Bøger om Jazz

From the New York Times bestselling author of Satchel and Bobby Kennedy, a sweeping group portrait of the pioneers and longtime kings of jazz?Duke Ellington, Satchmo Armstrong, and Count Basie?who, born within a few years of one another, overcame racist exclusion and violence to become the most popular entertainers in America.This is the story of three revolutionary American musicians, the maestro jazzmen who orchestrated the chords that throb at the soul of twentieth-century America.Duke Ellington, the grandson of slaves who was christened Edward Kennedy Ellington, was a man whose story is as layered and nuanced as his name suggests and whose music transcended category.Louis Daniel Armstrong was born in a New Orleans slum so tough it was called The Battlefield and, at age seven, got his first musical instrument, a ten-cent tin horn that drew buyers to his rag-peddling wagon and set him on the road to elevating jazz into a pulsating force for spontaneity and freedom.William James Basie, too, grew up in a world unfamiliar to white fans?the son of a coachman and laundress who dreamed of escaping every time the traveling carnival swept into town, and who finally engineered his getaway with help from Fats Waller.What is far less known about these groundbreakers is that they were bound not just by their music or even the discrimination that they, like so many black performers of their day, routinely encountered. Each defied and ultimately overcame racial boundaries not by waging war over every slight, which never would have worked in that Jim Crow era, but by opening America's eyes and souls to the magnificence of their music. In the process they wrote the soundtrack for the civil rights movement.Based on more than 250 interviews, this exhaustively researched book brings alive the history of Black America in the early-to-mid 1900s through the singular lens of the country's most gifted, engaging, and enduring African-American musicians.

How can you learn your guitar's fretboard without thinking so that you can play melodies, chords, and solos to always fit the style musically?Robert "Landy" Landinger, author of this book, was looking for a corresponding method since he first started playing the guitar. He focused on guitar greats like Jimi Hendrix and Django Reinhardt and discovered the CAGED system which relies exclusively on the basic chords.With this volume, there is finally a book for everyone to learn this ingenious system quickly and effortlessly and master the classic chords on the guitar.Whether you're a singer-songwriter or a folk, metal, jazz or blues guitarist, this book will give you the tools you need to become a CAGED specialist.Content:Minor, Diminished, Augmented ShapesMinor, Diminished, Augmented ArpeggiosMinor PentatonicNatural Minor ScaleHarmonic Minor ScaleMelodic Minor ScaleComparison of the ShapesStepchords

Fusion Jazz - auch Jazzrock oder kurz Fusion genannt - ist eine aufregende und zeitlose Musikrichtung, in der sich die musikalische Vielfalt des Jazz mit groovenden Funk-Elementen und kraftvollen Einflüssen aus der Rockmusik verbindet.Dieses Buch möchte die Leser daher auf eine musikalische Reise zu 25 ausgewählten Vertretern dieses Genres mit einigen ihrer Veröffentlichungen mitnehmen, um ihr Interesse zu wecken und ihre Ohren für diese Musik zu öffnen, wenn sie neu für sie ist, bzw. ihr Gehör abermals zu erfreuen, falls so manches Album lange ungehört blieb.Abgerundet werden diese Kapitel durch eine Liste der besten Fusion Jazz-Stücke, Tipps zum Weiterhören und -schauen sowie durch Quellen- und Literaturangaben.

"The product of a hardscrabble childhood, J. Mayo "Ink" Williams parlayed an Ivy League education into unlikely twin careers as a foundational producer of Black music and pioneering Black player in the early NFL. Clifford R. Murphy tells the story of an ambitious, upwardly mobile life affected, but never daunted, by white society's racism or the Black community's class tensions. Williams caroused with Paul Robeson, recorded the likes of Ma Rainey and Blind Lemon Jefferson, and lined up against Chicago Bears player-coach George Halas. Though resented by the artists he exploited, Williams combined a rock-solid instinct for what would sell with an ear for music that put him at the forefront of finding, recording, and blending blues and jazz. Murphy charts Williams's wide-ranging accomplishments while providing portraits of the cutthroat recording industry and the possibilities, however constrained, of Black life in the 1920s and 1930s. Vivid and engaging, Ink brings to light the extraordinary journey of a Black businessman and athlete"--

"Once you've collected every 7" from your favorite label, broken your back in the mosh pit, and become so well-versed in the interpersonal dynamics of every hardcore band that there's nothing more to learn, what's a punk to do? Try jazz, recommends Bob Suren. No, really. Suren, who wrote Crate Digger about his life and work in punk, turns his obsessive gaze onto another form of rebellious, improvisational outsider music, but this time with more sax"--

From Coltrane to Davis, Fitzgerald to Armstrong, Jazz Legends Alphabet is the quintessential A to Z of the smoothest, coolest, hippest cats to have ever made jazz music. Written with rhythm and illustrated with style, Jazz Legends Alphabet will make your little legend the coolest kid in the playground.

In 1974, nine musicians came together in Appleton, Wisconsin, to form Matrix, a jazz fusion ensemble. Led by composer and keyboardist John Harmon, the group rose to prominence on the festival circuit before recording six acclaimed albums. Follow Harmon as he tells the story of the band, from their beginnings on the road in the Midwest to their greatest successes to their reunion tours that brought them back together. From the Heart brings you into the inner workings of a highly influential music group, as well as closer to the man who made it all happen.

Taz Rahman's East of the Sun, West of the Moon is named after the 1935 jazz standard, and like any great jazz tune - many of which inspire these poems - this collection is full of improvisation and innovation with language, and it demands the quality of listening carefully, of paying attention to the world. Threaded with subtlety through the collection is a sense of grief, but these poems remind us of what can be created from trauma, and how the poet can use difficult experiences to contemplate larger themes like intimacy, nature, spirituality, and language as a complex structure in which we live. Many of these poems are from the perspective of a flaneur, someone who wanders through the city - in this case Cardiff - registering impressions about the people and things observed. This includes a deep fascination for nature as encountered in city parks and on the banks of the rivers Taff and Ely as they wind their way through the metropolis. Often this close attention reveals the awe-inspiring beauty of nature, even in the city: "wild petunia spread wings / unburden / become butterflies / trample ripples on Ely". In finding an aspect of the city beyond bricks and concrete, might there be spiritual fulfilment to be found even in this most urban landscape? Rahman's vision of the city dweller is inflected too by his Bangladeshi heritage, which appears in explorations of immigrant identity and racism, in poems like 'Sanctuary' from the viewpoint of an immigrant delivery rider, or 'Chocolate' about unreported attacks on people of the global majority. Immigrant family history is threaded through many of these poems, offering an important perspective on life in contemporary Wales. For example, in 'Amygdala' commemorating the Welsh moral philosopher, Richard Price, Rahman applies Price's ideas about the rights of human beings to the 1859 Nil Bidroho (Indigo Revolt) in Bengal when rice farmers refused to cultivate indigo instead of food crops and defied the East India Company rulers. Alongside this and sustained attention to intimacy with the environment even in urban spaces, there is a series of love poems inspired by jazz standards and using description of nature to express lush and sensuous feeling: "I think / your top lip is // a delirious roller / passing up a storm, incubating / needs, a primer // on primal". Like the heron that swoops over the famous 'Animal Wall', the narrators of these poems look down over the city's beauty, but also focus in on micro perspectives, animating Cardiff and setting it to life.

Dive into the captivating world of jazz with "Women in Jazz" by Sammy Stein, a groundbreaking book that shines a spotlight on the incredible contributions of women in this beloved genre. This special edition book containing both "Women in Jazz: The Women, the Legends & their Fight" and "In Their Own Words" by Sammy Stein in one hardcover volume, takes readers on an inspiring journey through the lives and stories of female agents, arrangers, composers, musicians, PR professionals, radio hosts, record label managers, singers, writers, and more.In "Women in Jazz," Stein expertly charts the paths of these remarkable women, celebrating their presence, amplifying their voices, and marveling at their unparalleled talent. The book provides an intimate glimpse into their experiences, sharing their unique perspectives on jazz and their visions for the future of the genre. From seasoned performers who share wisdom gained through years of dedication to emerging artists reflecting on the evolving landscape of jazz, each chapter offers a profound exploration of their journey.Through a collection of interviews and firsthand accounts, "Women in Jazz" bears witness to the unwavering dedication, resilience, and passion these women have brought to their craft. It captures the generosity and positivity with which they have overcome challenges, offering a testament to their unwavering commitment to their artistry. Stein's book serves as a testament to the indomitable spirit of these trailblazers, inspiring readers with their stories of triumph.Within the pages of "Women in Jazz," readers will gain an appreciation for the profound impact these women have had on the jazz landscape. Their creativity, innovation, and sheer talent have shaped the genre and paved the way for future generations of musicians. This book serves as a tribute to their invaluable contributions, ensuring that their stories and voices are recognized and celebrated.Released to critical acclaim, "Women in Jazz" has garnered praise for its comprehensive and insightful portrayal of the women who have left an indelible mark on the jazz scene. Stein's meticulous research and engaging storytelling bring to life the vibrant tapestry of jazz history and the extraordinary women who have shaped it.Whether you're a passionate jazz aficionado, a music lover, or someone intrigued by the power of women's voices, "Women in Jazz" is a must-read. It invites you to embark on an enriching journey through the lives and experiences of these remarkable musicians, leaving you with a deeper appreciation for their immense talent and the barriers they have overcome.Pick up a copy of "Women in Jazz" today and join the celebration of these extraordinary women who have transformed jazz and continue to inspire future generations.

"JOE COCKER is one of the most dynamic singing stars to emerge from the Twentieth Century, and was one of the most unique, creative, and memorablerockers around. With distinctively huge hits like, "With a Little Help from My Friends," "You Are So Beautiful," and his Number One duet withJennifer Warnes, "Up Where We Belong," Cocker is a one-of-a-kind legend. Although he was relatively unknown in 1969 when he took the stage of the Woodstock Music Festival, he quickly rose to fame for his trademark onstage choreography and anguished blues singing. His album, "Mad Dogs & Englishmen" cemented his international stardom. Though he was an Academy and Grammy Award winner, Cocker's life was not always on an uphill track. He suffered from low self-esteem and bouts of depression. It wasn't until later in his life that he met the love of his life, Pam, who helped him put his personal life back on track before his death in 2014. Cocker's life was one of attaining goals, making disastrous mistakes, and ultimately finding happiness and redemption in the eleventh hour. In Joe Cocker: With a LOT of Help from His Friends, every aspect of Joe's amazinglife and career is examined and explained."--

Improvise pra Valer vai além de aprender a improvisar. É sobre compreender música profundamente e ter o prazer de criá-la por si mesmo. Talvez você sonhe em improvisar seus próprios solos em shows e jam sessions. Ou talvez você se imagine tocando músicas com amigos em festas e expressando-se com total confiança. Talvez você tenha ideias para canções e adoraria compor sua própria música. Você pode realizar todas essas coisas muito mais cedo do que imagina! Tudo o que você precisa é de uma compreensão simples de como a música realmente funciona e de como se conectar com sua própria criatividade musical. Essas habilidades não surgem ao memorizar "licks" de outras pessoas ou estudar teoria musical no papel. O que você precisa é de uma compreensão mais profunda da música que permita conectar o seu ouvido com o seu instrumento. Em outras palavras, o que você precisa é de uma prática diária criativa que lhe permita compreender a música e verdadeiramente criar sua própria música. Improvise pra Valer levará você a este belo mundo de sons e mostrará como música e harmonia realmente funcionam. Você aprenderá a entender os sons na música ao seu redor. E aprenderá a expressar suas próprias ideias musicais exatamente como as ouve em sua mente. Como Improvise pra Valer é diferente de outras abordagens? Um modelo melhor de harmonia. O maior problema que os improvisadores iniciantes enfrentam ao se expressarem criativamente é que eles estão tentando aplicar licks e escalas a acordes isolados, mas não é assim que a música funciona. Quando você ouve suas músicas favoritas, o que escuta é uma bela interação que ocorre sem esforço entre a melodia e a harmonia em um único terreno musical onde tudo está conectado. Com Improvise pra Valer, você aprenderá a enxergar esse terreno musical e a criar suas próprias melodias sem esforço através dos acordes. Criatividade desde o começo. Em todas as outras formas de arte (pintura, poesia, etc.), os alunos têm a experiência do processo criativo como parte natural de seu aprendizado. Somente na música esse processo criativo permanece envolto em mistério, como algo exclusivo de "compositores" antigos e prodígios ocasionais. Improvise pra Valer está transformando tudo isso. Acreditamos que a exploração criativa dos sons por conta própria é essencial. Com Improvise pra Valer, você estará improvisando e expressando suas próprias ideias musicais desde o primeiro dia. Conexão com o ouvido. Não ensinamos fragmentos isolados de teoria musical ou exercícios aleatórios de treinamento de ouvido. Improvise pra Valer é uma prática musical integrada que combina criatividade, treinamento de ouvido e conhecimento de harmonia em cada etapa do caminho. Para cada nova situação harmônica que você for aprender, você passará bastante tempo explorando os sons por conta própria, improvisando sobre nossas bases musicais, e até mesmo cantando os sons com sua voz para verdadeiramente dominar esses sons. O resultado é uma relação pessoal com a harmonia que lhe permite compreender a música de ouvido e tocar os sons que você imagina. Música como uma jornada. Não ensinamos padrões e fórmulas para ajudá-lo a tentar parecer um profissional da noite para o dia. Acreditamos que a improvisação musical é a mais bela forma de arte do mundo, e queremos ajudá-lo a desfrutar dessa forma de arte pelo resto da sua vida. O que ensinamos é uma jornada que o conduz através do mundo da harmonia moderna. Mas essa também é a jornada do seu próprio crescimento pessoal como artista musical criativo. E assim, a cada passo do caminho, você estará se expressando criativamente e crescendo em sua própria habilidade de contar histórias musicais poderosas em seu instrumento.

In this book, Jason Davis shares his journey through the world of jazz music. From his early days as a child listening to Cannonball Adderley and Charlie Parker to his later years performing with some of the biggest names in jazz, Davis offers a unique and personal glimpse into the life of a jazz musician.Davis's story is one of passion, dedication, and hard work. He began playing the clarinet at a young age, and quickly fell in love with the music. He spent countless hours practicing and learning from other musicians and eventually found his way to the jazz scene in Dallas.In Dallas, Davis met some of the biggest names in jazz, including Rodney Bowens, James Clay, and Shelley Carroll. He played with these musicians in clubs and festivals all over the city, and quickly gained a reputation as a talented and up-and-coming saxophonist.In addition to his work as a performer, Davis is also a dedicated educator. He teaches jazz workshops and seminars all over the country and is passionate about sharing his love of music with others.How I Met Jazz is a fascinating and inspiring look at the life of a jazz musician. It is a must-read for anyone who loves jazz music, or who is interested in the creative process.Davis's book is full of personal anecdotes and insights into the world of jazz.He discusses the challenges and rewards of being a jazz musician and offers advice to aspiring musicians.The book is also a celebration of jazz music, and its rich history and culture.

Cet ouvrage présente une série d'échanges imaginaires avec Claude Nougaro, artiste et interprète majeur disparu en mars 2004.Avec délicatesse, émotion et humour, le livre arpente des "parcelles choisies" de l'univers poétique de l'auteur de Ô Toulouse et de Nougayork.Le sous-titre "concept-poème" renvoie au concept album, terme adopté dans le domaine discographique pour qualifier un enregistrement lié dans son ensemble à un thème, une figure ou une histoire, contrairement aux productions communément réalisées à partir d'une simple succession de titres._____________________________________________Présentation de l'auteur et de son actualité : https://janpier-texier.jimdosite.com/Critiques de l'ouvrage : https://janpier-texier.jimdosite.com/actualites/Contact avec l'auteur : arretsurmirage@icloud.com

"A bestselling music historian follows Jelly Roll Morton on a journey through the hidden worlds and forbidden songs of early blues and jazz. In Jelly Roll Blues: Censored Songs and Hidden Histories, Elijah Wald takes readers on a journey into the hidden and censored world of early blues and jazz, guided by the legendary New Orleans pianist Jelly Roll Morton. Morton became nationally famous as a composer and bandleader in the 1920s, but got his start twenty years earlier, entertaining customers in the city's famous bordellos and singing rough blues in Gulf Coast honky-tonks. He recorded an oral history of that time in 1938, but the most distinctive songs were hidden away for over fifty years, because the language and themes were as wild and raunchy as anything in gangsta rap. Those songs inspired Wald to explore how much other history had been locked away and censored, and this book is the result of that quest. Full of previously unpublished lyrics and stories, it paints a new and surprising picture of the dawn of American popular music, when jazz and blues were still the private, after-hours music of the Black "sporting world." It gives new insight into familiar figures like Buddy Bolden and Louis Armstrong, and introduces forgotten characters like Ready Money, the New Orleans sex worker and pickpocket who ended up owning one of the largest Black hotels on the West Coast. Revelatory and fascinating, these songs and stories provide an alternate view of Black culture at the turn of the twentieth century, when a new generation was shaping lives their parents could not have imagined and art that transformed popular culture around the world--the birth of a joyous, angry, desperate, loving, and ferociously funny tradition that resurfaced in hip-hop and continues to inspire young artists in a new millennium."--

Kristian går i gang med at forberede det ”udvidede specialemne” i musikhistorie, da han modtager endnu et brev fra Gertrud, som han må tage stilling til. Anfægtet af sit manglende samfundsengagement melder han sig ind i Socialdemokratiet, men fortryder. Herefter koncentrerer han sig om musikhistorie, læser en række monografier, laver referater og skriver kommentarer og indleverer til sidst sit petitum i tre emner: værkbegrebet og den kunstneriske personligheds udvikling hos Haydn, Mozart og Beethoven; begrebet ”romantisk” i musikken, samt ”Louis Armstrong, jazzens første, største og eneste stjerne”. Opgaven han får bliver i værkbegrebet. Han afleverer sit omfangsrige, ambitiøse foredrag i kapløb med tiden, men bliver på grund af et kommunikationssvigt snydt for en topkarakter. Aftenen før eksamen i sang og klaver, får han besøg af Katja og møder op til prøven næste dag efter få timers søvn. Et forsøg på at forføre en figurstruttende, indvandret, polsk musikstuderende falder til jorden.

Kristian, under et besøg hos Katja, hører chokerende nyt om Gertrud, der har begået en handling så frygtelig, at hun for bestandig har sat sig udenfor det menneskelige selskab. Kristian kæmper med kaotiske følelser, mens Katja synes lettet. Lejligheden i Violagade bliver solgt, og Kristian køber en diminutiv etværelses ved Kgs. Have. Semestret starter. Udover de faste fag tilmelder Kristian sig et kursus i ”Jazzimprovisation”. Efter lang tids tøven skriver han et brev til Gertrud, der er kommet i forvaring på en lukket anstalt. Han får et kort, lakonisk svar, senere fulgt op af et længere, hvori hun lidt sært beskriver det hun har gjort. Kristian analyserer brevet og danner sig en teori om grunden til hendes utilgivelige handling. Julle kommer uventet på besøg. Kristians genvisit får på grund af en indiskretion angående hans mor, dramatiske konsekvenser, og Kristian må igen på besøg for at prøve at reparere på fadæsen.

This book presents a slice of the American songbook from 1920 to 2020, with the author recommending 365 of the best recordings of lesser-known standards and sambas of the period. From Whose Baby Are You? (Jerome Kern, music; George Gershwin, piano; 1920) to Baltimore (Randy Newman, 2011, not the original orchestral version) and beyond, this carefully curated list will set readers on a wonderful path of discovery.