Bøger om Popmusik

"A dazzling tour of the fifty best and most important Grateful Dead concerts A Grateful Dead concert, argues Ray Robertson, is life: alternately compelling and lackluster; familiar and foreign; occasionally sublime and sometimes insipid. And usually all in the same show. Although the Grateful Dead stopped the same day Jerry Garcia's heart did, what the band left behind is the next best thing to being there in the third row. Courtesy of their unorthodox early decision to record every one of their concerts, it's now possible to follow the band's evolution (and devolution) through nearly thirty years of shows, from the R&B-based garage band at the beginning, to the jazz-rock conjurers at their creative peak, to the lumbering, MIDI-manacled monolith of their decline. In All the Years Combine: The Grateful Dead in Fifty Shows, Robertson listens to and writes about fifty of the band's 's most important and memorable concerts in order to better understand who the Grateful Dead were, what they became, and what they meant--and what they continue to mean."--

"Just outside of downtown Dallas lies a section of the city called Deep Ellum, where graffiti and murals decorate the walls of trendy shops, loft apartments, restaurants, nightclubs, art galleries, and tattoo studios. The area has been home to a remarkable array of businesses, creatives, and artistic practices since its birth 150 years ago as a Black center of business. Because of the area's long association with blues and jazz musicians, Deep Ellum has been shrouded in myth and misconceptions which obscure its actual history. Alan Govenar and Jay Brakefield-using oral histories, old newspapers and photographs, city directories and maps, as well as more traditional public records and secondary sources-reveal another side of Deep Ellum which includes Central Track (formerly called Central Avenue), an area lined with Black-owned businesses which served both Black and white patrons during its heyday in the 1920s and 30s. In the Deep Ellum and Central Track areas, African Americans and whites, primarily Eastern European Jews, operated businesses from the late 19th to the mid-20th centuries, creating a unique social climate where cultural interaction took place. Much of the information in the book is presented through the stories of remarkable individuals, including professionals, pawnbrokers and other merchants, police officers, criminals, and the blues and jazz musicians who had a lasting impact on American popular music"--

While Southern California punk bands were saying, "Our band could be your life," Los Angeles's hair metal acts were insisting, "Our band could be your fantasy." They weren't out to change the world as much as conquer it, and no one embodied that more than its breakout stars, Motley Crue. On their sophomore record Shout at the Devil, they invited listeners to let their ids run wild, propping the door open for gender play, sexual abandon, and a healthy distrust of authority. As more women entered the workforce - not only because upper-middle class white women had made this a central demand of their feminism but also because industrial job opportunities for men were declining. This book demonstrates how Shout at the Devil showed men rejecting manual labor in favor of being beautiful, entertaining, and sexually available. What followed were era-defining culture wars about gender roles, sexual expression, and freedom of speech.

Bono - artist, activist and the lead singer of Irish rock band U2 - has written his autobiography: honest and irreverent, intimate and profound, SURRENDER is the story of the remarkable life he's lived, the challenges he's faced and the friends and family who have shaped and sustained him.

A fun sticker activity book for kids to accompany the release of Disney's WishFollow Princess Asha and her goat Valentino on an epic starlit adventure in Disney's Wish with this book packed with stickers.This fun activity sticker book features images and artwork from Disney's movie Wish. Wish upon a star and celebrate Disney's 100th year with all the key characters, locations, and moments and relieve the movie magic with more than 100 stickers.Disney Wish: The Ultimate Sticker Book will help kids relive the wonder of Disney's newest movie. Fun stickering activities will keep kids aged 5-7 entertained for hours, and, with more than 100 stickers, there are plenty of extra stickers, too.(c)Disney

A brand new colouring book of all original line drawings of David Bowie by Beano & Marvel artist Kev F Sutherland + For the text of this colouring book, we followed the futuristic thinking of David Bowie and asked two AI systems to write the articlesThe Top 20 brand new images of David Bowie, for your coloring pleasure. From Ziggy to Heroes, The Goblin King to the Thin White Duke, Bowie the pop chameleon is here in every guise. These are brand new copyright illustrations by Kev F Sutherland, legendary artist from Marvel comics and The Beano.kevfcomicartist.comDAVID BOWIEDavid Bowie seems to be the most popular man in the world of adult colouring books, so I apologise if I'm adding to an already saturated market with this book of brand-new images, all specially drawn by me. Here you'll find my selection of the Top 20 Bowie songs, with an image for each.Obviously there's been some whittling down, sometimes because there was no really good image to go with the song - so no Laughing Gnome or Fame I'm afraid - or because I didn't want too many from the same time period. And there was no room for any Tin Machine, which I'm sure has disappointed millions. I've tried to make original image choices where I could, cos let's be honest you've seen enough colouring book versions of the Aladdin Sane cover. So, what have we got?Love You Til Tuesday and Space Oddity, from his debut album;Life On Mars, from Hunky Dory;Starman and Ziggy, as seen on Top Of The Pops and the Ziggy movie;Rebel Rebel, as seen on Dutch TV show Top Pop;Golden Years, as performed on Soul Train;Young Americans, as performed on the Dick Cavett show;Heroes and Peace On Earth, both as shown on Bing Crosby's Merrie Olde Christmas, filmed in September 1977 just before Bing died;Boys Keep Swinging, from Lodger;Ashes To Ashes and Fashion, from Scary Monsters;Modern Love, from Lets Dance;David as The Goblin King from Labyrinth;Time Will Crawl, as seen in the unbroadcast Top Of The Pops episode he recorded which didn't get shown because the single dropped down the chart that week;Little Wonder, from Earthling; Under Pressure, as performed at Glastonbury (with Gail Anne Dorsey doing the Freddie Mercury parts, just out of shot);and Little Fat Man, from David's last TV appearance on Extras.

Mehr als 50 Jahre nach dem unvermeidbaren Ende der Fab Four verzaubert ihre Musik auch im Hier und Jetzt immer noch viele Menschen. Aber dem war nicht immer so. Auch die Beatles fingen einmal klein an, hatten wie viele andere Jugendliche ihre Idole und träumten megalomanisch davon, größer als Elvis zu werden. Und wenn man sich die zaghaften Anfänge anhört, weiß man, dass diese juvenilen Träume nicht mehr als ein Griff zu den Sternen war. Dieses Büchlein geht explizit der Frage nach, wie die Beatles den Sprung ganz nach oben geschafft haben. Wie war der Aufstieg von der engagierten Anfängergruppe zur größten Band der Welt möglich? War es pures Vermögen, die zahllosen Auftritte, ein ausgeprägter Geschäftssinn, ein cleveres Management, unglaubliches Glück, der passende Produzent - oder von allem etwas zur richtigen Zeit? Das Buch gibt eine Antwort!

From Sunday Times bestselling author Lesley-Ann JonesOn 12 July 1962, the Rollin' Stones performed their first-ever gig at London's Marquee jazz club. Down the line, a 'g' was added, a spark was lit and their destiny was sealed. No going back. These five white British kids set out to play the music of black America. They honed a style that bled bluesy undertones into dark insinuations of women, sex and drugs. Denounced as 'corruptors of youth' and 'messengers of the devil', they created some of the most thrilling music ever recorded. Now, their sound and attitude seem louder and more influential than ever. Elvis is dead and the Beatles are over, but Jagger and Richards bestride the world. The Stones may be gathering moss, but on they roll. Yet how did the ultimate anti-establishment misfits become the global brand we know today? Who were the casualties, and what are the forgotten legacies? Can the artist ever be truly divisible from the art? Lesley-Ann Jones's new history tracks this contradictory, disturbing, granitic and unstoppable band through hope, glory and exile, into the juggernaut years and beyond into rock's ongoing reckoning . . . where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad and often ugly, here are the Rolling Stones as never before.

This text explores how the Electronic Dance Music subculture transitioned from a marginalized deviant subculture to a billion-dollar culture industry, looking at how the culture's success has undermined in-group solidarity and marginalized those who helped pioneer it.

Teen pop is a sub-genre of popular music marketed to tweens and teens. Its melodic yearning and veneer of sincerity appeal to an emerging romantic eroticism and autonomy. But tweens and teens buy music that isn't primarily marketed to them, too. Teen pop encompasses several kinds of musical styles, not limiting itself to just one-teen pop wants to play. During the 1970s, teen pop sometimes worked subversively, challenging the status quo it seemed to represent. Male pop stars such as David Cassidy were shown suggestively in popular magazines and female pop stars such as Cher had their own TV shows. Teen magazines, pin-ups, comics, films, and TV programs provided luscious visual stereo, promoting fashion styles, lingo, and dance moves, signaling individual identity but also community. The music provided a way for young people to believe they had something all their own, an authenticity experimenting with sexuality and social conduct, all dressed up in glitter and satin, blue jeans and boom boxes, torn fishnets and safety pins and, magically, their dreams. Cartoon pop and made-for-TV bands! Bubblegum pop! Glam! Hip hop! Hard rock and pop rock and stadium rock! Punk! Disco! Teen pop reinforced aspects of the counterculture it absorbed as the music kept playing-and playing back.Although it's very difficult to attain and maintain social progress and play it forward-there are so many tragedies-'70s Teen Pop examines how liberation and a true counterculture can be possible through music.

A fresh biography of legendary entertainment manager Colonel Tom Parker, with a contrarian and corrective point of view.Colonel Tom Parker, often reviled in his time, led the strategy from the earliest days of Elvis's career. Together, they built the most legendary partnership in show business. For the first time, Colonel Parker's story is told by an insider, Greg McDonald, who worked under Parker for years. Never-before-heard stories of Parker's collaboration with Elvis reveal the man behind the legend and the strategies that made Elvis a commercial groundbreaker.Ingrained lore has it that Parker took advantage of "poor country boy" Elvis to sign the singer who became "The King". But Elvis and the Colonel shows that Elvis was not foolish when it came to business arrangements. This book is full of stories of innovations Parker made with his star client, including:--ingenious merchandising (eg, selling both "I love Elvis" and "I hate Elvis" buttons)--licensing and branding, from suits to toys, ashtrays to guitars--establishing The King as an artist-in-residence in Las Vegas--creating televised concert events, like Elvis' Christmas specialMany of the practices Parker established are still deployed today by most major agencies. Parker's experience as a carny and an immigrant shaped his management style when he was at his peak, showing how he adapted big top practices to the big time. The heart of Elvis and the Colonel is the long, strong, warm and complex relationship between two iconic men.

"With A Child's Introduction to Hip Hop, parents can teach their kids about their favorite musical genre through this beautifully illustrated exploration of the history and origins of hip hop, beginning with the "Holy Trinity" of DJ Kool Herc, Afrika Bambaataa, and Grandmaster Flash, to today's Kanye West, Cardi B, and more, all leading up to the 50th anniversary of the birth of hip hop in August 2023"--

The Journal of Beatles Studies is the first journal to establish The Beatles as an object of academic research, and will publish original, rigorously researched essays, notes, as well as book and media reviews.

"The records, the charts, the clubs, the stories"--Cover.

If anyone has a detailed account of The Sweet's career in the seventies, look no further than Jan Frewer. Jan had been the bassist and vocalist for sixties band Wainwright's Gentleman, who for a while included lead vocalist Ian Gillan. Gillan was replaced by Brian Connolly, who along with the band's drummer Mick Tucker went on to form The Sweet. As Jan explains, "I have written a daily diary since I was given my first one on Christmas Day 1959. It is now 2022 and I have never missed doing my bedtime diary in all that time - not a single day." Jan kept in contact with his former bandmates and before too long he found himself with a new career as The Sweet's sound engineer. Compiled from Jan's diaries this book is a fly on the wall record of The Sweet during those heady days on the 1970s. A time when The Sweet was never far from everyone's consciousness with regular TV appearances and their hit records constantly on the radio. This unique book is a delight for Sweet fans around the world with treasured information direct from the source - from a man who was there along the journey with Brian, Mick, Steve and Andy as The Sweet became seventies' superstars.

Wild Mood Swings: Disintegrating The Cure Album by Album, Martin Popoff's innovative new project on iconic post-punk pioneers The Cure, celebrates 50 years now since key actor of the band Robert Smith got hold of his first guitar. And the form this celebration takes is a critical analysis of the band's 13 studio albums, utilising a panel of thoughtful and engaging music critics culled from the author's and Marco D'Auria's video channel, The Contrarians. Presented in easy-to-read Q&A format, Martin gathers these wise music swamis into small teams with an aim toward deconstructing and reassembling each album, hopefully generating myriad new ways for the reader and Cure fan to appreciate the band's seminal records, beginning with Three Imaginary Boys in 1979 and ending with 4:13 Dream in 2008. As bonus to the discussion, Popoff has created a detailed timeline linked to each album, echoing the format used for his many celebrated visual biographies issued through Wymer Publishing in recent years. The end result presents a fresh methodology with which to consider a band's catalogue, with the hope being that the mix of hard chronological reference material and freewheeling opinion, review and analysis makes for a lively celebration of-and subsequent richer appreciation for-everything Robert Smith has done for millions of Cure fans around the world, much of it therapeutic, redemptive and in so many inspiring instances, urgently life-saving.

The first Eurovision Song Contest was held in 1956, only seven countries participated. In 2022 forty-one countries took part making it the biggest song competition in the world today. Over 161 million people tuned into watch the 2022 competition. This book isn't about the song contest as a whole, it solely concentrates on the United Kingdom entries from the first artist, Patricia Bredin in 1957, up to the last, Sam Ryder, who represented the United Kingdom in 2022. The statistics of each year, referencing the artists, compositions, venues and final placings, from the highs of winning to the lows of last place and even zero points make interesting reading. This book is a must for any die-hard Eurovision fan to add to their collection.¿

Monday 20th September 1976 saw one of the most unexpected moments in music history when what was to become one of the most iconic, important and mimicked bands of the 1970s, 1980s and 1990s took to the stage at The 100 Club in Oxford Street, London. A last-minute addition to the '100 Club Punk Special' that included The Clash, Sex Pistols, Buzzcocks and The Damned, an unknown Siouxsie and The Banshees, comprising Sid Vicious, Steve Severin, Marco Pirroni and Siouxsie Sioux, unleashed twenty minutes of 'performance art' improvisation, featuring fragments of 'Deutschland, Deutschland, Uber Alles', 'Twist And Shout' and 'Satisfaction'. 'The Lord's Prayer', which was to become a staple of Siouxsie and The Banshees' early live repertoire, was a white-noise assault on the senses and a barometer of the alienation many teenagers felt from the bloated nature of mid-1970s 'arena rock'. Several line-up changes later, in 1978, Siouxise and The Banshees were propelled into the pop stratosphere. Signed to a major record label, the band released 'Hong Kong Garden' and wrote one of the most influential post-punk albums of all time, The Scream, a savage critique of curtain-twitching suburbia, the cheap titillation of the tabloids, and the dangers of believing and following any one doctrine. 1979's Join Hands, influenced by the political landscape in Britain and further afield, and the catastrophic loss of life in World War One, was a milestone of the band's increasing maturity, from the adrenaline-fuelled stomp of 'Icon' to the phased guitar, saxophone and bells of 'Playground Twist'. After a tour fraught with fractiousness, a new line up with Slits' drummer Budgie and Magazine guitarist John McGeoch, together with Siouxsie Sioux and Steve Severin, released the band's most experimental album, Kaleidoscope, which was a heady mix of psychedelia and sonorous adventures including the singles 'Happy House' and 'Christine'. Siouxsie and The Banshees The Early Years explores the adventures, trials and tribulations of a band defying categorisation. Their uncompromising brilliance is exemplified by three unique albums, which are chronicled in the pages of this authoritative survey.

By nearly any metric, Genesis is one of the most successful, influential, and enduring rock bands of all time. Naturally, the band's fifty plus year career has also given rise to all kinds of related literature: some critical, some biographical, and some purely informational. That's all well and good, but what if these didn't have to be separate ideas? What if one book could somehow do it all? Play Me My Song is a blurring of the traditional boundaries of musical literature, approaching the music and history of Genesis from a multitude of angles in order to become something that is at once both truly unique and deeply comprehensive. Whatever kind of book you want to read about Genesis, this one is it. Comprised of extensive essays in varying styles about every single song and album in the entire Genesis catalogue, Play Me My Song blends song histories, musical analysis, critical reviews, autobiographical tales, the fun of countdowns, and a dash of pure silliness to create something extraordinary. It is, in essence, a book that sounds like Genesis. And the biggest book ever published on Genesis. Featuring: * All the songs: Coverage of all 197 songs and 15 studio albums Genesis ever produced, plus more! * In the band's own words: A treasure trove of exhaustively researched quotes from the band members, conveniently aggregated into one place! * Counted down: Presented in worst-to-first order, you never know which song will pop up next!

By the end of 1973, Deep Purple Mk2 was no more. Ian Gillan had been replaced by David Coverdale on vocals whilst Roger Glover had been replaced by Glenn Hughes on bass and vocals. It left the nucleus of Ritchie Blackmore, Jon Lord and Ian Paice to take Deep Purple in a new direction, which eventually came to a halt with the Mk4 line-up in 1976. With Deep Purple In Rock (1970), Fireball (1971), Machine Head (1972) and Who Do We Think We Are (1973) to Mk2's credit, many fans lived in hope that one day, the band would get back together - with the music press occasionally courting the odd rumour that it would happen! Finally, in April 1984, the reunion of Deep Purple Mk2 was announced. Fans had got their wish. Or had they? With the landscape of rock and pop music having changed since the band's success in the seventies, and with each member of Deep Purple Mk2 having nurtured very different careers as individuals by that point, a reunion was never going to be plain sailing! In this this book, Laura Shenton MA LLCM DipRSL examines the merits and challenges of what it was for Deep Purple Mk2 to get back together in the eighties. Included is a critical analysis of Mk2's second round of albums: Perfect Strangers (1984), The House Of Blue Light (1987) and The Battle Rages On... (1993).