Bøger om Malawi

The presence of Africans in the German Democratic Republic is very rarely thought of in connection with the experience of exile. Instead, Africans in the GDR are predominantly viewed through the prism of educational and labor migration. While such research has undoubtedly produced valuable insights, it often fails to adequately account for the implicit Eurocentrism, methodological nationalism, and anti-communist bias inherent in Western knowledge production. This study offers a different approach. Through biographical portrayal, it unfolds the life stories of African freedom fighters who lived in exile in the GDR and, ultimately, remained in reunified Germany, with the main case study being a Malawian activist who was expelled from East to West Berlin. Recounting his experiences along with those of some South African exiles, chief among them a former medical worker for the ANC's armed wing, the study ethnographically reconstructs the multiple entanglements between the "Second" and "Third" worlds from the vantage point of the politically displaced within the concrete historical contexts of African decolonization, the struggle against the Malawian Banda dictatorship, and the struggle against South African apartheid.

Rap Music and the Youth in Malawi is one of the first book-length studies of Malawian hip hop. It studies the language and content of contemporary Malawian hip hop as a window onto the country's youth culture as Malawian young people negotiate what scholar Alcinda Honwana calls 'waithood,' or the condition, common among Malawian youth, of lacking opportunities to advance from a situation of dependence and being stuck in a state of relative childhood. The book argues that rap music made by Malawian youth music speaks of - and represents, through its very agency - their need to break out of this stagnant state. After situating Malawian hip hop with respect to both other musical genres in the country and to the nation's language in culture, Rap Music and the Youth in Malawi shows how Malawian youth use rap music to create a sense of community, which then becomes a foothold from which they can do activities that get them out of waithood and into the adult world, such as getting involved in the music industry, realizing electoral power, or participating in activism about issues such as violence against people with albinism and the COVID-19 pandemic. Hip hop has been a crucial tool for Malawian youth to build the skills, identity, and agency necessary to exercise their economic, cultural, and civic independence.

Goodbye, Dr Banda looks at how we engage with different cultures. Using Malawi as a case study, this book seeks to interrogate the faults and failings of early explorers and settlers, from David Livingstone and the early missionaries to today's tourists, aid workers, and Madonna.

This book examines the discourse of development in Malawi and how it unfolded through a milliard of experts and institutions that expressed interest in the plight of the poor and yet did little to achieve their goals between the 1930s and 1983.

Religion has played a key formational role in the development of Scottish society shaping cultural norms, defining individual and corporate identities, and underpinning legal and political institutions. This series presents the very best scholarship on the role of religion as a formative and yet divisive force in Scottish society and highlights its positive and negative functions in the development of the nation's culture. The impact of the Scots diaspora on the wider world means that the subject has major significance far out with Scotland.