Bøger om Native American people

TO: Angel Wilson (LawAngel@IBLO.gov) FROM: Stevie Henry (shenry@gmail.com) Thanks for coming to see me; but by the time you read this, it will be too late. No one will have started to panic, yet; but in less than two months nothing will be the same. What came first, The Chicken or the Egg Flu? I wish it mattered. But let's just say, maybe go back to wearing a mask, bathing in sanitizer, and avoid birds and eggs for a bit. . . I did not kill my brother. I did quite the opposite, really. It's the year 2052. Stevie Henry is a Cherokee girl working at a museum in Texas, trying to save up enough money to go to college. The world around her is in a cycle of drought and superstorms, ice and fire . . . but people get by. But it's about to get a whole lot worse. When a mysterious boy shows up at Stevie's museum saying that he's from the future - and telling her what is to come - she refuses to believe him. But soon she will have no choice. From the author of the Walter Award-winningMan Made Monsters comes a YA novel that conjures our futures in startling life - the ones that we are headed towards, and the ones we can still work towards.

Bo, a Potawatomi boy, invites new friends to share in beloved traditions as he celebrates the joy of summer and his love for Earth and Creator.

In her powerful debut novel, Looking for Smoke, author K. A. Cobell (Blackfeet) weaves loss, betrayal, and complex characters into a thriller that will illuminate, surprise, and engage readers until the final word. A must-pick for readers who enjoy books by Angeline Boulley and Karen McManus!When local girl Loren includes Mara in a traditional Blackfeet Giveaway to honor Loren's missing sister, Mara thinks she'll finally make some friends on the Blackfeet reservation.Instead, a girl from the Giveaway, Samantha White Tail, is found murdered.Because the four members of the Giveaway group were the last to see Samantha alive, each becomes a person of interest in the investigation. And all of them--Mara, Loren, Brody, and Eli--have a complicated history with Samantha.Despite deep mistrust, the four must now take matters into their own hands and clear their names. Even though one of them may be the murderer.

Acclaimed author Dawn Quigley's (Ojibwe) first middle grade fiction is a powerful, lyrical novel in verse about Ariel (Turtle Mountain Ojibwe) and Tomah (Fort Peck Assiniboine), who live in a large urban Native housing project. Ariel is dealing with a beloved aunt who is missing, and Tomah is coping with difficulty reading--but they both find beauty and strength in their intertribal community. Ariel and Tomah have lived in their city's Intertribal Housing Complex all their lives. But for both of them, this Dagwaagin (Autumn) season is different than any before.From his bench outside the front door of his building, Tomah watches his community move around him. He is better at making people laugh than he is at schoolwork, but often it feels like his neighbor Ariel is the only one who really sees him, even in her sadness. Ariel has always danced ballet because of her auntie Bineshiinh and loves the way it makes her feet hover above the ground like a bird. But ever since Auntie went missing, Ariel's dancing doesn't feel like flying.As the seasons change, and the cold of winter gives way to spring's promise, Ariel and Tomah begin to change too, learning to share the rhythms and stories they carry within themselves.With lyrical verse and powerful emotion, Dawn Quigley tells the story of urban Native kids who find strength in connection with those who came before--and in the hope that lets them take flight.

Drawing upon traditional Lakota art, Nelson, a member of the Standing Rock Sioux Tribe, tells a new tale that brings to life a memorable Native American legend about the Star People. Full color.

My Navajo Clan book provides a step by step guide that teaches your little ones how to introduce themselves in Navajo! Also includes a helpful list of clans for reference!

What was life like for native peoples in present-day North America before their lives were disrupted by European conquest? What was their day-to-day existence? How often did they wage war on other tribes? What did they use in religious ceremonies? Did they farm the land or hunt for food? What crops did they grow? How was it that certain civilizations died out while others created social structures that lasted thousands of years? Unocver the answers to these and other questions in this vibrant exploration of the material, social, political, religious, and economic structures of the diverse cultures of native North America. This volume presents the daily lives of Native Americans, from prehistoric migrants to the victims of European conquest, and demonstrates the ways in which they were as similar to modern peoples as they were different.Learn how Iroquoian tribal politics operated democratically, with all key tribal elders nominated by women. Discover how the Thule tribe in the Artic hunted seal in 8-hour time stretches, in temperatures of fifty degrees below zero. Explore the lost village now known as Snaketown, in the Sonoran Desert, where a central plaza with a ballcourt was the center of village life. See how the communal ties of the Great Plains tribes supported a culture of bison hunting-on foot-to subsist for thousands of years. Supplemented by a chronology of events from 28,000 B.C. until 1470, a bibliography of print and nonprint sources, and revealing photos of tools, excavation sites, and artist renderings of scenes from daily life, this volume is a must-read for any student of American pre-history.

"A collection of Indigenous poetry, artwork, and essays specific to what is now known as Southern California. The lead authors separated these pieces into the four natural parts of our story: T{acute]owla (Root), Kâup (Sleep, Dormant), Wâolnish (Cultivate), and $âoa (Bloom), with each section exploring the eras of pre-contact, post-contact, present, and future. Collectively, these pieces portray the multifarious effects of colonization on Indigenous people of this area, from the California Mission system, to the traumatic assimilationist policies that are still felt today. At the same time, a focus on ancestral teachings, the nostalgia of growing up on the rez, and the joys of (self)love and independence can be found in a way that defies these wounds."--

The life and work of a Montana Salish Indian elder and master craftswoman.