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Despite sickness in the final years of his life, Dos Passos presses on for adventure. He and his wife journey to Easter Island, where they explore the history behind the famous statues-called maois. "When I was a small boy," Dos Passos says, "some kind person took me to the British Museum. There I saw a statue, a huge, rough, dark-gray statue with [a] long, sad, dark-gray face. The statue stared back out of deep, sunken eyes. What was it trying to say? To this day I can remember the feeling it gave me of savage, brooding melancholy."
To dare is to lose one's footing momentarily. Not to dare is to lose oneself.Soren KierkegaardIt is often said that the most important relationship we have in life is the one we have with ourselves. Within this idea is a path of self-discovery and self-understanding in relationships with others - implying that our best life teachers are those with whom we have the closest connections. In this collection of poems, the author reveals her trajectory of self-understanding - evolving from a deliberate conscious desire to fulfil her potential to love and be loved. She gives herself permission to experience the risks as well as the joys that would inevitably ensue. The collection provides glimpses into a life-altering journey as it flows from 'deep and reflective' poems in Part I, to the 'hopes and dreams' love poems of Part II, and the 'light and joyful' connections with nature in Part III. An opportunity to create her own large expansive garden on top of a hill in sub-tropical Queensland, allowed the author to become fully immersed in nature's abundant gifts - perceptually, physically and metaphysically - thereby finding unexpected treasures within herself.
Frances Daggar Roberts is an Australian poet who grew up in a remote area where she began to write poetry to capture the love she felt for plants, animals and landscape. She lives with her partner in a bushland setting close to Sydney and now focuses on her art and poetry having retired from her psychology work at the end of 2022. As a psychologist, Frances was treating people with significant anxiety and depression. Compassion for those who struggle with such issues has led to the frequent exploration in her more recent poetry of human need, sorrow and resilience. Frances was also a teacher of English and languages and a former professional ballet dancer with the Australian ballet. She selected this range of poems because they significantly capture words and concepts that increased awareness of the many different perceptions that underwrites powerful contributions to the different inspirations in many ideas.
'Do not expect gentle rambles through the countryside. Beatriz Copello takes us on rough treks - through broken worlds, past "sleepwalkers trained to kill", "banquets of horror / tablecloth tinted in blood", "dolphins wrapped in plastic bags", "bats without trees" - challenging us to read briskly, urgently and breathe often. We are rewarded with times of love and with exquisite encounters with the numinous; we are offered tender hope. There are deep troughs and dark tunnels to navigate but with this highly acclaimed wordsmith we are drawn on by what the French philosopher Simone Weil calls "this something" In safe hands, we witness hollowness and hypocrisy and find our hunger is sated with the better angels of raw honesty. For us pilgrims, this is a searing and rewarding read.' - Colleen Keating'Copello wears her heart, her mind, her eyes plus anger & love on her sleeve. All in or nothing!' - Les Wicks'Beatriz Copello offers bold and inquisitive poems for our turbulent times. She speaks of the how, the why and the if of our relationship with our precious, corrupted planet. Circling through time and memory to have us protected by the "purple shawl" of a wisteria, moved by "the stories of the ancient past" and enriched by her sharp way of unravelling womanhood.' - Angela Costi
Lorenzo Ghiberti's unfinished Commentaries is the earliest surviving writing by a great artist about theprinciples and goals of art, about his own art, and about the attributes and means necessary for the artist toproduce excellent art.Part I of this study reevaluates the character and purpose of Ghiberti's book and examines its content, structure and organization, sources, dating, literary quality and style, and its place in the literature ofItalian art. It describes each of the book's three commentaries and shows how they are interrelated andtogether form a coherent whole. It discusses Ghiberti's deliberate selection of the excerpts from Latinancient and medieval texts that comprise most of the first and third commentaries and his selection of theartists and works recorded in the second commentary, and it explores the rationale behind these choices. While all three commentaries contribute to understanding Ghiberti's interests and intent, the secondcommentary is the fulcrum of his book and can be fully appreciated only in the context of his writing as awhole. At the same time, it is important in its own right as a key source of information on late thirteenth-and fourteenth-century Tuscan and Roman painting and sculpture and Ghiberti's art. Unlike the poorlytranslated, defective, and often incomprehensible excerpts in the first and third commentaries, the secondcommentary was written almost entirely in Ghiberti's own words and is easily understood. Part II presents a new transcription and annotated English translation of this primary document for thehistory of early Renaissance art and the history of art criticism.
A saga of exceptional valor in World War II by Australian volunteers in the Royal Navy. Their service was diverse and dangerous, in the Battle of the Atlantic; the Arctic convoys to Murmansk in Russia; mine-clearance, covert sorties, Combined Operations in the Mediterranean and Normandy, and SE Asia. Recruited under the Dominion Yachtsmen Scheme, the Yachties war service in the Northern Hemisphere was as diverse as it was dangerous.
Dr Gertrude Glossip returns to take us on a coastal cruise through Rainbow History. The seaside suburbs are awash with history, and Gertrude is casting her Rainbow lens on Glenelg and Port Adelaide. These everchanging suburbs held key roles in the colonisation of South Australia, and their growth into booming modern suburbs shaped the establishment of Adelaide as we know it today.Beneath the suburban chic exteriors, the Gay Bay and the Port are loaded with queer stories. From the ever-evolving impact of Rainbow businesses and festivals to secret rendezvous with sailors, the seaside suburbs hold a bounty of Rainbow history to uncover, and the Queen of the Walk has risen to the task.Gert by Sea is a mini history book of two walks plus a bonus beachside whistle-stop tour, which extends upon the success of Queen of the Walk: Gertrude's Guide to Gay Adelaide History. The Rainbow History Walks delve into the undercurrents of queer history that exist along the Adelaide coastline. Join Dr Glossip as she regales us with the highlights of her Gert by Sea history walks.
Australia and World Crisis, 1914-1923 is the second volume in a pioneering two-volume history of Australian defence and foreign policy. It is based on wide-ranging research in collections of personal and official papers in Australia, Britain, the United States and Canada. Linking up with the first volume, The Search for Security in the Pacific, it offers a new and path-breaking understanding of Australia's relations with the world from the outbreak of the First World War to the making of peace in Europe and the Pacific.This study explores a number of fundamental issues that shaped Australia's response to the world in this era, such as race and culture, geopolitics and security, domestic divisions and ideas of loyalty, and the philosophies and personalities of the chief policy makers. From the outset of this global conflict Australia was involved in a 'hot war' in Europe against Germany and its allies, and in a 'cold war' in the Pacific against Japan. The British Australians, for reasons of sentiment and interest, supported the Mother Country, but even as they did so they were deeply concerned about Japan's ambitions. As a result Japan figured prominently in Australia's approach to the war and the peace. Indeed for the Australians the 'cold war' did not come to an end until the Washington Conference of 1921-2, when Japan with the other Pacific powers agreed to limit naval building and to respect existing territories in China and the Pacific.In tracing out this story, the book throws light on many particular aspects of the 'hot' and 'cold' wars. They include the origins of Asian studies in Australia, intelligence gathering, the secret service and loyalty leagues, the fear of Japan in the conscription controversy, Irish Catholics and the Anglo-Irish War. The labour movement and the Bolshevik revolution, the ideological clash of the American President and the Australian Prime Minister over peacemaking, the visit of the Prince of Wales, 'Britishness' and the failure of the idea of Greater Britain all influenced the development of Australia's defence and foreign policy. At the end of the book there is an attempt to provide an assessment of Australia's leadership through these testing times and to point out the significance of this experience for a later generation of Australia policy makers.
Subjects and Aliens confronts the problematic history of belonging in Australia and New Zealand. In both countries, race has often been more important than the law in determining who is considered 'one of us'.
Resisting Indonesia's Culture of Impunity examines the role of Indonesia's first truth and reconciliation commission-the Aceh Truth and Reconciliation Commission, or KKR Aceh.
Surfing, paddling, snorkeling, and even just old-fashioned beach going and basking in the sun-it's all here in this amazing photo excursion of Maui's surrounding waters and shorelines.
While many things change in Hawai'i, Diamond Head endures. This is the story of Hawai'i's most famous icon and how it became a world-renown symbol of paradise.
Events make history. But it is the people who produce these events that are the real history makers.
Through words and archival photographs as well as rare items of memorabilia, this book comprehensively covers Maui's history from Polynesian origins to contact with Westerners, through the arrival of non-Polynesian settlers up to the modern era.
"Includes all 150 species of venomous elapid snakes in Australia. Species accounts are illustrated with photos, distribution maps, and anatomical drawings and include natural history, range, and habitat information, identification guidelines, rate of lethality, and conservation status. Also in the book are instructions for first aid treatment of snake bites and a description of antivenoms"--
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