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Protestant Ulster-Scotsman Edward Moore (b. c. 1612), had a son born in London named Thomas Moore (b. 1654) who, abjuring his Anglicanism, married in 1690in Quebec City, a Catholic French-Canadian woman named Jeanne Lemelin. In The Origins of Thomas Moore, the reader will be taken back in time to proceed along a path that the ancestors of ThomasMoore would have taken. My sound and reasonable theory will illuminate the history which was taking place throughout the years and, with the help of genetic genealogy, show the evolution of this Moore family who ended up as French Canadians along the St. Lawrence River Valley ofCanada.
This book examines the preaching and printing of sermons by royalists during the English Revolution. It shows how and why preaching became an indispensable tool for those who sought to resist the seismic changes in Church and state that England experienced between 1640 and 1662.
One of the greatest frustrations for generations of genealogical researchers has been that reliable guidance on sources for perhaps the most critical period in the establishment of their family's links with Ulster, the period up to 1800, has proved to be so elusive. Not any more. This book can claim to be the first comprehensive guide for family historians searching for ancestors in seventeenth- and eighteenth-century Ulster. Whether their ancestors are of English, Scottish or Gaelic Irish origin, it will be of enormous value to anyone wishing to conduct research in Ulster prior to 1800. A comprehensive range of sources from the period 1600-1800 are identified and explained in very clear terms. Information on the whereabouts of these records and how they may be accessed is also provided. Equally important, there is guidance on how effectively they might be used. The appendices to the book include a full listing of pre-1800 church records for Ulster; a detailed description of nearly 250 collections of seventeenth- and eighteenth-century estate papers; and a summary breakdown of the sources available from this period for each parish in Ulster.
A revisionist history of the later Covenanter Rebellions, impacting on the later Monmouth and Jacobite Rebellions. The book provides in-depth analysis of Government and Covenanter forces, while narrating the battles of Rullion Green, Drumclog, Bothwell Brig and Aird's Moss.
This book charts the raising, equipping, maintenance and deployment of the various militia and auxiliary cavalry formations established in and around the City of London during the English Civil War by Parliament.
John Hampden and the Battle of Chalgrove challenges the traditional accounts of Hampden's fatal wounding on 18 June 1643 and subsequent death.
"According to a standard, long-running account of the rise of science, the "scientific revolution" brought about by genius figures like Copernicus, Galileo, and Newton was a revolution in thought. It was the result of a disciplining of thought that opened the mind to the order and patterns in nature. Much of the scholarly pushback against this story focuses on expanding the cast of characters beyond the geniuses to include artisans, craftsmen, medical practitioners, sailors, tradesmen and other non-elites who contributed to the development of the scientific mindset. The author rejects the emphasis on cognitive orderliness and discipline that the standard account and its detractors share"--
"The never-before-told story of how the makers of The First Folio created Shakespeare as we know him today"--
"When Thomas Roe arrived in India in 1616 as James I's first ambassador to the Mughal Empire, the English barely had a toehold in the subcontinent. Their understanding of South Asian trade and India was sketchy at best, and, to the Mughals, they were minor players on a very large stage. Roe represented a kingdom that was beset by financial woes and deeply conflicted about its identity as a unified 'Great Britain' under the Stuart monarchy. Meanwhile, the court he entered in India was wealthy and cultured, its dominion widely considered to be one of the greatest and richest empires of the world. In this fascinating history of Roe's four years in India, Nandini Das offers an insider's view of Britain in the making, a country whose imperial seeds were just being sown. It is a story of palace intrigue, scandal, lotteries, and wagers that unfold as global trade begins to stretch from Russia to Virginia, from West Africa to the Spice Islands of Indonesia."--
In 1682, Charles II invited his scandalous younger brother, James, Duke of York, to return from exile and take his rightful place as heir to the throne. To celebrate, the future king set sail in a fleet of eight ships destined for Edinburgh, where he would reunite with his young pregnant wife. Yet disaster struck en route, somewhere off the Norfolk coast. The royal frigate carrying James and his entourage sank, causing some two hundred sailors and courtiers to perish. The diarist Samuel Pepys had been asked to sail with James but refused the invitation, preferring to travel in one of the other ships. Why? What did he know that others did not? Religious and political tensions were rife in the years leading up to the wreck of the Gloucester. James was a Catholic, as was his wife, and there was a large constituency who wished them dead. Plots and conspiracies abounded. The Royal Navy was itself in disarray, badly equipped and poorly organised. Could someone on board be to blame for the sinking, either from malice or incompetence? This compellingly narrated account of the catastrophe draws on a rich cache of historical material including letters, diaries, and ships' logs, revealing for the first time the full drama and tragic consequences of a shipwreck that shook Restoration Britain to its core.
"Between 1643 and 1645, Basing House in Hampshire, England, was besieged three times. Its owner, the Marquess of Winchester, reportedly had the motto Love loyalty etched into the windows. Winchester refused all terms of surrender. As royalist strongholds crumbled around the country, the Winchesters--and Basing House--stood firm. 'Loyalty House', as it was known, became the king's principal garrison. But the drum of the parliamentary army beat ever louder--and closer--and in October 1645, Oliver Cromwell rolled in the heavy guns. The Siege of Loyalty House tells the story of these dramatic events, not only recounting the sallies and skirmishes, but the experiences of the men, women, and children caught in the crossfire"--
In A Constitutional Culture, Adrian Chastain Weimer uncovers the story of how, more than a hundred years before the American Revolution, colonists pledged their lives and livelihoods to the defense of local political institutions against arbitrary rule. With the return of Charles II to the English throne in 1660, the puritan-led colonies faced enormous pressure to conform to the crown's priorities. Charles demanded that puritans change voting practices, baptismal policies, and laws, and he also cast an eye on local resources such as forests, a valuable source of masts for the English navy. Moreover, to enforce these demands, the king sent four royal commissioners on warships, ostensibly headed for New Netherland but easily redirected toward Boston. In the face of this threat to local rule, colonists had to decide whether they would submit to the commissioners' authority, which they viewed as arbitrary because it was not accountable to the people, or whether they would mobilize to defy the crown. Those resisting the crown included not just freemen (voters) but also people often seen as excluded or marginalized such as non-freemen, indentured servants, and women. Together they crafted a potent regional constitutional culture in defiance of Charles II that was characterized by a skepticism of metropolitan ambition, a defense of civil and religious liberties, and a conviction that self-government was divinely sanctioned. Weimer shows how they expressed this constitutional culture through a set of well-rehearsed practices--including fast days, debates, committee work, and petitions. Equipped with a ready vocabulary for criticizing arbitrary rule, with a providentially informed capacity for risk-taking, and with a set of intellectual frameworks for divided sovereignty, the constitutional culture that New Englanders forged would not easily succumb to an imperial authority intent on consolidating its power.
Celebrated legal scholar Kenji Yoshino's first book, Covering, was acclaimed?from the New York Times Book Review to O, The Oprah Magazine to the American Lawyer?for its elegant prose, its good humor, and its brilliant insights into civil rights and discrimination law. Now, in A Thousand Times More Fair, Yoshino turns his attention to the question of what makes a fair and just society, and delves deep into a surprising source to answer it: Shakespeare's greatest plays. Through fresh and insightful readings of Measure for Measure, Titus Andronicus, Othello, and others, he addresses the fundamental questions we ask about our world today and elucidates some of the most troubling issues in contemporary life. Enormously creative, engaging, and provocative, A Thousand Times More Fair is an altogether original book about Shakespeare and the law, and an ideal starting point to explore the nature of a just society?and our own.
In a world of chaos and disease, one group of driven, idiosyncratic geniuses envisioned a universe that ran like clockwork. They were the Royal Society, the men who made the modern world. At the end of the seventeenth century, sickness was divine punishment, astronomy and astrology were indistinguishable, and the world's most brilliant, ambitious, and curious scientists were tormented by contradiction. They believed in angels, devils, and alchemy yet also believed that the universe followed precise mathematical laws that were as intricate and perfectly regulated as the mechanisms of a great clock. The Clockwork Universe captures these monolithic thinkers as they wrestled with nature's most sweeping mysteries. Award-winning writer Edward Dolnick illuminates the fascinating personalities of Newton, Leibniz, Kepler, and others, and vividly animates their momentous struggle during an era when little was known and everything was new?battles of will, faith, and intellect that would change the course of history itself.
The Eastern Association is best known for its performance at the battle of Marston Moor and the rise of Oliver Cromwell, but it was so much more.
Studienarbeit aus dem Jahr 2009 im Fachbereich Anglistik - Literatur, Justus-Liebig-Universität Gießen, Sprache: Deutsch, Abstract: Als 1660 der englische König Charles II aus dem französischen Exil nach London zurückkehrte und somit die Stuart-Monarchie nach 11 Jahren restauriert wurde, begann nicht nur politisch gesehen ein neues Zeitalter. Die Literatur der Restaurationszeit war und ist noch heute von großer Bedeutung, zumal sie nicht selten die revolutionären politischen Ereignisse ihrer Zeit verarbeitete und widerspiegelte. Allen voran ist John Dryden ein Autor, in dessen Werken die politischen Aussagen offensichtlich werden. Auf all diese Hintergründe werde ich zu Beginn meiner Hausarbeit im zweiten Kapitel ausführlicher eingehen um mich anschließend intensiver mit dem Drama Ödipus von John Dryden zu beschäftigen. Dabei werde ich vor allem folgende These diskutieren: ¿Drydens Stück behandelt in der Figur des Ödipus das Prinzip der Monarchie. Dabei bringt der Autor mit der Konstruktion der Ödipus-Figur eine eindeutige politische Aussage zum Ausdruck.¿ Um diese These zu untermauern werde ich eine Figurenanalyse des Protagonisten vornehmen und an geeigneten Stellen Parallelen zwischen der Handlung im Stück und dem geschichtlichen Hintergrund der Restaurationszeit herstellen.Gegen Ende werde ich die politische Aussage Drydens spezifizieren. Um die Tragweite dieser Aussage besser zu verstehen, gebe ich zunächst einen Überblick über die wichtigsten historischen Ereignisse, die der Produktion des Dramas im Jahr 1678 vorausgingen.
Printed Musical Propaganda exposes a relationship between music and propaganda that crossed generations and genres. Music, in theory and practice, was consistently used as propaganda in a variety of printed genres that included or discussed music from the English Civil Wars through the reign of William and Mary.
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