Bøger om Jazz

Six must-know bebop tunes and two essential standards you'll play on every gig. Tempos are comfortable. Bebop is the ultimate jazz language builder and most of today's greatest players like Terrence Blanchard, Jerry Bergonzi, Chick Corea, Freddie Hubbard, and the Brecker's have all used it as a foundation for building their unique styles. It's no doubt they know all the tunes on this set inside and out. The heart of the jazz sound! Rhythm Section: Dan Haerle (p); Todd Coolman (b); Steve Davis (d). Titles: Groovin' High * I'll Remember April * A Night in Tunisia * Bluesette * West Coast Blues * High Fly * All the Things You Are * An Afternoon in Paris.

Jam with this all-star rhythm section on 9 fresh, original tunes by the great Cedar Walton with Cedar on piano! Many of these tunes are well on their way to becoming jazz standards. Several tunes have Cedar's own harmony parts as used on his original recordings! These tunes make great additions to your school Jazz Combo. Hear the sound of authentic New York Jazz. Several tunes have written harmony parts too.

Designed for ALL rhythm section players and teachers. Listen as you would any jazz recording as the melody is played in and out, solo, comp., and trade 4s. Tremendous tool for teachers; allows isolation and careful study of each instrument's role with definitive chapters in the booklet. Includes piano & guitar voicings, transcribed bass lines, outstanding drum information, and transcribed solos by Haerle, Petersen, and Coolman. Our first Play-A-Long where the drummer can be turned off and students can trade 4s and 8s with the pros (Vol. 30B only). Vol. 30A is for Keyboardists/Guitarists; Vol. 30B is for Bassists/Drummers.

For all levels---instrumentalists and vocalists. Hear David Libbman solo over every scale listed in The Scale Syllabus". He solos on two versions of each scale: the first is slow and simple, and the second is more complex and fast. Stereo separation allows you to practice and improvise too! David is on one channel and Jamey is on the other. An excellent list of piano voicings are included. Rhythm Section: David Libbman (Soprano Sax); Jamey Aebersold (p). Includes: Major * Minor * Dom. 7 * Lydian * Harmonic Major & Minor * Augmented * Lydian Augmented * Sus 4 * Hindu * Blues * Whole Tone * Major & Minor Pentatonic * Dim. Whole Tone * Diminished * and 21 more!"

The largest collection of standards in the series. This rhythm section has played extensively with jazz legend Phil Woods! Lyrics included. Rhythm Section: Hal Galper (p); Steve Gilmore (b); Bill Goodwin (d). Titles: Speak Low * I Love You * September Song * Old Devil Moon * I Can't Get Started * The Party's Over * A Foggy Day * Foolish Heart * Summertime * My Funny Valentine * My Favorite Things * Come Rain or Come Shine * Our Love Is Here to Stay * I Could Write a Book * It Might as Well Be Spring * I've Grown Accustomed to Your Face * Have You Met Miss Jones.

Don't overlook this one! Work on these tunes and you will be on your way to learning much of the standard jazz repertoire harmonies and root movements. Chord progressions based on Stella by Starlight, Body and Soul, Cherokee, I'll Remember April, There Will Never Be Another You, What Is This Thing Called Love, It's You Or No One, and The Song Is You with original melodies written by Jamey Aebersold.

15 of the best jazz songs of the 60s and 70s by the legendary jazz giant Joe Henderson.

Cover title; title on compact disc: It had to be you.

French Edtion. Do you want to learn how to improvise jazz? Then this is the play-along for you! Easy to understand and inspiring for all musicians wishing to explore the secrets of jazz improv. Now with 2 CDs---one with slower practice tempos! The first CD includes blues in B-flat and F, four Dorian minor tracks, four-measure cadences, cycle of dominants, 24-measure song, II/V7 in all keys, and Jamey Aebersold playing exercises from the book (hear the master clinician demonstrate exactly how it's done). Beginning/Intermediate level. Rhythm Section: Jamey Aebersold (p); Rufus Reid (b); Jonathan Higgins (d). The second CD of slower tempos included in this Book & 2 CD set is available separately for those wishing to upgrade their old single-CD set they may have previously purchased. Includes: Scales/Chords * Developing Creativity * Improv Fundamentals * 12 Blues Scales * Bebop Scales * Pentatonic Scales * Time and Feel * Melodic Development * II/V7s * Related Scales and Modes * Practical Exercises * Patterns and Licks * Dominant 7th Tree of Scale Choices * Nomenclature * Chromaticism * Scale Syllabus * and more! NOTE FROM JAMEY: When I first heard So What" on the Kind of Blue record, I didn't think anything was happening because I was used to hearing changes flying by and this seemed so tame by comparison. I quickly fell in love with Kind of Blue and of course we at IU started experimenting with modal tunes and trying to keep our place in those many 8 bar phrases that seemed at times to make me feel like I was in the middle of a desert and couldn't see for the life of me the beginning of the next 8 bar phrase. When I began teaching privately for the first time in Seymour, Indiana I had a girl flute student who really had a great sound. One day I asked her to improvise on a D- Dorian scale and off she went. I could tell she was playing what she heard in her mind and I was so surprised. It really sounded natural. So, I asked other students to play on a Dorian scale and they did fine. That's how I got started teaching improv. I think others at the time were using the blues as a vehicle but the students I was working with knew nothing about the blues but they could keep their place in the 4 and 8 bar phrases so I went ahead later and used that modal approach on my Volume 1 play-along . . . and the rest is history."

This is your chance! Take the techniques and theory you've learned from Volumes 1, 21, 24, 2 & 3 and apply them to a real playing situation on comfortable tunes. A great volume to use when making the transition from learning scales and chords to actually playing melodies and chord progressions. Eight songs written in the style of the great standards. Book contains suggestions for soloing on each tune and a Scale Syllabus.

Incredible professional comping over the changes of landmark Miles Davis compositions by a noted master. Titles: So What (slow) * So What (fast) * All Blues * Blue In Green * Nardis * Eighty One * Freddie Freeloader * and more. Why you should consider this and other Aebersold piano voicing transcription books: Ever listen to a great jazz pianist and wonder what's he doing there?" Now you'll know! Here, as never before, is an opportunity to see real jazz piano voicings and comping over real songs in real live musical settings. These historic books contain note-for-note transcriptions, exactly as recorded, of the exciting piano accompaniment from the World Famous Aebersold play-along series. Not just for pianists, there are many ways for all musicians to use these wonderful musical tools. Pianists: First, listen closely to the pianist on the respective play-along recording (sold separately). Next, reading from the book, play along with him, imitating his style. Finally, turn him off (using the special stereo separation on all of our CDs) and play along by yourself with the bass and drums. With the techniques learned, you'll soon be improvising your own accompaniment! Non-Pianists: Horn players, arrangers and vocalists can use these books like dictionaries to look up favorite voicings they've heard on a particular play-along track. Written clearly for two hands, even the most novice pianist can play many sections of these books. Teachers/Educators: Give your combo piano students instant jazz voicings and harmonies over a variety of standards and styles. As personal tools, they will enhance your own understanding of voicings and voice movement and provide you with better skills for accompanying your students."

With portraits of actors, dancers, architects, poets, directors, and musicians, Some of These Days highlights how the so-called New Negro Movement of the 1920s reverberated far beyond Harlem to cities such as London, Paris, Berlin, and Vienna to ignite the global renaissance of modernist culture.

Focused on Seattle's black American Federation of Musicians' Local 493, it is an upbeat story of race, jazz, gender, and union culture, set in the Pacific Northwest and the wider jazz world in the twentieth century.