina text in a manner that speaks directly to guitarists; adding TAB and chord frames where applicable for the non-reading guitarist and replacing the piano on the CD with himself, playing many of the examples and voicings from the book with the accompanying bass and drums. For all guitarists seeking to grasp the fundamental tools and concepts that the masters use to improvise. Includes 2 CDs, one of slow practice versions and the other contains faster practice versions.
Tony Oxley - Discography. Das Buch beinhaltet alle Tonträger die von und mit dem englischen Freejazz-Schalgzeuger von 1965 bis 2020 veröffentlicht wurden. Außerdem eine Kurzbiografie in deutsch und englisch. Seit ca. 30 Jahren lebt Tony Oxley in Deutschland und spielte weltweit mit internationalen Jazzmusikern zusammen.Alle Produktionen sind hier chronologisch aufgelsitet, mit Angabenzum Titel des Tonträgers, LP, CD, AudioKassette..., mit der Besetzung mit Instrumenten, Produzent, Tontechniker, Trackliste mitLaufzeitlänge...Teilweise mit einem Querverweiss auf andere Tonträger. Alle cover in Farbe und teilweise das dazugehörige Label.
Written in tightly constructed rhymed quatrains, this is the first biography of internationally acclaimed Texas jazz trumpeter Kenny Dorham. Beginning in 1963 with Dorham's recordings in Denmark, this poetic biography traces the story of musician Kenny Dorham's career performing with the greatest legends of jazz history's bop and hard bop eras-including Charlie Parker, Dizzy Gillespie, Bud Powell, Sonny Rollins, and John Coltrane. Also discussing extensive touring as a musician and his lamentably short-lived group the Jazz Prophets, this biography demonstrates the importance of Dorham's career.
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