Bøger om Punk og New wave

"Johnny Thunders: In Cold Blood is the definitive portrait of the condemned man of rock'n'roll, from the baptism of fire and tragedy that was the New York Dolls, through the junkie punk years of the Heartbreakers, to his sudden and mysterious death in 1991. It is an unflinching account of a unique guitarist whose drug problems often overshadowed his considerable style and talent, but whose unquestionable influence on glam, punk, and more still resonates today."--

This book examines the role of the synthesizer and electronics in shaping the dystopian sound of electronic music in 1970s Britain, presenting a musicological analysis of a variety of acts-including Cabaret Voltaire, Gary Numan, Throbbing Gristle, The Normal, Visage, Fad Gadget-and considering background, influences, and technological approaches.

This unique, visually exciting look at the evolution of nightclubs across America and Europe since the 1960s reveals an unwavering truth about club culture-the one constant is change. Opening with the psychedelic haunts of the 1960s New York pop art scene and closing more than half a century later with the rise of post-club happenings, "Temporary Pleasure" shows how nightlife spaces have evolved to meet the needs of their generation, and how each generation was seeking something a little different from the one before. Each chapter focuses on a distinct phase and location: Italy's politically radical clubs of the '60s; New York City's disco scene; Detroit and Chicago's techno and house paradises; Ibiza's counterculture communal retreats; Britain's rave culture; and Berlin's techno scene. The clubs come to life in double-page spreads that feature specs and detailed profiles. Author John Leo Gillen offers his take on various important cultural, design, and architectural details, while numerous photographs offer their own vibey stories. The book features interviews with people who were involved in a number of the scenes included, from NYC disco mainstay DJ Justin Strauss to Ben Kelly, architect of Manchester's legendary venue The Haçienda. As the world emerges from its Covid-induced isolation, this celebration of crowded rooms, dance-worthy beats, and communal transcendence feels more important than ever.

The highly-anticipated first book-length prose text from acclaimed writer and translator Jen Calleja; a timely and daring exploration of xenophobia, cultural exploitation, historical suppression and the politics of literary translation.

The only book to consider Oi! as a distinct genre within punk rock, What Have We Got? is the story of a musical movement that became a national concern in the eighties and still divides opinion today.

Originally published: London: Jonathan Cape, 2009.

Late '70s San Francisco. The Summer of Love is a hazy memory, the AIDS crisis is looming, and nearby Silicon Valley is still an obscure place where microchips are made. The City by the Bay is reeling from a string of bizarre tragedies that have earned it a new name: the "kook capital of the world." Yet out of the darkness comes a creative rebirth, instigated by punk and sustained by the steady influx of outsiders who view the city as a place of refuge, a last resort. What ensues is a collision of sounds and ideas that spans the golden age of analog DIY culture, from the dark cabaret of Tuxedomoon and Factrix, the apocalyptic sounds of Minimal Man and Flipper, the conceptual humor of Gregg Turkington's Amarillo Records; through to the subversive pop music of Faith No More, the left-field experimentalism of Caroliner, Mr. Bungle, and Thinking Fellers Union Local 282, and much more. Drawing on extensive research--including interviews with over 100 musicians, artists, and other key players--WHO CARES ANYWAY is the first book to chronicle the wild post-punk San Francisco music scene, courtesy of those who lived it. It's a tale full of existential drama, tragic anti-heroes, dark humor, spectacular failures--and even a few improbable successes.

The rise and fall of Some Bizzare the label that introduced the world to Soft Cell, Depeche Mode, and The The is the great untold story of alternative music.

A veritable treasure trove of valuable information and first-person reminiscences from America's Greatest Rock 'n' Roll Band, Carl Cafarelli's Gabba Gabba Hey is an engaging, fascinating and often humorous look at what made the Ramones tick, as recalled by the ones who made the magic happen.

Beginning in the late 1970s as an offshoot of disco and punk, dance-punk is difficult to define. Also sometimes referred to as disco-punk and funk-punk, it skirts, overlaps, and blurs into other genres including post-punk, post-disco, new wave, mutant disco, and synthpop. This book explores the historical and cultural conditions of the genre as it appeared in the late 1970s and early 1980s and then again in the early 2000s, and illuminates what is at stake in delineating dance-punk as a genre. Looking at bands such as Gang of Four, ESG, Public Image Ltd., LCD Soundsystem, The Rapture, and Le Tigre, this book examines the tensions between and blurring of the rhetoric and emotion in dance music and the cynical and ironic intellectualizing associated with post-punk.

A collection of autobiographical, fantastical and odd essays, short stories and columns, it's rites of passage narrative is unsettling, upsetting, darkly humorous and oddly uplifting, and charts a deeply personal course that, at times, it's audience will be intimately familiar with and instantly able to relate to.The central strand running through a lot of the book is punk, with the odd foray into science fiction.The second book from the fevered and over-wrought mind of Tim Cundle.Accompanied by the imaginative and beguiling art of Rachel Evans."If you have ever read and enjoyed Dan O' Mahoney's 'Four Letter Word', Henry Rollins' 'Black Coffee Blues' or just simply enjoy the art of telling a good story then 'What Would Gary Gygax Do?' is definitely worth your time"-Apathy & Exhaustion"The cultural reference points outside punk and hardcore are the likes of Planet of the Apes, Scooby Doo, Tiswas, Grange Hill and, of course, Star Wars. If you like taking a dry sardnonic potshot at life this book is for you"-Louder Than War

78 vibrant colored illustrations jump off the page, stimulating the visual senses. To conclude the book, the reader counts globes scattered on each page, a coloring activity (Hardback ONLY), and journaling which is a form of self-expression!

Art school Britain in the 1960s and 1970s - a hotbed of experimental DIY creativity blurring the lines between art and music. In Blank Canvas, multi-genre musician turned university lecturer Simon Strange paints a picture of the diverse range of people who broke down the barriers between art, life and the creative self. Tracing lines from the Bauhaus 'blank slate' through the white heat of the Velvet Underground and the cutting edge of the Slits, Blank Canvas draws on interviews with giants of the genre across music, gender and race spectrums, from Brian Eno to Pauline Black, Cabaret Voltaire to Gaye Advert. Illustrated is a picture of two decades erupting in a devastatingly diverse flow of outspoken originality as an eclectic range of musical styles and cultures fused. Does modern day music education suffocate the soul and inhibit the impact of the bohemian artist?This book asks questions of today's artists, musicians, and educators, looking for the essence of creativity and suggests how lessons learnt in and around art school education show a path for the cultural evolution of both musicians and artists hoping to create the future. Audience will include university students at all levels in popular music, popular culture and creative arts education. Academics, educators and researchers working in popular culture and creativity. May also appeal to a more general reader interested in popular culture and creativity. With a Blank Canvas, anything is possible...

Since the 1970s, the medium of video and multimedia art practice has been closely linked to the subcultural and countercultural movements. Art and music videos in particular demonstrate great subversive potential: artists and musicians oppose traditional values, exploring and repeatedly transgressing social norms and gender stereotypes.This publication reviews artistic strategies in the context of a history of punk and its offshoots, combining scholarly opinions from the fields of art history, queer theory, media studies, gender studies, postcolonial studies, and cultural studies on an equal footing with field reports from the practice of alternative archives and artistic image essays.

"As a member of Poster Children, Rose Marshack took part in entwined revolutions. Marshack and other women seized a much-elevated profile in music during the indie rock breakthrough while the advent of new digital technologies transformed the recording and marketing of music. Touring in a van, meeting your idols, juggling a programming job with music, keeping control and credibility, the perils of an independent record label (and the greater perils of a major)-Marshack chronicles the band's day-to-day life and punctuates her account with excerpts from her tour reports and hard-learned lessons on how to rock, program, and teach while female. She also details the ways Poster Children applied punk's DIY ethos to digital tech as a way to connect with fans via then-new media like pkids listservs, internet radio, and enhanced CDs. An inside look at a scene and a career, Play Like a Man is the evocative and humorous tale of one woman's life in the trenches and online"--

"While working as a photographer's model, gallery usher, and exotic dancer, Dorothy "Max" Prior witnessed the births of Adam and the Ants, The Monochrome Set, The Sex Pistols, and Throbbing Gristle, as well as drumming in her own cult band Rema Rema and recording with Industrial Records. Her exuberant commentaries, each presented as a stand-alone episode, illustrate the multilayered nature of the London music, art, and fashion worlds of the late 1970s, and the overlap between the early punk scene with the city's rapidly evolving club and queer cultures."--Provided by publisher.

Detailing his experiences as a young, queer Mexican American in 1970s Los Angeles, the legendary guitarist, who was part of three groundbreaking and influential groups--Nick Cave and the Bad Seeds, the Cramps and The Gun Club--presents this memoir of personal transformation, addiction and recovery, friendship, and belonging.

An oral history of the legendary band Primus, with a star-studded cast of interviewees (Tom Waits, Phish front man Trey Anastasio, etc.)

This several hours-long interview took place in the summer of 2018, with Aragorn!, a longtime anarchist involved in a large number of projects and communities. He describes growing up in the hardcore punk scene, how he got involved with anarchism and political organizing and writing, his inspirations and motivations, what modern politics mean for anarchism, and what it means to commit yourself to truly go against the grain. More than just one person's story, this is a fascinating document mapping the development of counterculture and anarchist movements across four decades, from the Reagan years to the emergence of the internet. This is part of the ongoing Anarchist Oral History Project, and was published on its own in memory of Aragorn!, who passed away in February, 2020.

During the heyday of the late '80s indie underground, high school sweethearts Bela Koe-Krompecher and Jenny Mae Leffel moved together from small-town Ohio to the big city of Columbus to pursue education and a dream of something more. When they arrived, the two met Jerry Wick, a prickly malcontent and lead singer of the punk rock band Gaunt, and the trio quickly forged a contentious friendship that would be challenged for the next 20 years by addiction, mental illness, homelessness, divergent whims and tragic paths. They bonded over their obsessive love of music, especially the scrappy, welcoming world of independent labels and bands, where heroes could be a neighbor, a bartender or even a know-it-all behind the counter of a record store. Through the label Koe-Krompecher and Wick launched, and the music Leffel made, these three friends gained fans nationwide and garnered unexpected critical acclaim from The New York Times, Entertainment Weekly, SPIN and more while sharing the stage with bands like Superchunk, Mudhoney and Guided by Voices. At its heart, Love, Death & Photosynthesis is a story of the love between friends and the power of music to pull people together--often in spite of themselves--in the universal search for connection.

Growing up immersed in the feminist, DIY values of punk, Riot Grrrl, and zine culture of the 1990s and early 2000s gave Eleanor Whitney, like so many other young people who gravitate towards activism and musical subcultures, a sense of power, confidence, community, and social responsibility. As she grew into adulthood she struggled to stay true to those values, and with the gaps left by her punk rock education. This insightful, deeply personal history of early-2000s subcultures lovingly explores the difficulty of applying feminist values to real-life dilemmas, and embrace an evolving political and personal consciousness. Whitney traces the sometimes painful clash between her feminist values and everyday, adult realities -- and anyone who has worked to integrate their political ideals into their daily life will resonate with the histories and analysis on these pages, such as engaging in anti-domestic violence advocacy while feeling trapped in an unhealthy relationship, envisioning a unified "girl utopia" while lacking racial consciousness, or espousing body positivity while feeling ambivalent towards one's own body. Throughout the book, the words and power of Bikini Kill and other Riot Grrrl bands ground the story and analysis, bringing it back to the raw emotions and experiences that gave this movement its lasting power while offering a complex, contemporary look at the promises and pitfalls of Riot Grrrl-informed feminism.

Philadelphia, 1985. A once bustling industrial metropolis is now a veritable wasteland, rife with joblessness, homelessness and explosive racial tensions. Out of the swill and misery, a familiar anarchistic sound has returned to the scene and there's a new, wild tribe of kids ready to show the city and America the error of its ways, whether either's ready for their political and musical take on things, or not.Nineteen year old Gemma 'Swan' Stinson, a tall, sultry hellcat with long, dark auburn hair, piercing green eyes and fingernails as sharp as switchblades, is a tenacious street kid who's turned her abusive, addictive, catastrophic life around, becoming a brilliant college student, vigilant activist and a hard-working punk rock busker whose guitar prowess and exquisitely ranged voice leave her with dreams of a better life but never quite remove her from a flawed, complex and nightmarish past, or a resurfacing sinister figure, hoping to crush everything she loves.Gem's undying devotion for her adopted punk family, the Misfits, is surpassed only by her love for eighteen-year-old classmate and singer, Robert 'Robbs' Cavelli, a New York expatriate with a conflicted view of where his future lies. Sharing in Gem's distaste over current politics, Rob rebels against his conservative upbringing in the suburban hell of Bucks County, Pennsylvania, which ultimately fuels his ambition to write the songs committing them to being "Punks for Life."Narrated from Rob's literary perspective, PUNKS and the subsequent novels of the trilogy is an unrestrained ride of humor and heartbreak, triumphs and tragedies and envelops them into the riotous punk scene at famous venues such as Trenton's City Gardens, New York's CBGB's and Philly's underground clubs.Rolling the dice on life's gambles, will Gem and Rob fall victim to the will of the streets or stand tall against them, because when you have the love of each other and your music, the chance to make it big, and your faithful tribe of punks, you've got nothing left to lose.