Bøger om Punk og New wave

This Is Hardcore is Pulp's cry for help. A giant, sprawling, flawed masterpiece of a record, the 1998 album manages to tackle some of the most inappropriately grown-up issues of the day - fame, ageing, mortality, drugs, and pornography - and still come out crying and laughing on the other side. The subject of pornography dominates the record - from its controversial artwork to the images conjured up by songs like "Seductive Barry" and the title track - after Pulp's main man, Jarvis Cocker - who'd spent most of his teenage and adult life chasing celebrity, only to be cruelly disappointed when it finally arrived in spades - hit upon the grand notion of using pornography as a metaphor for fame. The album's commercial failure as a follow-up to the band's Britpop-defining, Different Class, also symbolizes a death knell for Britpop itself. Dark, right? Except just like Pulp themselves, Jane Savidge's book is playful and sometimes very funny indeed. Kicking off with an imaginary conversation between Jarvis Cocker and the people who run the Total Fame Solutions helpline, Savidge expertly guides us through the trials and tribulations of an album that begins with the so-called Michael Jackson Incident, when Cocker got up on stage at the 1996 Brit Awards and waggled his fully-clothed bum at the King of Pop. Pulp's This Is Hardcore may be a sleazy run through porn and mental demise, and an album that chronicles Cocker's continuing disillusionment with his newfound lot in life, but Savidge's book assesses the cultural and historical context of the album with insider knowledge and a sharp modern lens, ultimately making a case for it as one of the most important albums of the 1990s.

The epic officially authorized story of Ninja Sex Party continues with Becoming Ninja Sex Party - The Graphic Novel (Part II)Picking up from the exciting cliffhanger of Part I (NSP: Origins) this fully colored hardcover graphic novel documents the gripping and hilarious journey of the band’s origin. Written based on in-depth personal interviews with band members Dan Avidan and Brian Wecht, this graphic novel continues the tale of Ninja Sex Party’s saga. Part II delves further into the relatable struggles and joys of a rising band, exploring the (then) uncharted waters of YouTube, and learning a creative, collaborative process–all while juggling family, work and life’s unexpected detours. Expect to laugh, cry, and celebrate the story of one of the greatest comedy bands of the last 20 years as they become: Ninja Sex Party.

The book traces the story of how a song recorded in 1981 by a young punk rock band from a cultural backwater on the English-Welsh border, and released on a tiny independent record label, became famous in a Yugoslavia formed in the image of Marshall Tito? Why was it 30 years before the members of the band found out? How did this 'socialist' country have one of the most vibrant punk scenes in the world?Gloucester, England, 1981; multi-racial, teenage street-punk band, Demob, recorded and released what would become their best known and most enduring song, No Room For You. A rasping vocal told the story of the 1979 closure of a short-lived, punk rock venue at a disused motel on the edge of the provincial city. Depending on your mind-set, the lyrics were either a howl of rage at the injustice, a wail at the loss, or a love-song to an era. More than three decades later, the author - and Demob's bass player in 1981 - set out to follow the song across a country that no longer exists. On the road he heard the life stories of the heroes of Yugoslavian punk and the punks themselves; from the Tito era, through the disintegration and wars, forced displacements and permanent exiles, to today's turbulent 'reconstruction. Who were 'Tito's punks' and who are they now?An unvarnished but also affectionate portrait of Yugoslavia in the years before its demise through to the present, seen through the unlikely lens of punk and punk rockers. Part travelogue, part history the book is both, and neither, of those things. Rather, it is a mural and soundtrack of a journey through a time and place which no longer exists. The latest addition to the Global Punk series from Intellect.

A rollicking no-holds barred memoir from journalist and musician Eugene S. Robinson that takes readers along through the story of his life.“A weird rollicking ride” frames how author Eugene S. Robinson views his journey from a Brooklyn kid with decidedly offbeat punk rock proclivities to the realities of California hardcore and dark detours into shows, tours, drugs, porn, guns, MMA fighting, an Ivy League-esque education and his eventual entry into the US Defense industry just in time to see his boss dragged into Contragate.Robinson’s writing mirrors his fighting style intensity, ferocity, and brutal truth. He knows exactly who he is and how he is perceived by the white people and white culture that surrounds him. Robinson challenges accepted norms. He fights against easy answers and safe passages. He says:“No one who ever gets a life sentence for just about anything really expects it to last a lifetime. Even if the modifier is "without the possibility of parole." Hope springs eternal but there's always the undiscussed other option. The one where the fate is chosen, freely, and the protagonist has about as much interest in escaping as he does of being almost anywhere else at all. Which is to say: not at all.”A Walk Across Dirty Water is Robinson’s memoir of growing up in Brooklyn during the 1970s, playing in punk bands and touring the world during the

Kim Gordon var en af frontfigurerne i det banebrydende postpunkband Sonic Youth. I dag er hun et ikon i rock- og modebranchen – aldrig mainstream, ofte på forkant. I sin bog fortæller hun om sin opvækst, om hvordan det er at være ”pigen i bandet” i en mandsdomineret rockverden, og om ægteskabet med guitaristen i bandet, Thurston Moore, som ender brat og dramatisk. Kim Gordon kommer fra det, hun beskriver som ”en helt almindelig middelklasseopvækst”, der også rummer smertelige barndoms- og ungdomserindringer om hendes psykisk syge bror – erindringer der har været med til at forme den, hun er. Gordon søger væk fra ”det normale”, og som helt ung fascineres hun af og søger mod det eksperimentelle kunstnermiljø i New York. Hun afsøger flere kunstarter, og hendes bog er også en historien om, hvordan hun – ofte lidt tilfældigt – tager turen fra fascineret iagttager til udøvende kunstner og trendsætter inden for musik, mode og design. “Kim Gordon. Hun er den sejeste i hele verden.” MØ

ABOUT THE BOOKFrom the murder of Bobby Fuller to the ascent of Soul Asylum, A. J. Payler covered the most interesting corners of the music world during a time of unprecedented upheaval and change in the music industry. Ferreting out little-exposed corners of pop culture with the tenacity of a devotee, Trapped in This World: Pop Culture on the Edge-The Omnibus of Pop Culture Writing by A. J. Payler (writing as Aaron Poehler) is the most expansive collection available, including pieces that originally appeared in Flipside, Tail Spins, Eye Magazine, Razorcake, BC Magazine and many other publications, including interviews, profiles, and over five hundred music reviews found nowhere else.Now expanded by over 350 pages-over a hundred thousand words of articles and reviews previously unseen for decades! Featuring:Dave Pirner of Soul AsylumThe Strange Case of Bobby FullerBack to Monk Time with The MonksMaking Time for the CreationIn the Eyes of St. Nic of DetroitBehind the Curtain of the Record Industry with Moses AvalonThe Saga of Iggy Pop and the StoogesBill Hicks: Preaching Comedy's Dark SideDel Close and Wasteland-Interview with John Ostrander"I Want to Last"-Interview with Kevin Shima of HomunculusAtivinJimi HendrixJoy DivisionSlim Moon (KIll Rock Stars)Spacemen 3Les SexareenosElectric FrankensteinMy Dad is DeadSunset SessionsColumns for Razorcake Plus over five hundred reviews, including:The Leaving TrainsSlingshot EpisodeIggy Pop and the StoogesCaptain BeefheartDavid BowieThe AvengersJoy DivisionThe Brian Jonestown MassacreSwansThree Mile PilotThe Black Heart ProcessionSpiritualizedThe Wedding PresentCanThe PanicsThe Walking RuinsThe CrampsThe Dead KennedysRichard BucknerEddi ReaderThe Flaming LipsBoy GeniusDinosaur Jr.The Replacements/Paul WesterbergTugboat AnnieTransferMelvinsScrawlUnwritten LawGreg GinnThe Jesus and Mary ChainGuided by VoicesFour Letter WordAWOLNATIONHawkwindThe ChurchDJ Spooky That Subliminal KidMassive AttackManu ChaoFlight of the ConchordsMojo NixonRocket From the TombsRoger MillerBob MouldGIVERSRamonesThe ResidentsPeter PerrettMC5Warren ZevonFaith No MorePulpGuns 'N' Roses...and hundreds more!

How can classic rock live on when its idols are dying all around us?Twilight of the Gods is a bold, often humorous, and provocative book about our rock gods and the undeniable messages they leave behind. Since the 1960s, artists like the Rolling Stones, the Who, Fleetwood Mac, the Eagles, Black Sabbath, and Bruce Springsteen have ushered the classic rock canon forward. Even groups that are no longer active?the Beatles, Pink Floyd, Led Zeppelin?continue to wield an outsized amount of cultural capital. But no matter how entrenched these classic rockers have been, you can already see signs of their decline.Mixing personal memoir, criticism, and journalism, Steven Hyden, author of the critically acclaimed Your Favorite Band Is Killing Me, explores the ways that classic rock changed the culture?how it established the album as music's answer to the novel and rock concerts as the secular equivalent to church?and asks whether any of these signposts can endure. He investigates the rise and fall of classic rock radio and asks whether the Rock and Roll Hall of Fame is telling the right version of rock history. Twilight of the Gods explains what we can learn from rock gods and their music, and tries to answer the most important question: Is classic rock ephemeral or forever?

As the Seventies drew to a close and the media declared punk dead and buried, a whole new breed of band was emerging from the gutter. Harder and faster than their ’76–’77 predecessors, not to mention more aggressive and political, the likes of Discharge, the Exploited, and G.B.H. were to prove not only more relevant but arguably just as influential.Several years in the making and featuring hundreds of new interviews and photographs, Burning Britain is the true story of the UK punk scene from 1980 to 1984 told for the first time by the bands and record labels that created it. Covering the country region by region, author Ian Glasper profiles legendary bands like Vice Squad, Angelic Upstarts, Blitz, Anti-Nowhere League, Cockney Rejects, and the UK Subs as well as the more obscure groups like Xtract, The Skroteez, and Soldier Dolls.The grim reality of being a teenage punk rocker in Thatcher’s Britain resulted in some of the most primal and potent music ever committed to plastic. Burning Britain is the definitive overview of that previously overlooked era.

"A history of anarcho punk 1980-1984"--Cover.

Wie immer präsentiere ich einen Gedichtband über die Abgründe der Seele; vielleicht sogar nur über meine eigenen. Eine Reise durch die Tiefen von Sucht und Einsamkeit, eingefangen in Worten, die die Dunkelheit beschwören. Doch inmitten dieser Schatten verbirgt sich ein Lichtblick, ein Hoffnungsschimmer, der die Aussicht auf Besseres nicht verblassen lässt. Tauche ein in die Gefühlslandschaft dieser Verse und entdecke, wie selbst in den düstersten Momenten ein Funke Optimismus glimmt.

Five young men in their early twenties, carrying backpacks and guitars, climbed onto the bus in Mendoza, Argentina, that was to take them over the Andes to Santiago de Chile, where they would play the last show of their South American tour, and then board a plane the day after back to their home country of Germany. In spite of the South American winter, the weather in Mendoza was bright and sunny. The ride was supposed to take six hours, after three of which they would cross the border to Chile at a post called Cristo Redentor, at more than 3000 meters above sea level. Not long after the bus had left the station, the weather started to change for the worse. It started raining, and as the road wound itself higher up the Andes, rain soon turned to snow, and before long, white drifts were growing larger on either side of the road. When they finally reached the border crossing, a long line of trucks and cars was standing ahead of them, not moving an inch...Starting a band is a lot like a romantic relationship. You spend time together, find that common spark, and live through emotions and experiences. You create music together. Songs, lyrics, entire records. You find a name for your band. Each member contributes to creating something uniquely your own. Then there's also the other side of the medal: fights, breakups, broken hearts. The entire emotional bandwidth of a relationship is contained within the complicated inner workings of a band.'This Is My Everything' is about one forgotten screamo band's travels into and out of the worldwide DIY hardcore scene in the late nineties and early noughties, with guest appearances by Against Me!, Shelter, Refused, Ink&Dagger, Yaphet Kotto, Snapcase and many more.

The Resurrection of The Crazed by Paul WainwrightJoin the author as he journeys back to those mutant rockin', venue wreckin', snakebite sodden days of the Psychobilly/neo-Rockabilly scene of the 80's. His fanzine 'The Crazed' was right there, reporting on the scene as it grew and writing about bands such as The Meteors, GuanaBatz, Demented Are Go, King Kurt, Long Tall Texans and Restless.Travel back through those articles and interviews and revisit the experience. Enjoy noisy nights at The Klub Foot, mecca of all things Psychobilly, where many of these interviews were conducted after sweaty gigs. Read the bands own words, full of enthusiasm, excitement and optimism about what the future might hold, and discover what it was like to produce and edit a fanzine back then.The scene meant so much to so many and 'The Crazed' was there to document it. This book recaptures how it felt at the time.After lying dormant for over 30 years 'The Crazed' has now been resurrected. Foreword by Craig 'Bracko' Brackenridge of Vintage Rock magazine.Club Foot cover art by Paskal Millet.

Joey Keithley, aka Joey Shithead, founded legendary punk pioneers D.O.A. in 1978. Punk kings who spread counterculture around the world, they've been cited as influences by the Red Hot Chili Peppers, Green Day, Rancid and The Offspring; have toured with The Clash, The Ramones, The Dead Kennedys, Black Flag, Nirvana, PiL, Minor Threat and others; and are the subject of two tribute albums. They are the band that introduced the term "hardcore" into punk lexicon and may have turned Nirvana's lead singer Kurt Cobain onto a career in music.But punk is more than a style of music: it's a political act, and D.O.A. have always had a social conscience, having performed in support of Greenpeace, women's rape/crisis centres, prisoner's rights, and antinuke and antiglobalization organizations. Twenty-five years later D.O.A. can claim sales of hundreds of thousands of copies of their 11 albums and tours in 30 different countries, and they are still going strong."I, Shithead "is Joey's personal, no-bullshit recollections of a life in punk, starting with the burgeoning punk movement and traversing a generation disillusioned with the status quo, who believed they could change the world: stories of riots, drinking, travelling, playing and conquering all manner of obstacles through sheer determination.Praise for D.O.A.: "They rock out. They blow the roof off. Some of the best shows I've seen in my life were D.O.A. gigs. I've never seen D.O.A. not be amazing."-Henry Rollins (Black Flag, Rollins Band)"The proper medicine growing young minds needed."-Jello Biafra (Dead Kennedys)"Joey Shithead casts a long shadow."-John Doe (X)"They've changed a lot of people's lives."-Dave Grohl(Nirvana, Foo Fighters)Joey "Shithead" Keithley has long been an activist, including as a candidate for the Green Party, and is the founder of Sudden Death Records (www.suddendeath.com). He lives in Vancouver with his wife and their three children.

Nefarious Artists: The Evolution and Art of the Punk Rock, Post-Punk, New Wave, Hardcore Punk and Alternative Rock Compilation Record 1976 - 1989 by Welly Artcore.Long before online streaming and even TV music videos, that were beyond the reach of many new bands outside of a lucky spin on the radio, the compilation became the most effective way to access, and be accessed by, the eager new ears and inquisitive minds of the then new punk generation. 'Nefarious Artists' is a field study of over 500 punk rock, post- punk, new wave, hardcore punk, and alternative rock compilations from their beginnings in 1976 as major label samplers and live showcases of the 'new wave' through their rapid evolution into a documentary art form of D.I.Y. punk rock creativity and expression.424 pages packed with full colour alternative rock and punk compilation covers, and the stories behind these important releases.

Greg Graffin is the lead vocalist and songwriter of Bad Religion, recently described as "America's most significant punk band." Since its inception in Los Angeles in 1980, Bad Religion has produced 18 studio albums, become a long-running global touring powerhouse, and has established a durable legacy as one of the most influential punk rock bands of all time.Punk Paradox is Graffin's life narrative before and during L.A. punk's early years, detailing his observations on the genre's explosive growth and his band's steady rise in importance. The book begins by exploring Graffin's Midwestern roots and his life-changing move to Southern California in the mid-'70s. Swept up into the burgeoning punk scene in the exhilarating and often-violent streets of Los Angeles, Graffin and his friends formed Bad Religion, built a fanbase, and became a touring institution. All these activities took place in parallel with Graffin's never ceasing quest for intellectual enlightenment. Despite the demands of global tours, recording sessions, and dedication to songwriting, the author also balanced a budding academic career. In so doing, he managed to reconcile an improbable double-life as an iconic punk rock front man and University Lecturer in evolution.Graffin's unique experiences mirror the paradoxical elements that define the punk genre-the pop influence, the quest for society's betterment, music's unifying power-all of which are prime ingredients in its surprising endurance. Fittingly, this book argues against the traditional narrative of the popular perception of punk. As Bad Religion changed from year to year, the spirit of punk-and its sonic significance-lived on while Graffin was ever willing to challenge convention, debunk mythology, and liberate listeners from the chains of indoctrination.As insightful as it is exciting, this thought-provoking memoir provides both a fly on the wall history of the punk scene and astute commentary on its endurance and evolution.

Get ready for a rollercoaster ride through the vibrant, rebellious world of punk! "PUNK: Loud Guitars, Louder Statements" is your all-access pass to a cultural phenomenon that rocked the world. If you're looking for music, fashion, and a revolutionary attitude, you've found it.This isn't just a music genre; it's a lifestyle, an unstoppable force that defied convention and redefined what it means to be an individual. Experience the gritty birth of punk in the heart of New York and London, where it rose against the excesses of disco and progressive rock with a raw, unfiltered sound.Meet the legends who became the faces of punk-The Ramones, Sex Pistols, Green Day and many more. Their music and attitude ignited a global movement that still resonates today.Step into the wild world of punk fashion, where DIY rebellion becomes an art form. Explore the underground venues, zines, and festivals that became the breeding grounds for a global phenomenon. Discover the controversies and challenges that pushed punk's authenticity and resilience to the limit.But punk is not just history; it's a living, breathing spirit. From political activism to conquering the digital age, punk's unapologetic voice is louder than ever. "PUNK: Loud Guitars, Louder Statements" is a love letter to the rebels, the non-conformists, and the change-makers who've left an indelible mark on our world.Are you ready to crank up the volume and join the punk revolution? If so, this book is your ultimate backstage pass to the bold, unforgettable world of punk. Whether you're a seasoned punk fan or a curious newcomer, there's something here for everyone. Get ready to be inspired, provoked, and thoroughly entertained by the unstoppable force that is punk.

Jim Sullivan - a 2023 inductee into the New England Music Hall of Fame - spent 26 years writing for the Boston Globe and two decades more writing for national publications. He has interviewed and reviewed countless musicians, many of them multiple times. The second volume of his music-writing anthology, Backstage & Beyond, focuses on artists who came to prominence in the 1970s and '80s: punk, new wave, post-punk and beyond. Eleven of them are already in the Rock and Roll Hall of Fame.Chapters on: Ramones, Sex Pistols, Clash, Patti Smith, Buzzcocks, Damned, Fall, Joy Division / New Order, Cure, Stiff Little Fingers, Gang of Four, Pogues, Police, Cramps, David Byrne / Talking Heads, Beastie Boys, Elvis Costello, Billy Bragg, Cars, English Beat, Morrissey, Pixies, Mission of Burma, Feelies, Puff Daddy, Spiritualized, Frankie Goes to Hollywood, Swans and U2¿¿Praise for Backstage & Beyond:"I have spoken to many journalists in my time: some good, some bad, some terrible. And it is lovely when you meet someone who is just like you ... a huge music fan! Jim Sullivan ... is friendly, knowledgeable, forthright and opinionated! An expert in his chosen field. He is no pushover ... if you have faults or are resting on your laurels, he is the first to tell you off." -Peter Hook (Joy Division/New Order)"There's a lot of history here, and a lot of reflecting on that history. For me, it's interesting to see the conflict many artists have as they try to evaluate their own work and its place in the scheme of things. Jim Sullivan has been able to coax some of those reflections out of a broad spectrum of artists, and it's fascinating to read." -Greg Hawkes (Cars)"Jim Sullivan is an expert interviewer with an uncanny ability to connect with his subjects. In Backstage & Beyond, he brings out the humanity in a host of rock and roll icons who are too often portrayed as godlike figures. This an intimate and revealing look at many of the major personalities of the classic rock era." -Tom Perrotta, author of Election, Tracy Flick Can't Win, The Leftovers and Mrs. Fletcher"These are wonderful stories across the whole range of popular music, by one of rock's finest journalists. As history lengthens and some of these legends move on, these become increasingly precious fragments of lives lived at the sharp edge of music." -Richard Thompson"Jim is one of those journalists that you feel comfortable with. No hidden agenda. If he likes your band, he says so. If he doesn't, same. He's always been kind about us. The thing is, unlike a lot of writers, if Jim said we did something that sucked, I would pay attention. That's why these writings are worth reading. He's the real deal." -Jake Burns (Stiff Little Fingers)"Having been on both ends of his many years of reviews and interviews with all manner of artists - as subject and reader - I am always drawn to his writing; because I know he won't have ambushed anyone or left them (us) feeling caught out, yet still end up with insight and history shared and some great stories." -Hugo Burnham (Gang of Four)"With a twinkle in his eye, Jim cuts through the business and, speaking from his heart, he gently gets you to do the same. You learn a great deal about an artist from a Jim Sullivan interview, including yourself!" -Dave Wakeling (English Beat)

'Everything was just so intense. There was an alienation and awkwardness about Josef K, but that was actually very true to life for me. Listening today I find really difficult because it brings back so many memories, so many ghosts and characters from the past.' Paul Haig'A lot of what Josef K were about was as much to do with what not to play as what to play. Josef K could never have anything rootsy, no blues scale. We were always looking for the modern.' Malcolm RossJosef K are the great lost post-punk band. Taking their name from the haunted protagonist of Franz Kafka's existentialist novel The Trial, they posed for photographs before brutalist and gothic architecture and produced visionary, often incendiary music that felt like the product of perpetual anxiety. And it really was.Through The Crack In The Wall is the first ever biography of the band, tracing their story from their origins in the leafy suburbs of Edinburgh through to their untimely implosion four years later. It's a tale of fun and frenzy, filled with highs and lows. From their thrilling live shows, which left onlookers spellbound, to more anxious occasions confronting a baying audience of rioting anarcho-punks in Brussels; from a brief spell as press darlings of the inkies to the fateful decision to pull their debut album just as pop stardom beckoned--one that continues to haunt them today.Drawing extensively on new interviews with the band members and those around them as well as contemporary press articles, the book explores the band's inner workings and analyses their relationships with Postcard Records supremo Alan Horne, labelmates Orange Juice, and manager Allan Campbell. It re-evaluates their position in the pantheon of post-punk greats and considers how their music helped shape the UK independent scene of the eighties. More than anything else, though, the book's primary purpose is to celebrate the incredible music Josef K made and consider what makes it more vital today than ever.

In the second Domesticated instalment, East Anglian punk poet, James Domestic, is once again taking potshots at work, so-called-punk-rock, outdoor and indoor pursuits, aging, right wing lunatics, politics, feet, and himself. As if that wasn't enough, you'll also find his trademark surrealism, sarcasm, and quintessentially British whimsy applied to animals, emails, food, and the power of music, alongside his idiosyncratic illustrations, and photographs from his murky past. A man in too many bands to count, a solo artist, a vocalist, a songwriter, a DJ, a poet, a painter, and a punk. James Domestic failed miserably at school through the distractions of music, alcohol, and girls, spent his early post-school life between the chemical factory and the dole, and somehow now has a PhD. A square peg in life's round hole. A face that never fitted. He couldn't care less. Come along for the ride."A sardonic, sarcastic wit, a penchant for the surreal, and a dynamic pace" (Nathan Brown, Louder Than War) "Words that bite, belch, and bleed in their brilliance" (Mark Grist, multi-award-winning poet and battle rapper) "A unique collection of poetic ventures into the human condition, with humour, anger, and a canny use of language: inspired and inspiring!" (Dick Lucas, Subhumans, Culture Shock etc.) "Relentless" (Attila the Stockbroker, social surrealist poet and songwriter)

A visual history of the artists, fans, and fanzines of widely influential British punk. Zerox Machine is an immersive journey through the vibrant history of British punk and its associated fanzines from 1976 to 1988. Drawing on an extensive range of previously unpublished materials sourced from private collections across the United Kingdom, Matthew Worley describes and analyzes this transformative era, providing an intimate glimpse into the hopes and anxieties that shaped a generation. Far more than a showcase of covers, Zerox Machine examines the fanzines themselves, offering a rich tapestry of firsthand accounts, personal stories, and subcultural reflections. With meticulous research and insightful analysis, this book captures the spirit and essence of British youth culture, shedding new light on a pivotal movement in music history and offering a unique alternative history of Britain in the 1970s and '80s.

Are we not men? Best known for their industrial suits and red energy domes, Devo merged innovative stage sets, robotic choreography and futuristic stage uniforms with experimental music and quirky lyrics. Challenging the boundaries of popular music in the 1970s and '80s, Devo wrote their own rules. Emerging from the industrial rust-belt city of Akron, the Spud Boys were products of their Midwestern upbringing. This book chronicles Devo's formative years, the many twist and turns in the group's lengthy career as well as the stories behind the group's songs. There is also an examination of the Akron music scene that spawned Devo and other like-minded rock bands.

"Once you've collected every 7" from your favorite label, broken your back in the mosh pit, and become so well-versed in the interpersonal dynamics of every hardcore band that there's nothing more to learn, what's a punk to do? Try jazz, recommends Bob Suren. No, really. Suren, who wrote Crate Digger about his life and work in punk, turns his obsessive gaze onto another form of rebellious, improvisational outsider music, but this time with more sax"--

Delve into the dynamic history of punk music, exploring its rebellious origins, cultural significance, and lasting influence. From its roots in CBGB and The Ramones to the emergence of British punk with The Sex Pistols, this book uncovers punk's ideological roots, diverse subgenres, controversial moments, and enduring fashion legacy. Interviews with key figures, academic insights, and a curated discography provide a multifaceted view of punk's impact on music, culture, and activism. Discover how punk's DIY ethos, political activism, and vibrant subcultures continue to shape modern music and society.

Developed from the Hope Collective, a popular punk venue in Dublin, Ireland, this unique cookbook links healthy eating with the punk rock community and subculture. With over 120 vegan recipes and personal anecdotes collected from bands who performed at the club, Please Feed Me presents tasty offerings such as Fugazi Chocolate Cake, Bikini Kill Chili non Carne, and Neurosis and Pincer Martin Tomato and Orange Soup. Also included are thoughts on punk rock culture as a vital underground network, and insider stories of well-known U.S. and international bands.

"THE BEGINNING WAS THE END is the definitive account of DEVO's vibrant early history, from the authors of the first-ever book about the band. THE BEGINNING WAS THE END features never-before-seen images of the band members and their visual history as it tells the unlikely story of a collection of creative misfits who formed a musical kinship, drawing material and inspiration from the industrial Midwestern environs of Northeast Ohio. With the May 4, 1970, Kent State shootings as a catalyst, DEVO channeled protopunk energy into a sprawling art project that would pioneer the use of music videos, innovate technology in pop music, define the aesthetic of the 1980s New Wave/MTV era, and maintain an edge of social, political, and cultural criticism that continues their relevance fifty years after their formation"--